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The Lyncastle Lasso. The Long Wait is directed by Victor Saville and adapted to screenplay by Alan Green and Lesser Samuels from the Mickey Spillane novel. It stars Anthony Quinn, Charles Coburn, Gene Evans, Peggie Castle, Mary Ellen Kay and Shirley Patterson. Music is by Mario Castelnuovo- Tedesco and cinematography by Franz Planer. Johnny McBride (Quinn) is a amnesiac who manages to get back to his home town of Lyncastle where he hopes to unravel who he is. But pretty soon he finds himself in a quagmire of trouble and strife... Every once in a while I come across an instance like this, where a film noir picture's reviews back upon its release were savage, and yet today the more modern noir lover is mostly positive about the pic. In fact IMDb's rating sits currently at 7.2, which as the site's users will attest to, is pretty good going. So where we at with this Spillane revamp? The complaints back in the day about it being dull and boring smack to me of writers back then not exactly understanding the noir ethos, though it's noted that there is the odd modern reviewer sharing the same complaint. It's a film very much erring on the side of bleak and moody, dabbling in the complexities of the human condition, and it's done very well, though the screenplay is hardly minus plot holes and is full of incredulous set-ups. We also have to buy into Quinn being catnip to the dames, four of them no less! But Quinn does angry and broody very well, and he gets to do lots of both here. The aura of a town paddling in its own muck is evident, the amnesia angle merely an excuse to keep things on the side of murky, for it's imperative that we feel Johnny McBride's confusion and mistrust, and we do. All of which is framed superbly by Planer's (Criss Cross) photography, which never misses a chance for shadows and low lights. With salty villains and sultry dames, violence and choice dialogue, and a few superb scenes (one sequence in an empty warehouse is stunning), this is very much a noir for noir lovers to sample. But with that in mind, these warnings should be noted, that as is often the way in noirville, the ending is divisive and the overt misogyny could well offend. 6.5/10
On the run from a dogged internal affairs agent, a corrupt cop reluctantly teams up with a defiant teen to unravel a conspiracy before it's too late.
A tyrannical landlady in Hemet, California lords it over her tenants, pitting them against each other in a web of paranoia spun for deadly results.
Spain. 1978. Year of the first democratic elections following the dictatorship, and of the birth cine quinqui (delinquent movies): films that rapidly became a big commercial success, showing things that were banned by the censorship not too long before.
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
A woman suffers from amnesia after killing her husband, who was just about to demand a divorce for having found her engaging in an affair with a lover, who is only interested in her to find where some precious jewels are hidden.
Detective Inspector Campbell (Gordon Jackson) looks into the murder of a teacher at a girls school where there are a number of suspects, including her colleagues and the married man she had been seeing.
Lemmy Caution is on a mission to eliminate Professor Von Braun, the creator of a malevolent computer that rules the city of Alphaville. Befriended by the scientist’s daughter Natasha, Lemmy must unravel the mysteries of the strictly logical Alpha 60 and teach Natasha the meaning of the word “love.”
A boxer (William Bishop) jailed for murder proves his girlfriend's (Ann Richards) wealthy father and a ward boss framed him.