B.C. Butcher

It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.

When Alice sees Eric kissing another girl, she is devastated. To make matters worse, her rival runs with her in the same relay team. If Marie thinks that she is going to get away lightly after stealing Eric, she is mistaken. Alice might only be thirteen, but there are two things that she is sure of: she can run faster than Marie and Eric is the man of her life.

A woman and her mother deal with the arrival of her father's dead body.

Tutor Jeronimo and heiress Josephe fall in love but are quickly torn from one another by execution and jail. However, when fate intervenes in the form of a massive earthquake, the two lovers have no idea what is in store for them.

Hye-jeong, a lonely young girl who has drifted away from her family and avoids personal relationships, works in a factory, lives in a shared apartment, and leads an insipid and meaningless existence until one night she discovers that she has become a ghost.

In New York to present her film Siberia, Joana Preiss documents the city through its pace and meetings. We are wrapped in a mysterious journey through her imagination, which is both breathtaking and hypnotic.

A quirky, aspiring actress is determined to make her dreams come true in Hollywood, but first she's got to overcome her biggest obstacle - herself.

The condensed filmic work of Abigail Child, borrowing strategies from found footage, Appropriation Art, Language Poetry and experimental music, stands a a landmark in the experimental cinema of the 1980's. The processing of interruption and fragmentation inform the series IS THIS WHAT YOU WERE BORN FOR?, reactivating the stakes of montage applied in different artistic practices.

In 1983, filmmaker and poet Abigail Child cut up old footage from Between Times, a documentary profile of high school girls in Minneapolis which she had produced for WNET/PBS back in 1975. That footage would then be integrated into work of a drastically different kind: The film was called Mutiny which, by its very name, signaled her abandonment of the humanist documentary tradition to which Between Times belonged, to become, in her words, “a prismatic rhythmic pinwheel” born of the artistic and political necessity to radically rethink form. Mutiny, in turn, stood as one of the most densely woven in a series of bold experiments that came to be known as Is This What You Were Born For?

The dance floor of a cruise ship. As each passenger is chosen, they choose a song on the jukebox and dance to it. But one passenger, playing a joke on another, selects a different song first. He keeps choosing that song, and eventually fills the jukebox with coins. It plays the same song over and over, and everyone is compelled to dance with the ship itself getting sick, while the man who was the brunt of the joke escapes in a rowboat.

A bird requires some assistance for his migratory flight south, but things don't quite go as planned.