I Want to be a Secretary

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

A fictionalised exploration of Beethoven's life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.

A Jewish woman named Jettel Redlich flees Nazi Germany with her daughter Regina, to join her husband, Walter, on a farm in Kenya. At first, Jettel refuses to adjust to her new circumstances, bringing with her a set of china dishes and an evening gown. While Regina adapts readily to this new world, forming a strong bond with her father's cook, an African named Owuor.

Jimmy Muir comes from a typical gritty, northern town where there are only two options: working down the pit or in a factory. But Jimmy has other ideas - he dreams of becoming a professional footballer. Confronted by a bitter and unsupportive father, hard drinking friends and a lifetime of bad habits...has Jimmy the will to achieve his ultimate goal?

Bored and restless, Alice spends much of her time lusting after Jim, a local sawmill worker. When not lusting after him, Alice fills the hours with such pursuits as writing her name on a mirror with vaginal secretions and wandering the fields with her underwear around her ankles. And, in true teenaged tradition, she spends a lot of time writing in her diary.

After fighting with her boyfriend on the street, in Brussels' African neighbourhood, Eva escapes into a hair salon. The women in the salon initially support her, seeing a woman in distress. But, when they find out what the fight was about, opinions differ.

12-year-old Mira is fascinated by her synchronized swimming trainer and tries to get closer to her, which quickly puts both of them in a situation that’s difficult to interpret.

A man undergoes a ritual in which he is possessed by three lustful, witchy women of decidedly supernatural pedigree. After his acclaimed Thanatomorphose, genre filmmaker Éric Falardeau is both behind and before the camera in this sensory extravaganza, somewhere between an occult hallucination and a self-portrait of conflicted masculinity, that serves up a heady mix of horror, poetry and unbridled eroticism. A tribute to the magic of Méliès, the early American avant-garde and underground film (think: Kenneth Anger), Asmodeus renders bodies and fluids transcendent through its use of textured black-and-white Super 8 and in-camera special effects. A cinematic memento mori that’s at once carnal and otherworldly.

A man digs a hole in the dunes.

After the tragic death of her husband, a soldier posted to Afghanistan, Bryony tries to build a new life for herself and her young son, James. Struggling with her own grief she fails to notice that James has become secretive and withdrawn, spending hours alone playing out death scenes with his toys. When things start to go missing and furniture is smashed Bryony blames James but when she confronts him she finds herself facing a reality more terrifying than any nightmare. As her world crashes around her Bryony realises that unless she can find a way to reconnect with her son she and James will be separated for ever.