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**A little boring with a great car chase scene.** Even though Ronin had shootouts, great chase sequences, and classic actors, I was bored and on my phone throughout the whole thing. Nothing was particularly bad about this film. There were actually great parts! But somehow, the sum of all its parts just equaled a movie that left me wanting. Releasing four years after Leon: The Professional, this could have been much better.
It would not be fair to describe a "Ronin" as a rogue; more a mercenary without loyalty to any one particular person or cause. So, Natasha McElhone "Deirdre" hires a few of these to relieve a man of a suitcase that is bound for the Russians. What follows is as internecine a thriller as you will ever see. It's full of scheming and double-scheming with "Sam" (Robert De Niro) and "Vincent" (Jean Reno) never quite sure who is or is not on their team as the suitcase changes hands more times that the wonderfully elegant Katarina Witt changes her skates. Stellan Skarsgård; Sean Bean; Jonathan Pryce and Michael Lonsdale all help to keep them, and us, guessing pretty much right to the end. It does suffer a little from a preponderance of shoot outs that couldn't hit a barn door with a shovel; and the car chases do begin to get wearisome after a while, but over all John Frankenheimer manages to keep the quality of the action to a high enough standard to compensate. The dialogue is a bit basic, as are the characterisations - this has no depth nor underlying political agenda/statements - not the I could discern, anyway - it is just a good old fashioned thriller with a first rate cast who are unchallenged by their tasks - and therefore are perfectly plausible.
'Ronin' was somehow an unknown to me as of weeks ago. I say that because... what a cast! How have I at least not heard of this in passing in all my years on this Earth? That plus the type of plot makes this right up my alley, on paper I'd love it and, pleasantly, in reality I do too. The film is particularly excellent visually, the cinematography is quality and the stunts are outstanding; even little things, like the initial old movie-esque end credit font is nice to look at. The score is also a plus point, which is evidently one of many bits that this has going for it. Robert De Niro, Jean Reno, Natascha McElhone, Stellan Skarsgård, Sean Bean, Jonathan Pryce, Michael Lonsdale... as already noted, this 1998 release features a stellar cast list. De Niro is the main ace of the pack here, though Reno and McElhone are especially worthy of note. I will say that the ending is less entertaining than anticipated, which is a surprise. It's not a disappointing conclusion whatsoever, I still liked it, but it did feel like a weird sorta drop-off from what proceeds in terms of pacing and all that. Again, not really much of an issue to be honest.
Terrorists hijack a 747 inbound to Washington D.C., demanding the release of their imprisoned leader. Intelligence expert David Grant (Kurt Russell) suspects another reason and he is soon the reluctant member of a special assault team that is assigned to intercept the plane and hijackers.
A cabdriver and a cop race to Paris to rescue a love interest and the Japanese minister of defense from kidnappers.
Copenhagen, Denmark, 1962. When a high-ranking Soviet official decides to change sides, a French intelligence agent is caught up in a cold, silent and bloody spy war in which his own family will play a decisive role.
This story starts in 1980 in Paris as the memories of Andrei Borodin, a Soviet agent, take the action back to 1943 during the Teheran meetings of Stalin, Roosevelt and Churchill. A high-ranking Nazi officer developed a plan to assassinate the three world leaders in order to undermine the Allied forces. He commissioned the German agent Max Richard to carry out his plan, but it failed miserably due to the quick action and thinking of Andrei. While in Teheran, Andrei met a French woman, Marie Louni, living in the city and they had a brief but intense affair. Nearly four decades later, the Nazi officer has been captured - but not for long. Freed by terrorists, the officer is hunting down the German agent who failed to carry out the planned assassinations. Max lives at Françoise, a young French woman, who hides him.
A women meets a charming man and falls in love, they get married and start a family. As they age and have children, the man's becomes violent and abusive.
Former Special Forces officer Frank Martin will deliver anything to anyone for the right price, and his no-questions-asked policy puts him in high demand. But when he realizes his latest cargo is alive, it sets in motion a dangerous chain of events. The bound and gagged Lai is being smuggled to France by a shady American businessman, and Frank works to save her as his own illegal activities are uncovered by a French detective.
A man named Mr. Smith delivers a woman's baby during a shootout, and is then called upon to protect the newborn from the army of gunmen.
When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show "Top Story."
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
After their narrow escape at the end of "Pitch Black," Riddick, Jack and the Imam find themselves at the mercy of a madwoman who intends to entomb Riddick forever as part of a twisted art exhibit. With little but a shiv and Riddick's innate viciousness to aid them, Riddick and his allies must find a way to escape from their captor and her band of mercenaries.