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**NO is a complete sentence in itself. Period.** There are movies that have great plot lines, there are movies that have great actors who make the movie great, there are movies which have great directors. But this is a movie with a great message and one that our Indian society needs to listen, believe and enact upon. Incidents happen and are forgotten, people speak and they go quiet, mass movements are organized and they fade. But our mindset has not really changed. We still judge a woman's character by the way she dresses, the way she starts to feel comfortable with someone, by the time she steps in and out of home, by her choice of consuming alcohol or not, and the list can grow pretty long. PINK tries to make that exact same point that any sane society believes in, that we cannot have different set of rules to judge someone's character. One gender cannot be judged by some specific set of rules that do not apply to the other gender. In fact, it isn't even about the gender, judging anyone's character is a crime we all commit when none of us can measure our own selves with the same set of rules in the same scale of balance and come out of it pure and serene. Now, going towards the movie's review, this movie shouldn't be judged by it's story line, direction, editing, cinematography, or the acting. All of which were commendable in their own way so as to put through the point that the movie was trying to present to the audience precisely. Rather, it should be judged by the fact that our society deeply suffers from this disease of judging a woman's character and act with her in a manner according to the outcome of our judgement as we see fit. The part where Rajveer's character says that everybody present in the courtroom would feel the same way bout girls like these sums up the thought process of a great part of our society. Amitabh Bachchan's character's expressions in the end personifies the sorry state our country would feel at times like these. When we have to issue a manual about the woman's safety in our society. The points mentioned by Deepak Sehgal that should be there in the manual are cruel but true. I can go on and on about the greatness and seriousness of the point that the director has tried to put across, but it'd all be for nothing if we'd feel that it was another good movie that made a good point. We need to change the way we grow up our boys and nurture them with the idea of respecting a woman's modesty and understand the firmness, completeness and absoluteness of the word NO. I wish dearly that I witness this change in our society in this lifetime where movies like PINK are no longer NECESSARY to make us realize that the way we treat women in our somewhat modern society, sometimes, is inhumane. Going away from the preachy tone of this review I'd like to mention that the acting of all the characters, Amitabh Bachchan, Tapsee Pannu, and the other girls, Kirti and Andrea in fact, especially was just what was required, nothing less nothing more. It was believable and you could feel their helplessness. The direction by Aniruddha Roy Chaudhary was really good. All in all, for me, this is more than your good , bad, average Bollywood movie. Seemed like a message to be thought and enacted upon, by Shoojit Sircar
Headstrong yet aimless, Will Hunting has a genius-level IQ but chooses to work as a janitor at MIT. When he secretly solves highly difficult graduate-level math problems, his talents are discovered by Professor Gerald Lambeau, who decides to help the misguided youth reach his potential. When Will is arrested for attacking a police officer, Professor Lambeau makes a deal to get leniency for him if he gets court-ordered therapy. Eventually, therapist Dr. Sean Maguire helps Will confront the demons that are holding him back.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
The Roses, Barbara and Oliver, live happily as a married couple. Then she starts to wonder what life would be like without Oliver, and likes what she sees. Both want to stay in the house, and so they begin a campaign to force each other to leave. In the middle of the fighting is D'Amato, the divorce lawyer. He gets to see how far both will go to get rid of the other, and boy do they go far.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.
1982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.
Based on a real-life case in 1925, two great lawyers argue the case for and against a science teacher accused of the crime of teaching evolution.
Song Woo-seok is a lawyer with no clients. When his friend's son is falsely accused of a crime and tortured, he takes up the case and the course of his life changes for good.