Biceps of Steel

Transformed into a salmon, an Indigenous street artist travels through decayed urban landscapes to the forests of long ago, in this sublime mixed animation.

The discharge of the nuclear sewage has brought great crisis to the environment. A particular mermaid becomes victim to it all.

Dad irons. Child tidies up. Mum breathes out.

12-year-old Terry is in emergency care with guardians after his mother’s arrest. Cheeky and living with a disability, he outwits one guardian and connects with the other in a surprising way.

A struggling saleswoman's delusion towards her cosmetic career might be the very thing that leads her to achieving her dreams or destroying everything she loves.

An animated short film about two flocks of sheep and their shepherds who are at odds with one another and attempting to keep them separated.

Reclusively withdrawn Tobias is hospitalized in a psychiatric institution. Here, he meets the boy Emil, a boy with an entirely different view on life and the situation he and Tobias are in. The two boys develop a close friendship that puts the mind and boundaries of Tobias to the test.

A teenage boy is in love with his straight best friend, but a traumatic experience has changed the dynamics between them.

Crocodile Dreaming is a modern day supernatural myth about two estranged brothers, played by iconic Indigenous actors David Gulpill and Tom E. Lewis. Separated at birth, they have different fathers. One is readily accepted as a full-fledged member of the tribe and is looked on to fulfill the duties of jungaiy, an important ceremonial role which obliges him to be caretaker for his mother's dreaming, the crocodile totem. The other, whose father was white, is younger and has had to struggle to fit into the tribe who see him only as a yella fella.

You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.