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Moon Maidens 2 2024 - Movies (Jan 12th)
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Apocalypse Z The Beginning of the End 2024 - Movies (Jan 10th)
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Home Town - (Jan 13th)
90 Day Fiance- Before the 90 Days - (Jan 13th)
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A Bite to Eat with Alice - (Jan 13th)
Very Scary People - (Jan 13th)
Countryfile - (Jan 13th)
GRAND SUMO Highlights - (Jan 13th)
Snapped - (Jan 13th)
The Sunday Show with Jonathan Capehart - (Jan 13th)
Grand Sumo Live - (Jan 12th)
Dancing on Ice - (Jan 12th)
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The Great Pottery Throw Down - (Jan 12th)
Sunday Brunch - (Jan 12th)
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This is one of those cases of a movie that should have worked way better than it did. Just the very idea of watching Earp and Mix solving some murder mystery in Holywood sounds incredible and fun to watch. However, Edwards' screenplay never truly finds its identity, floating between Neo-Noir, Western and Comedy. Maybe paired in Noir-Western or Comedy-Western it would've worked better: it just didn't know wheter to take itself seriously or not. That is, however, the only real problem with it. The production and time setting is awesome, with a shoutout to the costume design. Mix's especially. The colors are a sight to see, creating a warm-hot feel to the movie, reminiscent of the Western, but in a Noir setting. Mancini's soundtrack is one of the best I've ever heard. Perhaps as a consequence of the film's lack of true identity, Mancini went every which way with it. His "Sunday west" bits combined with more somber and serious tracks - reminiscent of his work on Touch of Evil (1958) - just complete each other so well. Willis is in a point in his career that is intersting to watch. Even before his greatest hit (and masterwork) Die Hard (1988), in which he hadn't found his persona yet. Still, he looks and sounds much like the star he would become months later, with a touch of Mix-cowboy in. He is a very "light" presence on-screen, and in the good way. McDowell is always a convincing actor, and his "Happy Hobo" Alfie Alperin is quite fun to watch - especially given the parallels to another Happy Hobo, Chaplin's The Tramp - but he isn't given a lot of screen time, and from the very beginning, it's quite clear that he is the villain. But the highlight of the film is the veteran James Garner. His incarnation of the legendary frontier lawman Wyatt Earp is (albeit anachronistic) one of the best. In my opinion, only second to Kurt Russell's in Tombstone (1993). That "hawk-eyed" archetype that Earp basically defines in pop-culture was very well-captured by Garner - even out of his "natural habitat" of the west. Sunset is a very fun, lighthearted buddy movie. It is a great movie that should have been an all time classic, yet it somehow feels right. It's a one-of-a-kind curio piece. And my heart says it deseves more recognition. Give or take a star or two.
Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, escaping life's troubles - even if just for a moment - by dreaming up little numbers to the rhythmic beats of her surroundings.
In the aftermath of a violent break in, a young woman held captive desperately fights for her freedom.
A group of men are told that they have won an "erotic vacation" at a fantasy island. In reality, they are being lured to the island by women they have wronged, and once there they are captured and set loose on the island to be hunted down.
The chilling true story of the "two of a kind" killing cousins, Angelo Buono and Kenneth Bianchi, better known as the Hillside Stranglers.
Evil poachers killing rhino’s who turn to butchering humans instead, blah, blah, blah... Deon Stewardson kills the main villain in a fight at a taxidermists workshop - impaling him on, wait for it, wait for it... a rhino horn!
One night per year, the government sanctions a 12-hour period in which citizens can commit any crime they wish - including murder - without fear of punishment or imprisonment. Leo, a sergeant who lost his son, plans a vigilante mission of revenge during the mayhem. However, instead of a death-dealing avenger, he becomes the unexpected protector of four innocent strangers who desperately need his help if they are to survive the night.
In 2009 three young men were killed in a remote part of Yellowstone National Park. Authorities never found the murderer. He found them! Hours after the trio were gunned down, Dwayne Nelson confessed to the crime. Despite this Nelson was allowed to go free because of an American Constitution loophole. Documentarian Julian T. Pinder travels to Yellowstone in a compelling chase for truth behind a crime that should have rocked the nation. How did a guilty man go free? In his hunt for answers Pinder risks his own life when he finds evidence that could re-open the case years later.
A retired couple, Bernard and Helen Martin, inherit a house in rural France. Bernard's father had liberated this same village from the Nazis during the Second World War, in a rage-fueled killing spree. This peaceful couple quickly become the target of a cruel gang of street kids, who terrorise the village. Plugged into their devices and devoid of empathy, they are a new breed of technological psychopath... Bernard and Helen's lives become a living hell as they are harassed and tormented by the gang. When pushed beyond breaking point, right or wrong no longer matters, survival is everything! Can Bernard live up to his father's legend? And could they live with the consequences? This is the old generation vs the new!
The Hallows Estate is on alert as strange graffiti tags with messages declaring the streets will be taken over on Halloween night begin to appear on walls around the place, along with sightings of strange figures lurking in the shadows. One of the gangs responsible for the serious anti social behavior that give the estate a bad name, decide to take these threats head on and ignore the curfew on Halloween night. But who ever, or what ever, this new threat is, they seem to have the very night on their side as they make good on their promise of claiming the streets by frightening and violent means.
When Vicki Maloney is randomly abducted from a suburban street by a disturbed couple, she soon observes the dynamic between her captors and quickly realises she must drive a wedge between them if she is to survive.
An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.