Top Gear: Apocalypse

Max Simkin repairs shoes in the same New York shop that has been in his family for generations. Disenchanted with the grind of daily life, Max stumbles upon a magical heirloom that allows him to step into the lives of his customers and see the world in a new way. Sometimes walking in another man's shoes is the only way one can discover who they really are.

Three friends try to have a conversation but can’t stop looking stuff up.

Amaia after breaking up with Rafa, falls in love with a Catalonian. Koldo, her father, goes to Sevilla to persuade Rafa to go to Catalonia and take Amaia's heart back.

In French Polynesia, there is a place where every year, thousands of groupers gather in secret followed by hundreds of sharks… The photographer, diver and biologist Laurent Ballesta, with his team, wanted to better understand what motivates these fish to wait until the exact day of the full moon to spawn all at once! With the help of researchers from the CNRS of Moorea, they dived and conducted numerous experiments to study and witness this unique phenomenon. Taking advantage of this period of incredible richness, Laurent Ballesta did a record dive of 24 hours at over 20 meters.

GOODNIGHT, WE LOVE YOU is a film that chronicles the final stand-up comedy performance of a true living legend - the first female stand-up comic in history: Phyllis Diller. In 2002, Phyllis Diller announced that she would be hanging up her wigs and sequins after 47 years on the road. This film captures a never-before-seen, intimate look at a trailblazer for both women and comedy. Miss Diller provides unprecedented access to her preparations for her final performance at the Suncoast Hotel and Casino in Las Vegas, Nevada. This is a revealing and personal study of the art of stand-up comedy as told by an icon and a true comedic genius.

Documentary about Joann Sfar (born August 28, 1971) is a French comics artist, comic book creator and film director. He is considered one of the most important artists of the new wave of Franco-Belgian comics. His main influences are Fred and André Franquin as well as Marc Chagall, Chaim Soutine, Will Eisner, Hugo Pratt and John Buscema. From 2009 to 2010, Sfar wrote and directed Gainsbourg: Une Vie Heroique, a biopic of the illustrious French songwriter and singer, of whom Sfar is a self-confessed fanatic. The film, which draws substantially on Sfar's abilities as a comic book artist through its extensive use of fantasy artwork, animation and puppetry, was released in 2010 to general critical acclaim.

Film-makers and academics discuss the use of mythology in Star Wars and the impact of the films on society

In Neon, Bednarski recounts the history of Warsaw's neon signs from the pre-War period to modern times. He creates an overview of the neon signs which illuminated streets of Warsaw before the Second World War, depicts the use and role of neon signs in the times of social realism in the context of history and politics, and describes what has happened to them since 1989.

The second of two coproductions by the British Broadcasting Corporation and the National Film Board of Canada, People of the Seal, Part 2: Eskimo Winter is compiled from some of the most vivid footage ever filmed of the life of the Netsilik Inuit in the Pelly Bay region of the Canadian Arctic. Together, the two films provide insight and understanding of a culture now almost vanished, as they show the incredible resourcefulness of the Netsilik (People of the Seal) who have adapted to one of the world's harshest environments. Part 2: Eskimo Winter shows how Inuit families gather in communities on the sea ice to harpoon seal as they come up through breating holes in the ice. Also seen is the mid-winter season, a time of intense socializing in the communal igloo, with games, contests and ceremonial activities.

Folk-jazz composer/arranger Arthur Verocai was born in Rio de Janeiro. He has created challenging arragements and compositions for Brazilian artists Jorge Ben, Ivan Lins, Leny Andrade and Gal Costa. In 1972 Verocai recorded a self-titled solo LP. It is a stunningly innovative effort. It puts Verocai into a rarified field with the heavy string oriented music of Charles Stepney, David Axelrod and Frank Zappa. Released in a period marked by the Brazilian military government, the album fared poorly. Following its re-issue in 2003, the album has become a highly influential oft sampled classic (see Ludacris, MF Doom and Little Brother). The performance of this seminal 1972 record in its entirety brought the capacity Luckmann crowd to a stand still. According to Verocai, 'he had never played the record, alive or dead!' His delight can be seen on the DVD. The music has been mixed by Verocai himself in Rio. History turned on its head and musical justice served.

Eclat is a fascinating documentary about the work. We witness rehearsals by the Netherlands' Nieuw Ensemble, hear comments about the piece from the composer, conductor Ed Spanjaard and some of the musicians, and we see a full performance of the work. Eclat ("To burst out") is a beautiful example of the strangely lyrical pointillist style that Boulez had inherited from Anton von Webern. Aural pinwheels and shifting musical kaleidoscopes with stunning instrumental color is the only way to verbally describe what must be heard to be understood. This is definitely not for those who hate "modern" music. For those who respond to contemporary music, this piece is masterful and this film is a must-see!