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**A little boring with a great car chase scene.** Even though Ronin had shootouts, great chase sequences, and classic actors, I was bored and on my phone throughout the whole thing. Nothing was particularly bad about this film. There were actually great parts! But somehow, the sum of all its parts just equaled a movie that left me wanting. Releasing four years after Leon: The Professional, this could have been much better.
It would not be fair to describe a "Ronin" as a rogue; more a mercenary without loyalty to any one particular person or cause. So, Natasha McElhone "Deirdre" hires a few of these to relieve a man of a suitcase that is bound for the Russians. What follows is as internecine a thriller as you will ever see. It's full of scheming and double-scheming with "Sam" (Robert De Niro) and "Vincent" (Jean Reno) never quite sure who is or is not on their team as the suitcase changes hands more times that the wonderfully elegant Katarina Witt changes her skates. Stellan Skarsgård; Sean Bean; Jonathan Pryce and Michael Lonsdale all help to keep them, and us, guessing pretty much right to the end. It does suffer a little from a preponderance of shoot outs that couldn't hit a barn door with a shovel; and the car chases do begin to get wearisome after a while, but over all John Frankenheimer manages to keep the quality of the action to a high enough standard to compensate. The dialogue is a bit basic, as are the characterisations - this has no depth nor underlying political agenda/statements - not the I could discern, anyway - it is just a good old fashioned thriller with a first rate cast who are unchallenged by their tasks - and therefore are perfectly plausible.
'Ronin' was somehow an unknown to me as of weeks ago. I say that because... what a cast! How have I at least not heard of this in passing in all my years on this Earth? That plus the type of plot makes this right up my alley, on paper I'd love it and, pleasantly, in reality I do too. The film is particularly excellent visually, the cinematography is quality and the stunts are outstanding; even little things, like the initial old movie-esque end credit font is nice to look at. The score is also a plus point, which is evidently one of many bits that this has going for it. Robert De Niro, Jean Reno, Natascha McElhone, Stellan Skarsgård, Sean Bean, Jonathan Pryce, Michael Lonsdale... as already noted, this 1998 release features a stellar cast list. De Niro is the main ace of the pack here, though Reno and McElhone are especially worthy of note. I will say that the ending is less entertaining than anticipated, which is a surprise. It's not a disappointing conclusion whatsoever, I still liked it, but it did feel like a weird sorta drop-off from what proceeds in terms of pacing and all that. Again, not really much of an issue to be honest.
Home cook Rachel, a sort of Ma Dalton, has raised her sons Sam and Jeremiah, and her grandson, Nathan, in the cult of conning. From bad plans to petty theft, this friendly family of broken arms is always after the big score. Luck or fate, during a burglary, they steal a painting by Tamara de Lempicka without knowing its value. Céleste, a shrewd and charming detective, sets out in pursuit.
William Thatcher, a knight's peasant apprentice, gets a chance at glory when the knight dies suddenly mid-tournament. Posing as a knight himself, William won't stop until he's crowned tournament champion—assuming matters of the heart don't get in the way.
Lincoln Rhyme was the department's top homicide detective and leading expert in criminal forensics until an injury left him paralyzed, depressed, and incapable of working. But when a gruesome murder in Manhattan leaves detectives baffled, they call on Rhyme to help solve the mystery. Amelia Donaghy, a rookie cop whose quick thinking preserved a gruesome murder scene, is enlisted by Rhyme to be his on-the-scene forensics expert. With Amelia reluctantly acting as Rhyme's able-bodied go-between, the pair piece together cryptic clues the killer leaves behind at the scene of the crime, hoping to catch the grisly serial killer.
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
When average, law-abiding citizens suddenly turn to a life of hedonistic behavior and violent crime, Detective Tom Beck is tasked with helping young FBI agent Lloyd Gallagher determine the cause.
Philippe Jordan is a policeman prone to advancing the cause of justice by any means necessary. On his agenda is a powerful drug cartel working out of Paris and Marseilles, with a drug lord who is essentially inaccessible - but not immortal.
About to be electrocuted for a catalog of heinous crimes, the unrepentant Horace Pinker transforms into a terrifying energy source. Only young athlete Jonathan Parker, with an uncanny connection to him through bizarre dreams, can fight the powerful demon.
A squad of National Guards on an isolated weekend exercise in the Louisiana swamp must fight for their lives when they anger local Cajuns by stealing their canoes. Without live ammunition and in a strange country, their experience begins to mirror the Vietnam experience.
After a disastrous failure to stop a robber gang, the police attempt to redeem themselves through a series of publicity stunts and shootouts.
Egon escapes from the psychiatric ward, where he has been incarcerated since the gang's last coup. Keld and Benny pick him up, and when Egon, as always, is planning the big heist, the Olsen Gang is once again on the move.
In a series of escalating encounters, former security guard David Dunn uses his supernatural abilities to track Kevin Wendell Crumb, a disturbed man who has twenty-four personalities. Meanwhile, the shadowy presence of Elijah Price emerges as an orchestrator who holds secrets critical to both men.