Braqueurs

Set in Harlem in 1987, Claireece "Precious" Jones is a 16-year-old African American girl born into a life no one would want. She's pregnant for the second time by her absent father; at home, she must wait hand and foot on her mother, an angry woman who abuses her emotionally and physically. School is chaotic and Precious has reached the ninth grade with good marks and a secret; She can't read.

In this entry in the MGM "Crime Does Not Pay" series young Frank Davis, dropping out of school and joining a small-time hoodlum gang, finds out that leading a life of crime is not all he thought it would be.

A gangster escapes jail and quickly makes plans to continue his criminal ways elsewhere, but a determined inspector is closing in.

In Paris, Bob Montagne is practically synonymous with gambling - and winning. He is kind, classy and well-liked by virtually everyone in town, including police inspector Ledru. However, when Bob's luck turns sour, he begins to lose friends and makes the most desperate gamble of his life: to rob the Deauville casino during Grand Prix weekend, when the vaults are full. Unfortunately, Bob soon learns that the game is rigged and the cops are on to him.

The swinging London, early sixties. Beautiful but shallow, Diana Scott is a professional advertising model, a failed actress, a vocationally bored woman, who toys with the affections of several men while gaining fame and fortune.

In this Frenco-Italian gangster parody, a shop keeper on his way to an Italian holiday suffers a crash which totals his car. The culprit can only compensate his ruined trip by driving an American friends car from Napels to Bordeaux, but as it happens to be filled with such contraband as stolen money, jewelry and drugs, the involuntary and unwitting companions in crime soon attract all but recreational attention from the "milieu".

A neurotic, twice-divorced sci-fi writer moves back in with his mother to solve his personal problems.

Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'

Harry is a 23-year-old former boy band idol who is watching his younger brother Max, 16, follow in his footsteps. Harry has detoured on his way to a Japanese concert tour to escort Max on a long-promised camping adventure. Their trip begins on a note of camaraderie but quickly turns serious as old wounds resurface, forcing them to come to terms with their dysfunctional past-Harry's drinking problems, his disconnection from the family, and, most of all, his relationship with Max and the emotional dependency that keeps them from moving into adulthood.

James Reese has a good job as an ambassador's aid in France, but his real passion is a side gig—working in a minor role in the CIA. He would love to be a full-fledged agent and can't believe his luck when he lands an assignment with Charlie Wax. Trigger-happy Charlie soon has James crying for his desk job, but when he learns that the same guys they're trying to catch are after him, James realises that Charlie may be his only hope of survival.

An aging gangster, Fernand Naudin is hoping for a quiet retirement when he suddenly inherits a fortune from an old friend, a former gangster supremo known as the Mexican. If he is ambivalent about his new found wealth, Fernand is positively nonplussed to discover that he has also inherited his benefactor’s daughter, Patricia. Unfortunately, not only does Fernand have to put up with the thoroughly modern Patricia and her nauseating boyfriend, but he also had to contend with the Mexican’s trigger-happy former employees, who are determined to make a claim.