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CAN'T STOP THE MUSIC (1980) - It's interesting to note that disco - a much-maligned and often marginalized style of music - once served as a dynamic catalyst for a serious, streetwise drama about working class dreams and realities; propelled in equal measure by a star entering his absolute zenith as a dramatic actor and sex symbol, as well as the efforts of veteran singers and songwriters who were able to tap into all of disco's strengths while keeping the material intelligent and relevant beyond the dance floor. That film, of course, was SATURDAY NIGHT FEVER (1977). This film is what happens after you pop a little too much amyl nitrate and start to operate under the delusion that crossing Busby Berkeley with the Continental Baths has blockbuster written all over it. Nominally a pseudo-factual relating of the formation of the Village People, there are several other story threads, one which somehow involves the American Dairy Association (don't ask). Now obviously, no one is here for plot development; they're here to camp away a few hours - and in that regard, the "Y.M.C.A." sequence delivers: Acres of well-oiled male flesh in startlingly-brief man-Dukes; slow-motion examinations of new techniques in pommel horse; dozens of soapy young men crowding the shower, getting clean before having a good meal or doing whatever they feel (all strategically sudsed to maintain that PG-rating). Otherwise, it's over two hours of mostly cringe-worthy thesping (as actors, the Village People make Bruce Jenner look like the Village People); cringe-worthy dialogue; and yawn-inducing attempts at narrative. And yes, this runs in excess of two hours (even longer than this review). It starts to feel like you've plopped yourself down in front of von Stroheim's uncut GREED (1924) if that film were a gay sitcom. Oh well, at least we'll always have ROLLER BOOGIE (1979) around for credibility.
Speed Racer is a young and brilliant racing driver. When corruption in the racing leagues costs his brother his life, Speed must team up with the police and the mysterious Racer X to bring an end to the corruption and criminal activities.
In a beauty salon in Beirut the lives of five women cross paths. The beauty salon is a colorful and sensual microcosm where they share and entrust their hopes, fears and expectations.
Rita, a vivacious co-ed flees her boarding school with her music teacher, who is also engaged to her. She wants to take part in a singing contest but her father who is dead against it has her kidnapped. He finally gives in when his wife threatens to sing in the contest herself.
In 1987, during the austere days of Thatcher’s Britain, a teenager learns to live life, understand his family, and find his own voice through the music of Bruce Springsteen.
Dallas, an American golf tutor, arrives in a quiet Sydney suburb to teach at the local school and sets about causing chaos with the family she stays with.
After her much older husband forces a move to a suburban retirement community, Pippa Lee engages in a period of reflection and finds herself heading toward a quiet nervous breakdown.
After learning of her husband's infidelities, a housewife invites an itinerant lesbian to move in with them. None of their lives will ever be the same again.
We Came Home is the story of Afghanistan through Afghan American musician, Ariana Delawari. Born in LA, the year the Soviets invade Afghanistan, her home's filled with refugees, Afghan music and her father's dedication to Afghanistan, a country nobody else seemed to care about. After 9/11, her parents move to Kabul to help reconstruct. Ariana spends ten years between LA and Afghanistan, documenting her father's homeland in photographs, film and music. During the Taliban resurgence, Ariana records an album with master musicians in Kabul, revealing the challenges of building anything in this country. Ariana experiences firsthand the threat of war and corruption when her father is arrested. Through this, she unexpectedly realizes why her father could never abandon his people. She now understands Afghanistan cannot be forgotten.
Nigerian comedy about a young woman who wants to get married, but her boyfriend is only interested in furthering his career, so she seeks help to get him to tie the knot.
Two young girls who live in a small town in Lower Austria dream of America, men and love. They live in Ternitz, they dream of Tennessee.
