Polka Graph

The story of an obese kiosk lady who is stuck in the kiosk.

Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.

Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....

Around the sleeping bodies, some presences occupy the architecture and move around the space in obscure activities: nothing of their actions is visible to us, except in the fragments in which the image shows itself under the flashlight. Monelle is a circular film without any narrative or hierarchy, without a beginning or an end, and it circumscribes a place of promiscuity and ambiguity between the different formats used—35mm and CGI animation—and the approaches of two opposites film attitudes—the structural cinema and the horror genre.

Rita, a vivacious co-ed flees her boarding school with her music teacher, who is also engaged to her. She wants to take part in a singing contest but her father who is dead against it has her kidnapped. He finally gives in when his wife threatens to sing in the contest herself.

A comedic musical about puppet human love affairs.

A contemporary man in the eye of the cyclone created by information. He finds no support for his hands and feet. It’s like in a poem by Tadeusz Rozewicz (‘falling in every direction’), he turns to dust when his time finally comes.

The Sound of Music Live! is a television special that was originally broadcast by NBC on December 5, 2013. Produced by Craig Zadan and Neil Meron, the special was an adaptation of Rodgers and Hammerstein's Broadway musical The Sound of Music, starring country singer Carrie Underwood as Maria von Trapp, performed and televised live from Grumman Studios in Bethpage, New York. Meron felt that if the telecast were successful, the concept could become "another kind of entertainment that can exist on TV." By her request, Underwood's casting as Maria was personally endorsed by Julie Andrews, who starred in the 1965 film.

The everyday life of a Monkey is interrupted by a randomly seen advertisement on TV, in which someone named Mister Success invites the audience to become successful and cool by trying to win a talisman toy from the UFO catcher. On the way to success, the Monkey will have to face the guy from the advertisement, and only a dance battle will show which of the two of them is truly successful

The day of the cremation of her grand mother, Emilie, a young mixed-race Asian girl, buries herself into her grandmother memories. She discovers the Indochina of Hoa, her romantic encounter with Jacques (a French colon), the birth of Linh (Emilie's mother) and her tragic departure to France in 1956. She relives with Linh the arrival into the camp of Sainte-Livrade, the exploitation of the Indochinese women by the market gardeners of Lot-et-Garonne. Between memories, dance, anger and traditional rituals, Emilie learns to accept this heritage.

“Draw or Die” is the divine imperative received by the painter, Hannah, who is being nurtured by her Grandmother, but controlled by her pragmatic mother. When her Granny spirit shouts this command to Hannah, she closes a celebration of personal visions in a dance piece that is close to visionary in itself.