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It's great when you re-visit a film you enjoyed as a kid and find that as an adult it still totally holds up. Sure _Critters_ almost definitely found its start as nothing more than one of the slew or various _Gremlins_ rip-offs that were being written up at the time, but it's precisely the differences **from** _Gremlins_ that make _Critters_ any kind of success. The more overt sci-fi elements of the film have become a mainstay in the franchise, and are a big part of what makes this thing worth coming back to. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
"Critters" is one of those rare movies that comes along that, despite all odds against it, manages to strike just the right chord. A little-monsters mix of scifi, horror, and comedy, the film uses its low budget as part of its charm. It scales the film farely small, that being a family farm that's attacked by Crites, voracious little eating machines from outer space, rather than a world-spanning threat. This is likely due to the low budget, but it works very well because the lower scale gives the audience a chance to know and identify with the characters, including the Crites themselves. The Crites are more than just Gremlins from space. They have their own language (subtitled, of course) and given that there are only a handful of them gives the filmmakers a chance to give them some character as they interact with each other and the environment (watching one of them try to talk to an ET doll is worth a chuckle). It's not a great film, but it's still a fun way to spend an hour and a half. Just don't expect the same magic from the sequels.
"Critters" is one of those rare movies that comes along that, despite all odds against it, manages to strike just the right chord. A little-monsters mix of scifi, horror, and comedy, the film uses its low budget as part of its charm. It scales the film farely small, that being a family farm that's attacked by Crites, voracious little eating machines from outer space, rather than a world-spanning threat. This is likely due to the low budget, but it works very well because the lower scale gives the audience a chance to know and identify with the characters, including the Crites themselves. The Crites are more than just Gremlins from space. They have their own language (subtitled, of course) and given that there are only a handful of them gives the filmmakers a chance to give them some character as they interact with each other and the environment (watching one of them try to talk to an ET doll is worth a chuckle). It's not a great film, but it's still a fun way to spend an hour and a half. Just don't expect the same magic from the sequels.
Good watch, could watch again and do recommend. This is a good one to jump into the way back machine for, and I'm waiting on a reboot to happen. (Actually...."The Tomorrow War" is sort of on the same track) The critters themselves are (in a horrible way) cute and vicious looking, the acting is decent, the story is good, and I'm a big fan of the shape shifting hunters sent to kill them. When it comes down to it, the movie is a lot of fun and worth giving a watch.
**_Entertaining popcorn flick from the mid-80s is both cartoonish and horrifying_** Small, furry extraterrestrials harass a farm town in America while two bounty hunters try to capture them. "Critters" (1986) takes the basic premise of 50’s alien-invasion flicks, like “The Blob” or “War of the Worlds,” but meshes it with the tone and furry creatures of “Gremlims” from two years prior. The Kansas farmhouse and small town setting recalls teen Clark Kent’s situation in “Superman” (1978). The movie expertly walks the balance beam between fun & amusing and deadly serious creature feature. The vibe is similar to "Neon Maniacs" from the same year, but this is superior, as well as superior to “Gremlims.” Dee Wallace is a highlight as the wife/mother, never looking better, while Nadine Van der Velde is worth a mention as the brunette daughter. On the other side of the gender spectrum, a young Billy Zane shows up as the latter’s beau while Terrence Mann has a memorable dual role, not to mention impressively wrote the catchy song for the soundtrack, “Power of the Night.” I like how this isn’t a typical alien-visitation flick. The addition of the galactic bounty hunters adds an interesting new dimension, a concept that would be ripped off the next year by “The Hidden.” It runs 1 hour, 26 minutes, and was shot in Valencia, Santa Clarita, which is a 45-minutes drive northwest of downtown Los Angeles. GRADE: B+/A-
'Critters' is 'Gremlins'-esque fun overall, though it isn't supremely enjoyable all the way through; I felt some pacing issues. The titular aliens do look the part though, even all these years later. The practical effects are nice, that house explosion is particularly great. Scott Grimes is the actor that stood out most to me whilst watching. I do like how the kid is written, usually in these sorta films they tend to be only annoyingly bratty but here there are a couple of moments where you can see Brad's good; e.g. with Charlie, or with his mum. A nice touch, I thought. It is a movie that I'd say lacks consistent thrill, but all in all it's one I'll still be considering as passable. Hopefully the sequels are more critter-centric than human-centric though, that's the only way I reckon a franchise like this could avoid bad follow-ups.
A sadistic count tortures and murders his unfaithful wife and her lover, then removes their hearts from their bodies. Years later, the count remarries and the new wife experiences nightmares and hauntings.
Tabitha, once the placid, gentle and devoted pet, adopts all the characteristics of a ferocious, wild animal following the murder of her mistress. The three guilty people are all trapped by the cat's power and each will come to untimely deaths of horrific proportions without anyone being able to solve the mystery that surrounds their brutal death.
Tyler and his brother find an alien ship which makes Tyler appear older and gives him other abilities. This turns his high school life upside down, and may enable him to help his older brother's love life. After he is abducted by beings who intend to takeover Earth, he must depend on his inept and lovelorn brother to rescue him.
Sixties couples Michael and Donna and Paul and Erica become involved with the intense Count Yorga at a Los Angeles séance, the Count having latterly been involved with Erica's just-dead mother. After taking the Count home, Paul and Erica are waylayed, and next day a listless Erica is diagnosed by their doctor as having lost a lot of blood. When she is later found feasting on the family cat the doctor becomes convinced vampirism is at work, and that its focus is Count Yorga and his large isolated house.
A couple, Maggie and Ben Porter, inherit an old farmhouse and move in, hoping to reinvigorate their marriage. When they learn the home was occupied long ago by a woman who was executed for practicing witchcraft, Maggie begins to have nightmares about her.
The survivors of the first Waxwork must use a portal through time to defeat the evil that has followed them and turned their lives upside down.
A small island community is overrun with creeping, blobbish, tentacled monsters which liquefy and digest the bones from living creatures. The community struggles to fight back.
Andy, at the urging of his former mentor and Magic Camp owner Roy Preston, returns to the camp of his youth hoping to reignite his career. Instead, he finds inspiration in his ragtag bunch of rookie magicians.
A Midwestern ingenue arrives in Hollywood to try her luck as an actress. An incompetent agent hooks her up with a production company which specializes in low budget B-movie fair, which starts being plagued by strange, deadly accidents.
A documentary filmmaker turns his lens on an enigmatic conspiracy theorist who claims he's found the entrance to a vast underground city populated entirely by monsters.
Two college freshmen who decided to stick with their high school sweethearts have to pull a 'Turkey Dump' and break up with them over 'Drunksgiving' the one chaotic night before Thanksgiving in their hometown that puts their codependent friendship to the test.