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**A “gay friendly” film that manages to be minimally neutral to also please those who are out of political and ideological struggles.** The troubled causes have never been so popular as they are today: from abortion to euthanasia, from the historical question between colonizing and colonized countries to the return of looted artworks by European museums, passing through the causes of the Gay Movement, whose acronym grows every year, to embrace any new definition invented for each way of feeling and living sexuality, reflecting a need for affirmation that is felt more strongly than the convenience of presenting a certain union in the ranks. This “gay friendly” film fits perfectly into a growing list of cinema works dedicated to scrutinizing the dynamics of these new families. The advantage of this film is that it is not overly militant. The script introduces us to two mature women, who live in a stable lesbian relationship and who decided to get pregnant, by artificial insemination (obviously the more traditional method was discarded for obvious reasons), the semen donor was the same and the children who were born are, therefore, half-siblings on the part of the father (whom they do not know). It is precisely the search for her biological father and the creation of a closer relationship with him that takes the plot forward, with the introduction of this friendly and uncomplicated man totally destabilizing the life of that house. I liked the movie in general. At the same time that it tries to deny that idea, much replicated, that two lesbians would instill their own sexual orientation in their children, the film seeks to create a question around the inviolability of the anonymity of the donors of seminal material… I cannot speak for everyone, but I would never donate semen if I suspected that, years later, someone might have knocked on my door and said he was my son. Anonymity is something that should be inviolable and sacred here, regardless of the will of those involved. It was the point in the script that bothered me the most, but there were a few more. For me, the strongest point of the film ends up being the cast and its very good performance, strongly supported by a duo of veterans: Julianne Moore and Annette Bening. Both are amazing in their characters, and they establish an excellent working dynamic and good chemistry. Mia Wasilowska and Josh Hutcherson, both still quite young, are a nice and refreshing addition to the cast, both of whom seem to be really enjoying what they're doing. Besides, we all know them nowadays, because they are two young stars. Although it's not that interesting, I have to admit that I liked Mark Ruffalo's work. I think his character was poorly thought out, and poorly written, but the actor manages himself very well and knows how to get around the obstacles that appear. It's not a technically remarkable film, it's notable that it didn't have a superb budget, and that it was a job done thanks, in part, to the extreme dedication of everyone involved. It doesn't have amazing cinematography and editing, but what it's done works well and is effective. The film has a pleasant, light pace, and a humorous and uncomplicated atmosphere.
After running out of money while backpacking in a tiny, male-dominated town in the Australian outback, two friends resort to a working holiday at the Royal Hotel. When the locals' behavior starts crossing the line, the girls find themselves trapped in an unnerving situation that grows rapidly out of their control.
When famed photographer Christina Eames dies unexpectedly, she leaves her estranged daughter, Mae, hurt, angry and full of questions. When Mae finds a photograph tucked away in a safe-deposit box, she soon finds herself delving into her mother's early life - an investigation that leads to an unexpected romance with a rising journalist.
Suffering from a severe case of depression, toy company CEO Walter Black begins using a beaver hand puppet to help him open up to his family. With his father seemingly going insane, adolescent son Porter pushes for his parents to get a divorce.
Erik Lund is a child psychologist and defend a doctoral thesis on the subject. His knowledge is at the very theoretical level, and he will be seriously trouble when he for a time has to babysit his sister's six children ranging in age from baby to teenager. Fortunately, the neighbor cute daughter, Lisbeth has a more practical take on things.
Loving young couple Luna and Amar try their best to overcome unexpected obstacles that threaten their relationship. After Amar's dramatic change in a fundamentalist community, Luna tears herself apart searching if love is truly enough to keep the couple together on the path to a lifetime of happiness...
The everyday struggles of people trying to bridge two cultures, as well as their attempt to find happiness in their new homeland. Tere (Cherrie Pie Picache), mid-forties and single, hosts a dinner for a friend visiting from Manila, Lorna. Invited are their New York City-based friends and former college classmates - Mike (Christopher De Leon), a newspaper editor in his forties, Gerry (Ricky Davao), an advertising copywriter and closeted gay, and Marissa (Dina Bonnevie).
Meredith is a 35 year-old unmarried woman who arrives at a remote lighthouse island 1928 with her uncle the new head keeper.
8 shorts centered around 8 themes directed by 8 famous film directors involved and sharing their opinion on progress, on the set-backs and the challenges our planet faces today.
A troubled marriage fueled by the husband's jealousy, abuse, and financial struggles takes a dark turn as he becomes increasingly controlling, and subjects his wife to unbearable torment.
A successful New York architect with a beautiful wife and an adoring young son is forced to reevaluate his outwardly idyllic life after a chance meeting with an urban designer reveals the cracks in the foundation of his paradise.
This film is a smart, rueful and dead-on portrait of life's unending quest to fit in; and the girl who solves it by completely breaking out - introduces a feisty outsider hero unlike any other seen on screen. Esther Blueburger's quest begins when she escapes from her Bat Mitzvah party and is befriended by Sunni.., the effortlessly cool girl who is everything Esther thinks she wants to be. With the help of Sunni, Esther goes away from her ordinary life and leaves behind her malfunctioning Jewish family to hang out with Sunni's far breezier and super-hip single mom Mary and attend Sunni's forbidden public school as a Swedish exchange student.
