The Man Who Stole Dreams

A young woman follows a trail of colored threads that leads deep into a thick dark forest, untangling them as she goes, hoping to find the answers to her lingering fears.

Adventure awaits 12 year old Brendan who must fight Vikings and a serpent god to find a crystal and complete the legendary Book of Kells. In order to finish Brother Aiden's book, Brendan must overcome his deepest fears on a secret quest that will take him beyond the abbey walls and into the enchanted forest where dangerous mythical creatures hide. Will Brendan succeed in his quest?

A ne'er do well father and ex-husband who always raced his way through the holidays is forced to relive Christmas Day time and again until he gets it right in this family oriented fantasy comedy starring Jay Mohr. It's Christmas time once again, and as usual Kevin (Moore) is scrambling to get his son Ben a last minute gift before stopping by his ex-wife Jill's house for a quick swig of eggnog. Ben can't stand Jill's impossibly perfect new boyfriend, and the prospect of spending the entire evening with his former inlaws is nearly too painful to ponder. But this Christmas things are going to be different, because this Christmas might just last forever. At first Kevin resists the curious development by simply reverting to his childish ways, though he is about to find out that sometimes in order to build a better future one must finally make amends with the past. ~ Jason Buchanan

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

Wendy Tilby's Tables of Content was her graduation film from the Emily Carr College of Art and Design, Vancouver in 1986. The movie transports one into another era, an earlier age of gentility and reticence, set in a rather stuffy restaurant during the day.

Meet the doers and dreamers who made America great - including John Henry, the railroad builder who proved the value of believing in oneself. Journey with giant lumberjack Paul Bunyan as he clears the land for American settlers. Follow the trail of the beloved American Icon Johnny Appleseed, who planted apple trees which blossomed along the new frontier. Then, take an unforgettable ride with Casey Jones, The Brave Engineer who never failed to deliver the mail...no matter how difficult the route!

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

In Bogota, a bird-girl leaves behind the family home, her domineering mother and faithful dog to go and explore her sexuality.

Shrek and his friends enjoy themselves with some Karaoke partying.

Pride is the first of the seven deadly sins. The introduction is made through early allegorical forms and figures (triumphal procession, dance of death, Baroque tragedy etc.) The triumphal procession of the giant haystack as a symbol of human vanities becomes a military parade of abrupt, functional and arrogant gestures. The most diverse musical fragments and rhythms intone the montage of details in the staged triumphal procession, juxtaposed with documentary images, including marches, ticker-tape parades and military review.

The peaceful daily routine of father and son is interrupted by an encounter of an unfamiliar boy, different from them in color. An allegory to the phenomena of racism as an acquired cultural epidemic, the story discusses the question of the personal conscience of each of us, versus the education we receive from our families and environment. Can we really insist on our personal belief system, when what we must believe in, is dictated to us? The film presents how easily we acquire fear and hatred of foreigners, as well as how easily we might become the "strangers" and "others" ourselves.