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This isn't an half bad sequel to the entertaining "Naked Gun" (1988) with Leslie Nielsen reprising his hapless "Drebin" character. This time he teams up again with "Ed" (George Kennedy) and "Nordberg" (OJ Simpson) to try to thwart the ambitions of big business in the energy sector. To protect their control over domestic power consumption, these moguls arrange for the kidnapping of a scientist - "Dr. Mainheimer" (Richard Griffiths). He is about to publish a far reaching report extolling the viability of solar power as a cheap and available source of electricity for everyone. Things is, though, it's not just a simple kidnap - they plan to substitute this learned man with a fraud who will ensure they retain their monopolies for years to come. Can the "Police Squad" get their act together in time...? It all gets a little more precarious when we discover that "Jane" (Priscilla Presley) is the assistant to the professor - and renewing his association with her after a while sets Drebin into many a comedy tailspin. As with the first film, the humour is quick-fire, contemporary and often more Laurel & Hardy than, well, Laurel & Hardy. Griffiths was a good comedy actor, his facial expressions and his sheer size were attributes he new well how to exploit to elicit a laugh. There is loads of on screen chemistry too to enjoy here, and it's not even ninety minutes so there's not enough time to get bored by the rather formulaic plot. That last point is what drags it down. It is difficult to reinvent the wheel, and to be honest very little effort appears to have gone into making this sufficiently different from the first outing. It's just too similar, with too many punchlines you can see from space. Still, it does what it says on the tin - and it does raise a smile - just not a guffaw.
**A sequel that closely follows the initial film, although it may not be as strong.** After a predictable success with the first film, the sequel was already predictable and the public flocked to see a new dose of madness, with Leslie Nielsen in great form. When watching this film forty years after its commercial debut, it is not difficult to recognize some merit: the film has aged very well and continues to be entertaining today. I recognize that the style of humor in this film will not be to everyone's liking, as it is solidly based on “slapstick” and double meanings with a strong sexual connotation, however it is frankly more elegant and intelligent than many modern comedies of our day. The dialogues are quite idiotic, to be nice, but that also has its joke. Leslie Nielsen is the big star, and much of the film's quality is based on her participation and the inspired way in which she interprets her clumsy character. In fact, the rest of the cast doesn't interest us at all: they are there because they simply have to be. Okay, we can consider that Priscilla Presley took some extra care in the way she acted and has good enough material for the actress to work on her character successfully. Richard Griffiths also deserves positive marks, being another exceptional addition to a fairly bland supporting cast. The film's weakest point turns out to be the script: the story, created to support the film and serve as a skeleton for the avalanche of jokes created for it, is so weak that it is almost unnoticeable. After the first half of the film, I found it very difficult to remember why it all started. I really felt like the story didn't count, just the jokes and funny dialogues. This is a problem, compared to the first film, where the story told, however insane it was, was stronger and better written. The film also has good production values, including the sets, costumes and visual, special and makeup effects.
A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television.
Now a rising young lawyer, Elle Woods is about to make partner at her firm, but when she finds out her dog's relatives are being used as cosmetic test subjects, she heads to Washington D.C. to fight for animal rights.
Tom Ripley is a talented mimic, moocher, forger and all-around criminal improviser; but there's more to Tom Ripley than even he can guess.
Three sisters - Georgia, Eve, and Maddy - do what they do best with life, love, and lunacy on the telephone lines that bind - when their curmudgeonly father, Lou, is admitted to a Los Angeles Hospital. After years of wild living, intermittent affection, and constant phoning, he is finally threatening to die.
In a seaside California town, best friends Mac and Nick are on opposite sides of the law. Mac is a former drug dealer trying to clean up his act, while Nick is a high-profile detective trying to take down a Mexican drug lord named Carlos. Soon Nick's loyalties are put to the test when he begins an affair with restaurateur Jo Ann - a love interest of Mac's - unwittingly leading his friend into a police-orchestrated trap.
High school misfits Stoney and Dave discover a long-frozen primeval man buried in their backyard. But the thawed-out Link—as the boys have named him—quickly becomes a wild card in the teens' already zany Southern California lives. After a shave and some new clothes, Link's presence at school makes the daily drudgery a lot more interesting.
What happens when a director and his six friends come up with stupid ideas again? They become even stupider shorts.
Ollie is a love-struck private who is drilled by his unsympathetic lieutenant at reveille. The colonel of the regiment wants his daughter to marry the lieutenant but she has her heart set on the chubby-faced Hardy, who himself is in love with another woman. He is thrown into a cell for disobeying orders, where he later escapes with the assistance of his sweetheart, and a casual touch of assault when he bumps the guard with his large stomach. The final chase scene ends with everyone getting what they want.
The team behind Scary Movie takes on the comic book genre in this tale of Rick Riker, a nerdy teen imbued with superpowers by a radioactive dragonfly. And because every hero needs a nemesis, enter Lou Landers, aka the villainously goofy Hourglass.
Xixo is back again. This time, his children accidentally stow away on a fast-moving poachers' truck, unable to get off, and Xixo sets out to rescue them. Along the way, he encounters a couple of soldiers trying to capture each other and a pilot and passenger of a small plane, who are each having a few problems of their own.