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Lets Make a Deal - (Mar 28th)
Station 19 - (Mar 28th)
Deadline- White House - (Mar 28th)
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Tau artificially misuses its intelligence through undeveloped triangular concepts. Remember ‘Ex Machina’? The simple concept of questioning the state of existence between humanity and artificial intelligence. Whether a sentient entity can reach transcendence or remain restrained within the limitations of their code. How about ‘Her’? Injecting emotional resonance to the artificial intelligence by making them sound and feel almost human. Two stellar features that illustrate the experimentation of AI capabilities. Then comes Netflix’ exclusive Tau. A streetwise woman kidnapped and secluded as a test subject for a scientist who is researching the human mind in order to produce AI. A cross between an Escape Room game, any kidnapping crime thriller and conscientious existentialism. The problem with this interpretation of said intellectual code, is it’s boring. Vehemently dull to the point where you are wanting something to take you by surprise. Wishing for some sort of twist to smack you across the face with robotic hands. It’s by-the-number narratively speaking. Woman is kidnapped, woman must try to escape the clutches of Skrein’s mundanely miscasted scientist, where woman then befriends a wall by reading poetry and listening to classical music. What’s on this wall you may ask? A triangle. Much like ‘Oblivion’, this three-sided geometric shape is now associated with sentience. Relating to the Illuminati perhaps? Regardless, does not matter. For the vast majority of the second and third act, Monroe’s gloriously wasted talents were used to humanise this floating triangle, which for all intents and purposes, actually works in conjuring an emotional connection. Then, before the shoddily explosive conclusion that diminished the semi-intellectual approach beforehand, Pyramid Head has code randomly removed (because that’s how computing works...) and so all characterisation that was meticulously built up for the past forty minutes, dissolved into nothingness. Poof! Gone! Tau, the actual name of the musically-inclined triangle, was the only “character” to have significant development. Even when it attempts to question humanity and what it means to be a “person” in the most basic form available. Monroe’s expositional memory flashbacks? Nope. Skrein’s constant moping around? Nah. So to essentially erase Tau’s character was frustrating more than anything. It made the entire conclusion worthless and one-dimensional. The visual effects and overall production were decent considering the small budget, replicating modernised architecture exquisitely. Which further infuriates me due to the lack of care that went into the plot, characters and inconsiderate pacing. Cold as code! Admittedly I did nearly fall asleep due to the repetitious nature of the narrative, mostly consisting of Skrein failing to meet a deadline whilst Monroe begs Mr. Triangle to let her escape willingly. So I guess if you’re having trouble sleeping, and you desire a quick remedy, stick on Tau.
High School student David Lightman has a talent for hacking. But while trying to hack into a computer system to play unreleased video games, he unwittingly taps into the Defense Department's war computer and initiates a confrontation of global proportions. Together with his girlfriend and a wizardly computer genius, David must race against time to outwit his opponent and prevent a nuclear Armageddon.
A group of scientists are sent on a mission to destroy unstable planets. Twenty years into their mission, they have to battle their alien mascot as well as a "sensitive" and intelligent bombing device that starts to question the meaning of its existence.
Two criminal drifters without sympathy get more than they bargained for after kidnapping and holding for ransom the surrogate mother of a powerful and shady man.
Based on real events, and set in Rio de Janeiro, A Wolf at the Door is the nerve-rattling tale of a kidnapped child and the terror of the parents left behind. When Sylvia discovers her six-year-old daughter has been picked up at school by an unknown woman, police summon her husband, Bernardo, to the station for questioning. From that point on, the film takes increasingly sinister turns as it delves into the events that led to the girl’s kidnapping. With plot twists that will keep the audience on the edge of their seats, A Wolf at the Door is a darkly disturbing journey into the extreme limits of the human capacity for obsession and revenge.
John Garrity, his estranged wife and their young son embark on a perilous journey to find sanctuary as a planet-killing comet hurtles toward Earth. Amid terrifying accounts of cities getting levelled, the Garritys experience the best and worst in humanity. As the countdown to the global apocalypse approaches zero, their incredible trek culminates in a desperate and last-minute flight to a possible safe haven.
When a 10-year-old boy goes missing, lead investigator Greg Harper struggles to balance the pressure of the investigation and troubles with his wife, Jackie. Facing a recent affair, great strain is put on the family that slowly gnaws away at Jackie's grip on reality. But after a malicious presence manifests itself in their home and puts their son, Connor, in mortal danger, the cold, hard truth about evil in the Harper household is finally uncovered.
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
When a destructive space entity is spotted approaching Earth, Admiral Kirk resumes command of the Starship Enterprise in order to intercept, examine, and hopefully stop it.
When a mafia accountant is taken hostage on his beat, a police officer – wracked by guilt from a prior stint as a negotiator – must negotiate the standoff, even as his own family is held captive by the mob.
In 2035, where robots are commonplace and abide by the three laws of robotics, a technophobic cop investigates an apparent suicide. Suspecting that a robot may be responsible for the death, his investigation leads him to believe that humanity may be in danger.