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**NO is a complete sentence in itself. Period.** There are movies that have great plot lines, there are movies that have great actors who make the movie great, there are movies which have great directors. But this is a movie with a great message and one that our Indian society needs to listen, believe and enact upon. Incidents happen and are forgotten, people speak and they go quiet, mass movements are organized and they fade. But our mindset has not really changed. We still judge a woman's character by the way she dresses, the way she starts to feel comfortable with someone, by the time she steps in and out of home, by her choice of consuming alcohol or not, and the list can grow pretty long. PINK tries to make that exact same point that any sane society believes in, that we cannot have different set of rules to judge someone's character. One gender cannot be judged by some specific set of rules that do not apply to the other gender. In fact, it isn't even about the gender, judging anyone's character is a crime we all commit when none of us can measure our own selves with the same set of rules in the same scale of balance and come out of it pure and serene. Now, going towards the movie's review, this movie shouldn't be judged by it's story line, direction, editing, cinematography, or the acting. All of which were commendable in their own way so as to put through the point that the movie was trying to present to the audience precisely. Rather, it should be judged by the fact that our society deeply suffers from this disease of judging a woman's character and act with her in a manner according to the outcome of our judgement as we see fit. The part where Rajveer's character says that everybody present in the courtroom would feel the same way bout girls like these sums up the thought process of a great part of our society. Amitabh Bachchan's character's expressions in the end personifies the sorry state our country would feel at times like these. When we have to issue a manual about the woman's safety in our society. The points mentioned by Deepak Sehgal that should be there in the manual are cruel but true. I can go on and on about the greatness and seriousness of the point that the director has tried to put across, but it'd all be for nothing if we'd feel that it was another good movie that made a good point. We need to change the way we grow up our boys and nurture them with the idea of respecting a woman's modesty and understand the firmness, completeness and absoluteness of the word NO. I wish dearly that I witness this change in our society in this lifetime where movies like PINK are no longer NECESSARY to make us realize that the way we treat women in our somewhat modern society, sometimes, is inhumane. Going away from the preachy tone of this review I'd like to mention that the acting of all the characters, Amitabh Bachchan, Tapsee Pannu, and the other girls, Kirti and Andrea in fact, especially was just what was required, nothing less nothing more. It was believable and you could feel their helplessness. The direction by Aniruddha Roy Chaudhary was really good. All in all, for me, this is more than your good , bad, average Bollywood movie. Seemed like a message to be thought and enacted upon, by Shoojit Sircar
Dempsey Cain is an honored cop, a loving husband and father, and mentor to his handsome younger brother. Then a drug dealer's bullet paralyzes him for life and Dempsey's world is shattered. Suddenly, his wife and brother seem to care less about him than for each other, and a million-dollar insurance.
When a dead newborn is found, wrapped in bloody sheets, in the bedroom wastebasket of a young novice, psychiatrist Martha Livingston is called in to determine if the seemingly innocent novice, who knows nothing of sex or birth, is competent enough to stand trial for the murder of the baby.
Longfellow Deeds lives in a small town, leading a small town kind of life. When a relative dies and leaves Deeds a fortune, Longfellow moves to the big city where he becomes an instant target for everyone. Deeds outwits them all until Babe Bennett comes along. When small-town boy meets big-city girl anything can, and does, happen.
Holly Hunter plays a lonely, single, poorly educated Texan who finds herself pregnant with no means to support a child. To avoid giving up the child, she seeks an abortion. Denied an abortion in Texas the young woman hires a novice lawyer to plead her case in the US supreme court. Eventually the law is changed, but for the character it takes longer than nine months.
After a series of personal and professional setbacks, a white advertising executive signs up to participate in a trial for an experimental drug designed to make your skin appear tanned.
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
A loose remake of “12 Angry Men”, “12” is set in contemporary Moscow where 12 very different men must unanimously decide the fate of a young Chechen accused of murdering his step-father, a Russian army officer. Consigned to a makeshift jury room in a school gymnasium, one by one each man takes center stage to confront, connect, and confess while the accused awaits a verdict and revisits his heartbreaking journey through war in flashbacks.
The true story of Leonard Matlovich, a U.S. Air Force sergeant who, in 1975, publicly divulged his homosexuality and fought to remain in service.
A man meets a woman in a bar in São Paulo, the two end up getting to know each other very well, they end up dating, but a rage attack ends their lives.
Hilarity ensues when a falsely accused fugitive from justice hides at the house of his childhood friend, which she has recently rented to a high-principled law teacher.