Nizami

The heroic Koroghlu is a poor youngster who leads a peasants' revolt against the tyrannic Khan.

Religiously themed early Soviet propaganda film in Azerbaijan against Islam. Unlike earlier propaganda films in the region, this was actually made by an (nearly) all Azeri cast and crew and directed by an Azeri filmmaker that would go on to be famous amongst his own people, despite his early collusion with the new ruling government. At the center of the film is a greed Molla (holy man in Azeri Islam) who has been cheating one of the local peasants for years out of all types of goods and services, and then delighting over his success in an very un-religious, specifically un-Islamic, way. Once the Revolution takes place and the Bolsheviks arrive, the peasant is empowered and realizes the deception on the part of the Molla and takes him to the newly set up "People's Court," where is finds justice and the Molla is punished.

A funny adventures of three little brothers.

Biopic about general Hazi Aslanov, who died fighting Germans in WW2.

A new teacher arrives in a remote mountain village, where the old traditions still hold sway.

Fourteen-year-old Rustam lives with his mother in a village; his father was killed by the Russian mafia. After his father's death, Rustam tries to provide for himself and his mother without resorting to illegal money-making schemes. But his dream is to join a music band. The title of the film refers to an Azerbaijani fairy tale about saving a princess from a house with 40 doors; no one has succeeded in opening the last door, and thus its secret remains hidden. The villagers have named their village the 40th door as well.

Latif a seven year old boy living during the collectivization policy in USSR.

This Azerbaijani romantic drama depicts the love affair between Zaur, a man from an affluent family, and Tahmina, a divorced woman doing her best to survive in a conservative society.

Psychological drama about a university dean who leads a double life.

Based on a novel by Farman Karimzade, the movie shows the life in an Azerbaijani village under the Soviet rule in 1930s. Here two former "beys" (land owners) are opposing each other. One is loyal to the ideology of the past and can't reconcile himself to the new power, to second rejects the past and accepts the power of the Bolsheviks, believing that it will establish justice.

Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.