The L Word Mississippi: Hate the Sin

This 3-D film chronicles the love, community, and life of festival-goers during Electric Daisy Carnival Las Vegas, the largest music festival in the U.S. Behind-the-scenes footage and exclusive interviews with Insomniac's Pasquale Rotella reveal the magic that makes this three-night, 345,000-person event a global phenomenon.

While observing others, Paula is also, herself, observed. ' Know the difference between an old maid and a spinster? The old maid does not have a choice. '

The Other Side of Carnival (2010) is a 45-minute award-winning documentary that explores Carnival's social and economic impact on Trinidad & Tobago. With more than 60 interviews from professors, medical staff, police officers, government officials, students, tourists, every day locals and more, The Other Side of Carnival is able to highlight that while Carnival is an exciting occasion, it is a festival that creates turmoil, which is not widely visible...or is it just simply ignored? Known as "The Greatest Show on Earth", this documentary captures the roots of Carnival and how far some go to keep the original idea alive, and how others attempt to integrate change. Consummating over two years of research and interviews and with the coordination of a multi-national crew (Trinidad & Tobago, US and UK), The Other Side of Carnival does not pass judgment on Carnival in Trinidad & Tobago, but aims to bring an awareness of the type of influence that Carnival has on the population.

Documentary on one of Brazil's most controversial personalities: Getúlio Vargas, an ex-president.

This documentary profiles iconic journalist Helen Thomas who has held a front-row seat at White House press conferences for more than 60 years.

This short documentary profiles the traditional music and pageantry of Polish-Canadians in Manitoba. The heritage and national traditions of Poland were brought to Canada by immigrants and sustained across generations. The colourful traditional dress and lively music of Polish-Canadians is captured by ethnomusicologist Laura Boulton, a pioneering woman in the educational documentary film movement whose goal was to “capture, absorb, and bring back the world’s music.”

"Trouble the Water" takes you inside Hurricane Katrina in a way never before seen on screen. The film opens the day before the storm makes landfall-just blocks away from the French Quarter but far from the New Orleans that most tourists knew. Kimberly Rivers Roberts, an aspiring rap artist, is turning her new video camera on herself and her Ninth Ward neighbors trapped in the city. Weaving an insider's view of Katrina with a mix of verité and in-your-face filmmaking, it is a redemptive tale of self-described street hustlers who become heroes-two unforgettable people who survive the storm and then seize a chance for a new beginning.

In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.

Documenting the days and weeks preceding Boy George's appearance in a New York courtroom in June 2006 for cocaine possession and his subsequent sentencing to 5 days community service as a street cleaner by order of the US justice department.

After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.

The story of the life, loves and work of US writer Patricia Highsmith (1921-95), told through her unpublished diaries, her own voice and that of those who knew her, both family and close friends.