The Lord of the Rings The War of the Rohirrim 2024 - Movies (Feb 14th)
The Peanut Man 2024 - Movies (Feb 14th)
The Most Beautiful Girl in The World 2025 - Movies (Feb 14th)
The Dead Thing 2024 - Movies (Feb 14th)
Paddington in Peru 2024 - Movies (Feb 13th)
My Fault London 2025 - Movies (Feb 13th)
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La Dolce Villa 2025 - Movies (Feb 13th)
Christmas Cowboy 2024 - Movies (Feb 13th)
Captain America Brave New World 2025 - Movies (Feb 12th)
Emmanuelle 2024 - Movies (Feb 12th)
The Simpsons The Past and the Furious 2025 - Movies (Feb 12th)
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Unnatural 2024 - Movies (Feb 12th)
Nosferatu 2024 - Movies (Feb 11th)
The Influencer 2024 - Movies (Feb 11th)
Kelsey Cook Mark Your Territory 2025 - Movies (Feb 11th)
The Witcher Sirens of the Deep 2025 - Movies (Feb 11th)
Nickel Boys 2024 - Movies (Feb 11th)
Hard Truths 2024 - Movies (Feb 11th)
Bring Them Down 2024 - Movies (Feb 10th)
Penn and Teller- Fool Us - (Feb 15th)
Masters of Illusion - (Feb 15th)
NiziU’s Rural Getaway - (Feb 15th)
Casualty - (Feb 15th)
The Chase - (Feb 15th)
No Worries If Not - (Feb 15th)
Next Level Chef - (Feb 15th)
Fugitive Hunters Mexico - (Feb 15th)
Body Bizarre - (Feb 15th)
Four in a Bed - (Feb 15th)
Americas Newsroom - (Feb 15th)
Gutfeld - (Feb 15th)
Jesse Watters Primetime - (Feb 15th)
Special Report with Bret Baier - (Feb 15th)
The Five - (Feb 15th)
The Ingraham Angle - (Feb 15th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
"An awkward young teen working at a spa becomes overly attached to her fellow worker, a lonely outcast. They hang out at a bar owned by a strange pregnant artist and her has-been cowboy husband. Amid emotional crises, the three women steal and trade one another’s personalities." - Do they? Do they though? With less than ten minutes remaining the 3rd of these 3 women gets her first line. And some of those minutes was credits. Now a poorly written logline is unlikely to be the fault of the movie itself, but it does kind of make me question why the movie's even called _3 Women_. Decent chance I'm just not bright enough to understand it, let alone the movie itself for that matter, but I can only bring you a review from how I experienced it, and from that perspective I can say: It's alright. A lot of the style choices did aggravate me, most notably the music (I've suffered through much worse for far less with this subject, but it was still a negative to me). But the two lead performances are what the movie is predominantly hinged on, and both are pretty good. Not **incredible**, but pretty good. I know not adoring this puts me in the minority, but I feel like a lot of people nowadays tend to overvalue a film for no other reason than the fact that it was made before... like... 1987. That's never been a factor for me, and 3 Women honestly didn't do a lot for me. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Despondent over a painful estrangement from his daughter, trainer Frankie Dunn isn't prepared for boxer Maggie Fitzgerald to enter his life. But Maggie's determined to go pro and to convince Dunn and his cohort to help her.
Inspired by the Puranic story of Abhimanyu and his mother Subhadra, the film portrays the relationship of the protagonist with her baby, before and after it is born.
Lukas, a young schizophrenic man, has to deal with a new town, a new relationship, and the paranoia in his head.
Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.
Imprisoned by an illness, a young country girl decides to leave for Quebec City in order to study piano and discover an animated and enthralling lifestyle.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.
In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.
Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Léaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.
Angela Bennett is a freelance computer systems analyst who tracks down software viruses. At night she hooks up to the internet and chats to others 'surfing the net'. While de-bugging a new high-tech game for a cyber friend, she comes across a top secret program and becomes the target of a mysterious organization who will stop at nothing to erase her identity and her existence, in order to protect the project.
In this black comedy set in small-town Bavaria, 11-year-old Sebastian thinks you can never be too young to be a murderer. He's convinced that he killed his mother on the day he was born and is certain he's already been condemned to purgatory. Deciding he might be able to knock off a few years of his sentence by doing good deeds, Sebastian sets out to find a wife for his father Lorenz. When Lorenz and Sebastian's schoolteacher Veronika fall madly in love with each other, it seems the heavens must be smiling. There's just one hitch: Veronika is married.