The Fix 2024 - Movies (Nov 22nd)
Jim Gaffigan The Skinny 2024 - Movies (Nov 22nd)
A Wesley South African Christmas 2024 - Movies (Nov 22nd)
How to Ruin the Holidays 2023 - Movies (Nov 22nd)
Unwrapping Christmas Lilys Destiny 2024 - Movies (Nov 22nd)
Genie 2023 - Movies (Nov 22nd)
Armor 2024 - Movies (Nov 22nd)
Remnant 2024 - Movies (Nov 22nd)
Blitz 2024 - Movies (Nov 22nd)
Woman of the Hour 2023 - Movies (Nov 22nd)
Godzilla Minus One 2023 - Movies (Nov 21st)
Love Lies Bleeding 2024 - Movies (Nov 21st)
Parallel 2024 - Movies (Nov 21st)
Gladiator II 2024 - Movies (Nov 21st)
Paddington in Peru 2024 - Movies (Nov 21st)
Surveilled 2024 - Movies (Nov 21st)
Free LSD 2023 - Movies (Nov 20th)
Speak No Evil 2024 - Movies (Nov 20th)
Reagan 2024 - Movies (Nov 20th)
Searching for a Serial Killer The Regina Smith Story 2024 - Movies (Nov 20th)
The Mystery of Mr. E 2023 - Movies (Nov 20th)
Empresses in the Palace - (Nov 22nd)
The Bay - (Oct 2nd)
Seoul Busters - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Alaska PD - (Nov 22nd)
After the First 48 - (Nov 22nd)
Mountain Men - (Nov 22nd)
Interrogation Raw - (Nov 22nd)
TNA iMPACT - (Nov 22nd)
The Creep Tapes - (Nov 22nd)
Someday at a Place in the Sun - (Nov 22nd)
Crime Scene Kitchen - (Nov 22nd)
Landward - (Nov 22nd)
Ant Anstead- Born Mechanic - (Nov 22nd)
The Impact- Atlanta - (Nov 22nd)
The Real Housewives of Orange County - (Nov 22nd)
Gardening Australia - (Nov 22nd)
Outlander - (Nov 22nd)
Hells Kitchen - (Nov 22nd)
House of Villains - (Nov 22nd)
Carlos Oliveira's literary universe is re-enacted in a studio using the writer’s personal objects and manuscripts, and with the help of Luis Miguel Cintra and Fernando Lopes. Shot with the purpose to document his work in the same way Carlos de Oliveira documented his hometown in Gândara, the film uses all the creative liberty that new digital technology allows in order to recreate the visual and sound records that were also present in the writer and poet’s own work.
A fresh take on the outlaw spirit, focusing on a road trip by four motorcyclists who forge deep friendships over nearly 3,000 miles. Zeros in on four California women who get to know one another while traveling to and from Sturgis, South Dakota, for the world’s largest biker gathering, an annual event since 1938. The rally is a heady brew of races, partying, and exhibitionism under the Great Plains sun. The central quartet have come to Sturgis not merely to revel but to work: Among them are two journalists (Cris Sommer-Simmons, cofounder-founder of Harley Women magazine; and Jamie Elvidge, who specializes in test-riding bikes), a singer-songwriter (Gevin Fax) and a photographer (Gail DeMarco). Combines footage of the women’s trip and post-travel interviews.
The memory of Piero Portaluppi, a Milanese architect who reached the peak of his fame during the 20 years of the Fascist regime, comes back to life, both through the rediscovery of his work today and in a previously unpublished film diary in 16 mm, shot and edited throughout his lifetime. A man of great charm and power, Portaluppi lived through a grandiose but tragic era with ironic detachment, as if dancing across things as he created beauty. History marches on implacably, radically transforming the arena in which the eclectic artist and his large family lived and worked.
Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike. With her elongated, race-horse physique, she became the new prototype for the great George Balanchine. Because of her extraordinary movement and unique personality on stage, she became a muse to two of the greatest choreographers in dance, George Balanchine and Jerome Robbins. She eventually married Balanchine, and Robbins created his famous version of Afternoon of a Faun for her. She had love, fame, adoration, and was the foremost dancer of her day until it suddenly all stopped. At the age of 27, she was struck down by polio and paralyzed. She never danced again. The ballet world has been haunted by her story ever since.
Lost and Found depicts a life of a man with no homeland. 10 years ago Konstantin G fled the persecutions of homosexuals from Moscow to Finland. He lives now in Helsinki, living the different roles of his life: he is a nurse and a friend of the aged, a bright personality of the nightlife in Helsinki's gay-world, a solitary figure of the Russian community and the Orthodox Church, and as well as an intensive cabaret performer. Film is a mosaic-like journey to the loves and lives of Konstantin, where poems, songs and encounters form a picture of one passionate and unusual life. In the roles of his own life Konstantin Gontcharev.
Documentary that follows the lives of two pirates and their community on the Somali coastline; what are the incentives of the pirates, why did they become pirates, how did they grow up in a country with political chaos, war and extreme poverty? The narrative structure is built around two interweaving story-lines; one depicting the "present", the daily lives of the pirates and their community, and the second in the "past", revealing through epic animation, the unfolding of a recent hijacking.
In early 1970s, the graphic designer Tuulikki Pietilä had seen enough of stative visual art and purchased a film camera from Japan. Her film immortalized her trips with Tove Jansson.
In early 1970s, the graphic designer Tuulikki Pietilä had seen enough of stative visual art and purchased a film camera from Japan. She filmed the games and chores of the artist couple in their beloved hideout, the island of Klovharun.
Coal miners are dying from the resurgence of an epidemic that could have been prevented. FRONTLINE and NPR’s joint investigation revealed the biggest disease clusters ever documented, and how the industry and the government failed to protect miners.
Experimental film about rhythm as corporal expression of a culture. Presents various choreographies and does not include the participation of men.
What do Dietrich Oepke, former GDR model plane champion, Dave Anthony, developer of “Call of Duty” and James Gimzewski, Professor of Nanoarchitecture have in common? They are all players. Concrete or virtual, with quadcopters, futuristic weapons or experiments with an artificial brain, they play with human and technical possibilities. How real are their visions of the future? What do they have in common with developers of unmanned war machines and drone pilots? A cinematic journey.