HyperNormalisation

The film tells about a previously unknown episode of Paul Robeson’s biography — a secret conversation in 1949 in a room at the Moscow Hotel with the Jewish poet Itzik Feffer, who told Robeson the circumstances of Mikhoels' death. Paul Robeson Jr. shares his memories, having learned about this secret just before the death of his father, and it is the first time he tells the filmmakers about it.

At the south tip of Gran Canaria, the sun is always shining. Resorts warmly captures the easy and complicated lives of 6 tourists that never left their holiday. A visual tour of the pastel-coloured holiday destination of Gran Canaria, a haven for millions of tourists – and for people fleeing more than just rain and cold. The paradoxes of tourism meet the harsh realities of those who live in paradise all year round.

By exploring the relationship between the watched and the watching, our film uncovers the trauma and hope engendered by the Chinese all-surveilling state and lends a voice to those that stand in resilient defiance of such blatant abuse of power.

A documentary following the civil rights movement and how the media, in particular the burgeoning TV, was used to fight for equality in the 1960s. From Selma to Charlottesville, we also see how modern activists use today's technology to continue fighting injustice today.

In buildings where foreign workers lived in Germany, there were strict rules of conduct, defined by the house rules and supervised by the building superintendents. Many rights regarding the freedom of movement, communication and behavior were abused. Interviews with the tenants and with the "orderlies" which point out absurd situations and clashes caused by these restrictions.

After losing his job during lockdown, Natan signs up to a microtask website. Having become a “Turker” alongside tens of thousands of others, he is paid a cent for each face he erases on Google Street View. Under the guise of Otto, a fictional character, he embarks on an experimental and playful investigation into “clickworkers”, haunted by the spectre of Beckett.

"How Every Film You Watch Tells You To Love The Rich and What To Do About It" explores the representations of wealth in cinema. It looks into how most beloved characters are subtly more well-off than they should be, how criticisms of the system are crushed, how the rich have become the average in the world of the cinema. And it shows how these stories distort the view of the real world, and are used against you by politicians.

Amany Al-Ali stands out as one of Syria's few female cartoonists, residing in her father's home in Idlib, the last city unconquered by Assad's forces. Like her remaining neighbours she's submitted to relentless Russian airstrikes and caught between advancing troops and extremist groups. Despite acclaim for her art, she faces threats, condemnation, and degradation, causing her to contemplate leaving. Ironically, her artwork has graced galleries in France and Italy but never received exposure within Syria's borders. The film captures her endeavor to organize her inaugural exhibition in Idlib. This experience compels her to confront the harsh realities of a city defined by bombings and male interference. While organizing drawing lessons for women and girls, comforting her young niece, and sharing her story with the documentary crew, Amany's outlook on the future gradually erodes.

Two Bangladeshi girls born and raised in London have weddings arranged for them against their will by their family. Shahanara, the rebel of the family, banished from the family in her teens for being "too Western", has to swap her pink hot pants for a sari as she goes off to the airport to meet her new Bangladeshi husband. Her sister Hushnara is the opposite of Shahanara; a devout Muslim who agrees to marry so she doesn't upset her parents.