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Blood Free - (Apr 24th)
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How do you introduce an incestuous romantic comedy, an action thriller with a twist, a ghost comedy, and a tale within a tale? Aviyal answers it with Shameer Sultan's wacky prelude that has an actor talking. It is only when it ends that we realise that he has been preparing us for what is to follow. Sruthi Bedam has a storyline that if attempted in a mainstream film today will have one organisation or the other protesting. A young man is attracted to the guest who has come to his home. She is a looker and is only a year older to him, though there is a hitch — she is his chithi (aunt)! Director Mohit Mehra treats this Balachander-ish plot as a comedy. There is a friend character, who advices the hero how wooing the woman is wrong even as he subtly eggs on the smitten guy with voyeuristic delight. The way Mehra keeps us guessing about the motives of woman adds to the suspense. In Lokesh Kanakaraj's Kalam, a filmmaker and his friends go after a pickpocket and his cronies, who have stolen from them a CD and pen drive containing their short film. What starts off as a low-key thriller turns into an action film (with the action being choreographed against an Aiyappa song!). There is a twist as well, and it is pulled off commendably. Two friends go on a trip to Rameswaram with the ashes of their dead friend. That is the premise of Kanneer Anjali, which is somewhat a rambling film, with hot-or-miss humour. The tale takes a turn when the duo (or, should we say trio?) gets acquainted with a drug smuggler en route, but Guru Smaran's film lacks the tautness of the other films. The acting, too, feels amateurish. But the anthology ends on a high with Alphonse Putharen's Eli, which seems to have been made prior to his Neram days. Bobby Simhaa and Nivin Pauly play the leads here as well, and even their appearances are similar to what was in that film. A gangster narrates a story and we get the actions that happen in both these stories, interrupted often by the noise from a (unseen) couple's lovemaking. It is visually splendid and shows why Putharen has come to be one of the most exciting filmmakers today. Plot-wise, the shorts in Aviyal are streets ahead of those that formed the first edition, Bench Talkies. They are daring, wacky and fresh. A couple of these films even manage to transcend the made-for-TV visual style of shorts. It will be interesting to see what Karthik Subbaraj (who is one the project's backers) and co serve us next.
Twisted horror segments intertwined with cute, fluffy, family-friendly hamster videos. The filmmakers were so preoccupied with whether or not they could, they didn't stop to think if they should.
Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.
Eighteen very different stories are told in this horror anthology film, as we get to see time travel, robots, aliens, murder, killer dolls and even the apocalypse.
Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
Five directors tackle five short stories playfully tied together in one dark, twisted, humorous film about what goes on behind the door of room 316.
Four nerve-wracking psychological thrillers in short film format. Cruel games with drastic endings. Each time a woman is involved, a knife, a murder...
Vignettes weaving together the stories of six individuals in the old West at the end of the Civil War. Following the tales of a sharp-shooting songster, a wannabe bank robber, two weary traveling performers, a lone gold prospector, a woman traveling the West to an uncertain future, and a motley crew of strangers undertaking a carriage ride.
Of late, Kago has also taken to posting his even less-known video work to his YouTube channel. In these jokey short films, many of them crudely animated, Kago's sick sense of humor reaches its full heights of absurdity. There's a playful surrealist sensibility to Kago's work, as well as a tendency to revel in the ridiculous, the crude and the disturbing. His work straddles a weird boundary between avant-garde experimentation and low-brow fart jokes — the punchline of one of these films is literally an oozing torrent of shit — although, admittedly, his videos seem to lean a bit more heavily towards the fart jokes than his comics. But hey, who doesn't appreciate a good fart joke once in a while?