A Man, Eight Girls

Still healing from her grandmother’s death, Addison Moore finds herself checking into The Copper Queen Hotel in Bisbee, Arizona. Aware of the ghost stories and hauntings, Addison fearlessly elects to stay in Room 315, the location of the heartbroken Julia Lowell’s death a century ago.

A teenage boy, raised by a mother who considers herself psychic, takes a bullied kid into his group of violent misfits. As the group’s troubles escalate toward life-threatening situations, an inner voice awakens in the boy and, with the help of his mother and his new friend, he manages to find his own path.

This is a compeling story of 2 sisters both raped, assaulted and held captives during the Japanese occupation. A Makapili (Japanese informer) rounded up women of Sta. Monica forced and used them as "sex slaves" by Japanse soldiers

Filmed in quasi-documentary fashion, the made-for-TV The Face of Rage is set in a rehabilitation facility. Here a group of rapists are required to confront their victims face-to-face. The film concentrates on the bitter verbal sparring session between assaulter Richard (Graham Bechel) and assaultee Rebecca (Dianne Weist). Director Donald Wrye co-wrote the screenplay for Face of Rage with Hal Sitowicz, drawing much of the dialogue from real-life transcripts. The film was first aired as an "ABC Theatre" presentation on March 20, 1983, preceded with an all too appropriate "parental guidance" proviso.

An unexpected promotion at a cutthroat hedge fund pushes a young couple's relationship to the brink, threatening to unravel not only their recent engagement but their lives.

The victim of a violent sexual assault, Nirbhaya, fights to live despite the grave injuries inflicted on her. As details of the case become public, the issue of women's safety is questioned.

Agnès, editor-in-chief and presenter of a successful investigative magazine, is at the peak of her career. Agnès' personal assistant Manon urges her to deal with "sexual violence" in the next broadcast ... - A poignant chamber play (2021, directed by François Hanss) between theater and fiction.

Many years after a sweltering summer that spun out of control, Eva returns to the village she grew up in with an ice block in the back of her car. In the dead of winter, she confronts her past and faces up to her tormentors.

Iron-hand discipline imposed by parents on their privileged children is deemed unappreciated and wasted.

When a heavyset girl discovers that whatever she does to her body physically affects her bully, she has to decide how far she's willing to go to exact revenge.