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Hannity - (Feb 2nd)
Special Report with Bret Baier - (Feb 2nd)
The Ingraham Angle - (Feb 2nd)
Married at First Sight UK - (Feb 2nd)
Saturday Kitchen Live - (Feb 2nd)
Air Crash Investigation- Special Report - (Feb 2nd)
On Patrol- Live - (Feb 2nd)
Mayfair Witches - (Feb 2nd)
The Masked Singer - (Feb 2nd)
New York Homicide - (Feb 2nd)
Prosecuting Evil with Kelly Siegler - (Feb 2nd)
Match of the Day - (Feb 1st)
The Beat with Ari Melber - (Feb 1st)
The Sunday Show with Jonathan Capehart - (Feb 1st)
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Love Island- All Stars - (Feb 1st)
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Alex Witt Reports - (Feb 1st)
**_Good first hour; dull close_** To raise funds, several film students & their teacher in SoCal hold a one-night horror marathon at an old theater set to be demolished. Unfortunately for them, a supposedly dead filmmaker who doesn’t like criticism is apparently in attendance. "Popcorn” (1991) has everything going for it, highlighted by the old downtown theater, a plot that meshes “Phantom of the Opera” with “The Abominable Dr. Phibes,” a colorful tone and an homage to William Castle. The latter was known for creating gimmicks to draw people to his low-budget B movies (e.g. “The Tingler”) at a time when television tempted people to stay home. I particularly enjoyed the setting of the aged theater since I used to work at one in downtown for seven years. Alan Ormsby directed the fake old movies in B&W, such as “Mosquito” and “The Amazing electrified Man,” and did a convincing job, not to mention amusing, but he was so detail-oriented that he was replaced by Mark Herrier for the main story. The female cast is quite good with Jill Schoelen (Maggie), Ivette Soler (Joanie), Suzanne Hunt (Dr. Latimer), Kelly Jo Minter (Cheryl), Freddie Marie Simpson (Tina), Karen Witter (Joy) and Dee Wallace (Suzanne). Regrettably, Herrier & team didn’t seem to know how to shoot women (not talkin’ ’bout nudity or sleaze). Amy O'Neill originally played the character played by Jill Schoelen, but was replaced after three weeks of shooting. As a result, Jill didn’t have much interaction with the rest of the cast since many of her scenes were simple reshoots. Surprisingly, the flick started to put me to sleep after the first hour when the story became unnecessarily convoluted, which might explain why “Popcorn” flopped at the box office. Still, there’s enough good here for those interested and explains why it eventually become a cult thang. For a superior movie of this ilk, check out “StageFright” (1987) or even "Curtains" (1983). Going back to an earlier era, there’s Christopher Lee’s well-done (and unjustly obscure) "Theatre of Death" (1967). The film runs 1 hour, 31 minutes, and was mostly shot at The Ward Theatre in Kingston, Jamaica (of all places), with pick-up shots done in Toronto. GRADE: C+
For cynical tabloid journo Richard Dees, facts are always stranger than fiction. Every headline is a dead-line. Serial killers, UFO abductions, tales of molestation, mayhem and murder. To some the tales are mere sleazy fantasy – but his faithful readers believe. And now there's a new story: The Night Flier. What is it that travels by night in a dark-winged Cessna, lands at secluded airfields and murders local residents? Dees begins to track the unknown killer in a Cessna of his own, uncovering clues that reveal a pilot more terrifying than he could have ever imagined.
Gabriela, a Colombian immigrant, is obsessed with understanding violent crime. The current string of murders by "The Blue Blood Killer" of affluent Miami socialites provides her with fodder for her scrapbook of death. She lands a job with a post-murder cleaning service and during a Blue-Blood clean-up job, discovers evidence that police have overlooked.
Taking an ill-advised detour en route to California, the Carter family soon run into trouble when their RV breaks down in the middle of the desert. Stranded, they find themselves at the mercy of monstrous cannibals lurking in the surrounding hills.
Henry Hackett is the workaholic editor of a New York City tabloid. He loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces financial straits, and has hatchet-man Alicia Clark—Henry's nemesis—impose unpopular cutbacks.
As the Day of the Dead celebration approaches the barrio of East Los Angeles, Caroline is challenged to control the horrifying legend of her ancestor, the "Candyman".
Set in 1979, following a young Communist man's relationship with a gay Catholic writer, exploring tolerance, inclusion, homophobia and challenging its Cuban audience with great humour. Based on the short story by Cuban writer Senel Paz.
An investigative Journalist thinks she's found a killer, and breaks into his place to find the evidence. Only when he come's back it becomes a game of cat and mouse with deadly consequences.
A man and a woman come from two very different cultural backgrounds, and decide that they won't get married until they convince their parents. As feared, differences between the families pose a hurdle.
A rich but miserly old man taunts his relatives about who will get his money when he dies, and is soon mysteriously murdered. It turns out that he has left his estate to a beautiful young actress whom the other relatives didn't know was related to him. Several attempts on her life are thwarted by a detective, who sets out to discover who's behind the scheme to kill her.
Priyamani stars as Suhani, who�s too scared to lead a normal life. She works in a Software company where everyone takes her for granted. One fateful night, she rescues Krishna Prasad (Tanikella Bharani) who�s injured after a car accident. When he wakes up, the two have a conversation where Suhani tells him how she�s scared about everything, of everyone. Having understood her anger and frustration, he �gifts� her, a revolver with one bullet and tells her to take revenge on that one person she hates the most. The rest of the story is narrated in intermittent flashbacks as Suhani recounts the details of her life, people she has met including Sandip (Jagapathi Babu) and hated the most for what they have done to her.
Satyavati (Ileana) is the daughter of a rich and idealistic landlord/factionist in Rayalaseema. She is brought up in Europe for the past 15 years. She visits her home town after a long gap and she is attacked by the rival factionist. Munna (Vishnu Manchu) comes from nowhere and rescues her. Then he settles in her house as a worker and earns the love and trust of all Satyavati’s family members. He loves Satyavati. But Satyavati’s father wants to marry off to another guy. Just about when the marriage is going to happen, it is revealed that Satyavati has a lover (Venkat) from Europe and she uses Munna to help her escape to Europe. Just when Satyavati goes to Europe, it is revealed that Munna is none but a mafia kingpin from Bangkok called Saleem and Satyavati lover’s brother is none but a dreaded European don called OJo a.k.a. Ogiraja Jogayya (Mohan Babu). The rest of the story is all about how Saleem wins Satyavati over with his one-side love and his encounters with OJo.