No. 10

Two tree-creatures hibernating underneath the bark of their trees wake up by the quakes produced by a snowfall outside. After going out, they become friends and delight at playing with the snow.

An intimate look at cinematographic creation, this visual essay shares with us secrets of the legendary Canadian animator Norman Mclaren and his personal view of filmmaking.

In this animated horror comedy, a cowardly dog named Courage must rescue his lovely owner, Muriel from a vengeful supernatural Fog. Eustace, Muriel's greedy husband, refuses to return the gold necklace belonging to the Fog's long lost love.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

A view of Sydney Harbour. Australia's feathered icon laughs the bridge into animation. The bridge dances to a rhythm created by the hype which sails beneath it. A parody of a view which people pay millions to be near.

A young policeman falls in love with a black panther.

Pre-school children tell by drawing and verbally what historical events we remember on the official holidays of the period of socialism.

A ballerina boards a ship.

The animation is made using quotes of Medieval Persian Poetry, to tell a fairytale love story between an wandering poet and a princess. To win her (and half the kingdom) he needs to fulfil 3 tasks given by the Caliph. The poem quotes are by Omar Kayyam (1048-1123) from Nishapur, now Iran; Babur (Zahiriddin Muhammad Bobur) (1483-1530) ( Founder of the Mogul Empire), born in Andijan in present day Uzbekistan; Nizami Ganjavi (1141-1209) from Ganja, now Azerbaijan link , Ali-Shir Nava’i ;(Alisher Navoi) (1441-1501) link from Herat, now Afghanistan. Perhaps good to remind you that Kalisher comes from the Region. Born in Ashchabat (Turkmenistan), he lived and worked until 1967 in Tasjkent, Uzbekistan. Followed by “The barefoot Erudite”(1988), and “The Obedient Pupil”(1991) the animation shows an interest in respectively Persian, Chinese and Indian wisdom and mysticism, not very common yet at the time in the atheistic oriented Soviet Union

The film portrays a post-human dystopia featuring faceless 3-D avatars continuously tortured in abstract digital space, a terrifying image of a future where all humanity is uploaded to a virtual purgatory and endlessly abused.