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This is the French film that was remade as the 1987 treacly ubersuccess "Three Men and a Baby." They are both equally good, and for different reasons. Pierre (Roland Giraud) the architect, Michel (Michel Boujenah) the cartoonist, and Jacques (Andre Dussollier) the air steward all live in the same Paris apartment. Their swinging ways are turned upside down when Jacques' hitherto unknown infant child is left on the doorstep with a note attached from the mother saying she will be in the United States on a modelling shoot for a few months. Jacques is not there, either, as he is in the Far East. He did promise to hold a package for a friend, and Pierre and Michel assume baby Marie is it. Very similar to the remake, so far. The baby is given to drug dealers, who come looking for a "package" of heroin. The exchange is not made, and the police follow Pierre and Michel, looking for the narcotics. Strangely, halfway through the film, Michel hands off the heroin in a diaper to the dealer, and this plot, which never worked in either film, suddenly ends! No hidden camera, no dressing like a woman, and no eccentric detective. I wondered just what the heck these people were going to do for the rest of the film. This is where the darkness creeped in. The mother, Sylvia (Philippine Leroy-Beaulieu), comes home and takes the baby back. The three bachelors try to get back to their womanizing and drinking, but they are set upon by such an omnipotent depression, I thought I might have to call the mental health hotline. Michel and Jacques do see the baby on occasion, but try not to bond with it. Pierre is downright suicidal, laying in bed with a squeaky toy. While the first half of the film was not the light fluff of the remake, the second half was so sad and depressing, it gives many foreign films a bad name. The baby is cute, but all the adults here come off as self-centered. A birthday celebration where the shallow guests complain that a child is not "interesting" until it is a toddler was meant to be funny, but is a little painful to watch. In the end, the mother brings the baby back, and the men dance for joy. This was a truly happy scene, and I wish some more happiness had creeped in to other scenes. I can see why the remake made such a big fuss about the drug dealer subplot, can you imagine Tom Selleck looking like he wanted to die, and Steve Guttenberg stalking the model mom from afar? Women do not come off well at all, being either sexual toys for the men or completely selfish shrews who are only concerned with their own happiness, forget the kid. "Three Men and a Cradle" was good, but also ripe for the remake. The remake was good, but never should have spawned the excruciatingly awful sequel.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....
The Australian comedian Hannah Gadsby is taking an anti-comedy stance in her newest special.
Pastry chef Ben van Bommel runs a hitherto successful bakery, but lately run into trouble with the tax service. In order to save his business, he succumbs to criminal temptation. So he's persuaded to bake a cake with a valuable 'secret ingredient': smuggled drugs. Nobody could have foreseen the wide ramifications, such as who ends up saving Ben's bacon.
A stop motion film about an oddball felted character who slips through floors into the past and the deepest parts of his psyche in his pursuit of self-understanding.
In 1989, a misunderstood teenager has a high school crush — who just happens to be a handsome corpse! After a set of playfully horrific circumstances bring him back to life, the two embark on a murderous journey to find love, happiness…and a few missing body parts along the way.
Young Claudia works in a supermarket where she promotes various types of products. One night, she ends up in the emergency room with severe appendicitis and meets Martha, a patient, laying in the bed next to hers.
Gifted animator Leslie Supnet collaborates with Winnipeg storyteller Glen Johnson for this contemplative comic fantasy about a time-obsessed squirrel.
A 30 year-old scholar, intelligent and beautiful yet socially crippled, is forced to attend a bachelorette party where her quest for authenticity leads to an unavoidable confrontation with old acquaintances.