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This is one of those cases of a movie that should have worked way better than it did. Just the very idea of watching Earp and Mix solving some murder mystery in Holywood sounds incredible and fun to watch. However, Edwards' screenplay never truly finds its identity, floating between Neo-Noir, Western and Comedy. Maybe paired in Noir-Western or Comedy-Western it would've worked better: it just didn't know wheter to take itself seriously or not. That is, however, the only real problem with it. The production and time setting is awesome, with a shoutout to the costume design. Mix's especially. The colors are a sight to see, creating a warm-hot feel to the movie, reminiscent of the Western, but in a Noir setting. Mancini's soundtrack is one of the best I've ever heard. Perhaps as a consequence of the film's lack of true identity, Mancini went every which way with it. His "Sunday west" bits combined with more somber and serious tracks - reminiscent of his work on Touch of Evil (1958) - just complete each other so well. Willis is in a point in his career that is intersting to watch. Even before his greatest hit (and masterwork) Die Hard (1988), in which he hadn't found his persona yet. Still, he looks and sounds much like the star he would become months later, with a touch of Mix-cowboy in. He is a very "light" presence on-screen, and in the good way. McDowell is always a convincing actor, and his "Happy Hobo" Alfie Alperin is quite fun to watch - especially given the parallels to another Happy Hobo, Chaplin's The Tramp - but he isn't given a lot of screen time, and from the very beginning, it's quite clear that he is the villain. But the highlight of the film is the veteran James Garner. His incarnation of the legendary frontier lawman Wyatt Earp is (albeit anachronistic) one of the best. In my opinion, only second to Kurt Russell's in Tombstone (1993). That "hawk-eyed" archetype that Earp basically defines in pop-culture was very well-captured by Garner - even out of his "natural habitat" of the west. Sunset is a very fun, lighthearted buddy movie. It is a great movie that should have been an all time classic, yet it somehow feels right. It's a one-of-a-kind curio piece. And my heart says it deseves more recognition. Give or take a star or two.
In the midst of Nazi air raids, a postman dies on the operating table at a rural hospital. But was the death accidental?
When various trustees of the Van Traylen Orphanage begin dying in close order, it's at first written off as a coincidence. But, when a school bus accident very nearly takes out three more of them along with a group of orphans, Col. Bingham and his pathologist friend, Mark, begin looking into the deaths. They come to think the answer lies with one of the girls on the bus, who has vivid memories of things she could not possibly have seen.
After inexplicably surviving a plane crash, TV station worker Denise tries to get on with her life. After she learns that she was actually supposed to die in the crash, the unseen specter of death starts sending its minions, people that have recently died, to collect her.
A wealthy family is blackmailed. Murder results. And a nurse at the scene of the crime is determined to figure out who-done-it.
A film producer murders his star actress during an erotic "game" and makes it look like suicide. The dead girl's lesbian lover discovers what happened, and plots her revenge.
A wealthy, eccentric chemical company owner sends his woman to get an American writer to take a mind control drug, Kemek, to verify its potential. She accomplishes her mission, but falls totally in love with the writer. The chemical magnate, satisfied with the results of the test, rewards her with murder, just as she is about to flee to Naples with her new lover. Her ex-husband and a private detective track the killer behind it all to a remote hideaway to unravel the solution.
A Midwestern ingenue arrives in Hollywood to try her luck as an actress. An incompetent agent hooks her up with a production company which specializes in low budget B-movie fair, which starts being plagued by strange, deadly accidents.
When a gunman opens fire on a crowded city bus in San Francisco, Detective Dave Evans is killed, along with the man he'd been following in relation to a murder. Evans' partner, Sgt. Jake Martin, becomes obsessed with solving the case.
Singing cowboy Monte Hale plays "himself" in the Republic western Last Frontier Uprising. Actually, he's not really himself, but a federal agent, dispatched to Texas to buy horses on behalf of the government. Hale runs up against a vicious gang of horse thieves, including such veteran western hard cases as Roy Barcroft and Philip van Zandt. The romantic interest is in the dainty hands of Adrian Booth, who used to go by the name of Lorna Gray. Put together with the standard Republic efficiency, The Last Frontier Uprising benefits from the breathless direction of Lesley Selander.
A Grieving mother suspects that her son's ex-girlfriend may have been involved in his death.