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The Fifth Estate - (Nov 17th)
Austin City Limits - (Nov 17th)
TMZ Live - (Nov 17th)
The View - (Nov 17th)
The Last Socialist Artefact - (Nov 17th)
LIVE with Kelly and Mark - (Nov 17th)
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Ottoman Empire by Train - (Nov 17th)
Romesh Ranganathans Parents Evening - (Nov 17th)
The Beat with Ari Melber - (Nov 16th)
Michael McIntyres The Wheel - (Nov 16th)
Strictly Come Dancing- It Takes Two - (Nov 16th)
The Chase - (Nov 16th)
GRAND SUMO Highlights - (Nov 16th)
Legends of Comedy with Lenny Henry - (Nov 16th)
Fisk - (Nov 16th)
Alan Carrs Picture Slam - (Nov 16th)
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The Kitchen - (Nov 16th)
Saturday Kitchen Live - (Nov 16th)
Anjali Menon's Bangalore Days was overlong with a plot filled with cliches — a marriage where the man is unable to forget his past love and accept his wife (a sort-of Mouna Ragam with the roles reversed), an impulsive, aimless individual learning to enjoy life after falling in love with a girl who is a motivational figure, a goofball character whose 'romance' is used largely for laughs, and even a climax that involves stopping a character from going abroad! And yet, the film worked and connected with its audience, because it played out more as a wish-fulfillment fantasy, invoking nostalgia (cousins enjoying each other's company), and filled with feel-good moments that one savour many times. But mostly, the cast, which included the younger generation of Mollywood, was simply terrific. No wonder that when the cast of Bangalore Naatkal was revealed, the news was met largely with dismay. But, surprisingly, this remake works to a large extent (if you haven't seen the original, even better), because the director, Bommarillu Bhaskar hasn't made any drastic change to the original script and manages to capture the emotional drama of the scenes. The film is still overlong (despite clocking in at 156 minutes compared to the original's 172) and does take a bit of time to warm up to — the initial scenes are bland and the lead trio, especially Simhaa, are stiff and do not project the conspiratorial closeness that cousins share. Bhaskar is also unable to capture the rural setting. But once the action shifts to Bangalore, the scenes become more casual and free-flowing. It also helps that the three characters are finding themselves in a new situation and that makes their performances feel real. Sri Divya might not be as chirpy as Nazriya, but she gives a confident performance as a small-town girl in a big city. The only issues are her whiny voice (the actress has dubbed for herself) and the out-of-sync dialogues in the initial scenes. Arya, in fact, is more believable as Arjun, because the role is that of a biker and requires him to be a moody individual who doesn't show his emotions on the outside. We even get used to Simhaa after a point, but Rana Daggubati is clearly miscast. The actor can do brooding roles but here, as Prasad, a newly married man who is unable to forget his girlfriend (Samantha), he doesn't project the character's reluctance to let his wife into his life. The sub-plot involving Kutty's mother and father does not feel as organic as they did in the original (even there, they seemed a bit unnecessary) but it delivers the laughs here and Saranya Ponvannan has a great time playing the role of a woman who gets to satisfy her yearning for city life. But then, we begin to care about these characters and their problems — Can Divya make Prasad forget his past and fall in love with her? Can Arjun discover the happiness in live and get together with Sara (Parvathy, who reprises the role she played in the original and is fantastic) before she moves to Australia? Can Kutty find his one, true love? — we are swept up by the narrative (and Gopi Sundar's emotive score), despite the predictability, and start enjoying it.
A lonely boy wins over his distant father and strict grandmother with help from a brave velveteen rabbit whose one wish is to become a real rabbit someday.
Alice and Celine are inseparable and share everything, from their daily routines to their secrets. Their perfect harmony is shattered when one of their sons dies in a tragic accident while under Alice’s care. Celine blames Alice for the death of her child and becomes obsessed with protecting her surviving son from any harm. Alice, on the other hand, feels guilty and paranoid that Celine is plotting to harm her and her family. A gripping battle of wills ensues as the two women spiral into madness and violence.
Anbarasu, young and arrogant, and Nallasivam, damaged - physically but not spiritually - by life, are thrown together by circumstances, and find that they are in some ways bound together by fate.
Leif-Göran is looking for Joy from Thailand at the train station. They have never met in real life and now they will live together in the cold north of Sweden. A film filled with culture clashes and firewood.
Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.
The Theory of Everything is the extraordinary story of one of the world’s greatest living minds, the renowned astrophysicist Stephen Hawking, who falls deeply in love with fellow Cambridge student Jane Wilde.
After the success of the live 1957 Cinderella on CBS (with Julie Andrews), the network decided to produce another television version. The new script hewed closer to the traditional tale, although nearly all of the original songs were retained and performed in their original settings. Added to the Rodgers and Hammerstein score was "Loneliness of Evening", which had been composed for South Pacific but not used.
Three childhood friends, Martha, Walter and Sam, share a terrible secret. Over time, the ambitious Martha and the pusillanimous Walter have married. She is a cold businesswoman; he is the district attorney: a perfect combination to dominate the corrupt city of Iverstown at will. But the unexpected return of Sam, after years of absence, deeply disturbs the life of the odd couple.
The story of acerbic 1960s comic Lenny Bruce, whose groundbreaking, no-holds-barred style and social commentary was often deemed by the establishment as too obscene for the public.
a man helps a little kid find his mother but it turns out that the kid is a slum rat thief