How Every Film You Watch Tells You To Love The Rich and What To Do About It

Following multiple scandals surrounding Canada’s hockey infrastructure and its dishonest leaders, a generation of young athletes find themselves facing a moral dilemma. Frédérique describes her exit from the game.

The meteoric path of Emmanuel Macron made him pass in three years of almost anonymity to the presidency of the Republic. Yet, even though the media have followed him every day during his campaign, no one really knows him. Politics has spoken, progressive, social and liberal at the same time, but man remains an enigma. Behind the official story-telling, what is the true personality of the one who is going to lead France? What are its strengths, its weaknesses? Thanks to unpublished images and exclusive testimonials, including that of his wife Brigitte, this film tells the pivotal moments of the new President's career and reveals the deep motivations that animate him. Investigation of a meteor become President.

Deputy General Secretary at the Elysée to candidate for the presidency of the Republic, the novice in politics went from the shadows to the light in a very short time. For 200 days, our cameras followed him behind the scenes of his campaign and his exceptional ascent. For eight months we were the only ones allowed to follow the candidate Emmanuel Macron with our camera behind the scenes of this exceptional campaign. From the announcement of his candidature until his election on May 7, we propose you an exclusive documentary allowing you to live from inside the campaign of Emmanuel Macron in the manner of a political thriller.

The term "mongrel complex" refers to a feeling that is characteristic of certain classes in Brazilian society. This feeling, marked by defeatism, pessimism, and misinformation, is closely linked to the denial of "who we are as brazilians". The documentary "The Mongrel Complex" explains this feeling, discusses the theme, and gives a brief social and political panorama of Brazilian reality.

Fabiana, Carlo, Claudio and Vincenzo… I met them in 1982 in Mercatale, their village in Tuscany, near Florence. They were aged between 25 and 45 and were cheerful militants in the Italian Communist Party, that strange party which has made its mark on history and which was both a school and a family for them. I have filmed in Mercatale every two or three years for over 20 years (1982/2004). The fi lm takes the “long view” of their political and personal development against the backdrop of village life. Stories with both human and political interest spanning over a quarter of a century with relevance for present day issues: what has become of the plans to change the world in Berlusconi’s Italy? From a more global perspective: what else can politics do? When the time comes to take stock the paths of their rich and varied personal lives cross once more with all their doubts and allegiances.

The story of a powerful political and economic dynasty, fundamental to understanding the turbulent destiny of the United States of America throughout the 20th century; of nine brothers who had truly extraordinary lives, marked by both greatness and tragedy: the story of the Kennedy family.

Emilio Pascual, a historical figure of Andalusian cinema from the early 1900s, appears in today's Malaga with the mission of bringing the first documentary filmed in Andalusia to its first screening.

A documentary about the technological progress responsibility in employment destruction, analyzed by philosopher Zygmunt Bauman and others.

Paris to Pittsburgh brings to life the impassioned efforts of individuals who are battling the most severe threats of climate change in their own backyards. Set against the national debate over the United States' energy future - and the Trump administration's explosive decision to exit the Paris Climate Agreement - the film captures what's at stake for communities around the country and the inspiring ways Americans are responding.

A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.