The Merchant of Venice

One of Shaw's later plays, The Millionairess explores his fascination with the machinations of capitalism. Epifania is glamorous, clever... and also the richest woman in the world. Brought up by a money-mad father, she will only consider a man for marriage if he can convert £150 into £50,000 within six months. But when she meets an intriguing Egyptian doctor, he has his own money-making challenge for her...

Cahya gets a job as a maid working in an isolated old mansion. Pregnant and a recent widow, she is desperate to reconnect with her husband, opening a doorway to the spirit world. And in doing so, inadvertently awakens the tormented ghosts of her current employer, the previous maids.

The blight of Sylvia Steem's otherwise happy young life, is her husband's crave for drink.

This picture tells the very human story, or romance, of an unloved wife and mother, who, although possessing wealth and social position, craved the love of her husband.

Bill Williams, a poor inventor with a large family, suddenly comes into great wealth through the sale of an invention. Sudden affluence turns his head, and he changes at once from the plodding mechanic of the dingy shop into an ultra-fashionable man of the town.

Aurora Floyd elopes from boarding school with John Conyers, but hardly a week has elapsed before she discovers that she has married a worthless libertine. She appeals to her father for aid and advice and he finally pays Conyers to leave the country for a year, so that she can secure a divorce on the ground of desertion.

Azam Salameh, a Palestinian theater director, directs an autobiographical play in the mixed Jewish-Arab city of Acre. The play takes place in 1947, during the final days of the British Mandate, and tells a love story between his grandmother, the singer Layla and Dr. Alfasi, the last Jewish citizen who remained in the city of Acre during the War of 1948. The play comes under threat and never sees the stage. This film is the only remaining testimony. —Haifa International Film Festival

An animatronic cowboy at a Western-themed family entertainment center struggles to maintain his creative freedom.

Nélida is in her 70’s and has lived alone in her small apartment for so long, that the pandemic that puts the world into confinement brings no change to her routine, except for her daughter’s visits becoming more frequent. Until the day she gets a call from a radio show that intends to introduce her to a love suitor, dynamiting the wall she built around herself and cornering her own perception of reality.

1912 silent drama