National Anthem 2024 - Movies (Mar 17th)
Finding Me 2025 - Movies (Mar 17th)
Rich Flu 2024 - Movies (Mar 16th)
Across the Line 2025 - Movies (Mar 16th)
Jersey Bred 2024 - Movies (Mar 16th)
I Love You Forever 2024 - Movies (Mar 16th)
Queer 2024 - Movies (Mar 16th)
The Glassworker 2024 - Movies (Mar 15th)
Niko Beyond the Northern Lights 2024 - Movies (Mar 15th)
Die Alone 2024 - Movies (Mar 15th)
Joe Crist 2024 - Movies (Mar 15th)
Bagman 2024 - Movies (Mar 15th)
Mystery Island Winner Takes All 2025 - Movies (Mar 14th)
Racing Mister Fahrenheit 2024 - Movies (Mar 14th)
The Quiet Girl 2024 - Movies (Mar 14th)
Warden 2025 - Movies (Mar 14th)
The Electric State 2025 - Movies (Mar 14th)
Borderline 2025 - Movies (Mar 14th)
Bill Burr Drop Dead Years 2025 - Movies (Mar 14th)
High Rollers 2025 - Movies (Mar 14th)
Anthony Rodia Totally Relatable 2024 - Movies (Mar 13th)
Beyond the Gates - (Mar 17th)
Escape to the Country - (Mar 17th)
Deadline- White House - (Mar 17th)
Batch from Scratch- Cooking for Less - (Mar 17th)
Traffic Cops - (Mar 17th)
Police- Suspect No.1 - (Mar 17th)
WWE Raw Classics - (Mar 17th)
Love Triangle - (Mar 17th)
Cops Gone Bad with Will Mellor - (Mar 17th)
Shed and Buried- Classic Cars - (Mar 17th)
United States of Scandal - (Mar 17th)
Piers Morgan Uncensored - (Mar 17th)
The Tucker Carlson Show - (Mar 17th)
Scars of Beauty - (Mar 17th)
Katy Tur Reports - (Mar 17th)
Crimewatch Live - (Mar 17th)
The Last American Vagabond - (Mar 17th)
Tipping Point - (Mar 17th)
Alan Titchmarshs Gardening Club - (Mar 17th)
Someday at a Place in the Sun - (Mar 17th)
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
The most comprehensive retrospective of the '80s action film genre ever made.
He was one of Germany's leading investment experts with an income of several million Euros per day. Now, he sits on one of the upper floors of an empty bank building in the middle of Frankfurt, overlooking a skyline of glass and steel. And talks. In an extended mix of a monologue and an in-depth interview, which is as frightening as it is fascinating, he shares his inside knowledge from a megalomaniac parallel world where illusions are the market's hardest currency. Marc Bauder's 'Master of the Universe' is based on meticulous research and provides us with geniune insight into the notoriously secretive and self-protective 'universe' of which our nameless protagonist experiences himself a master. Where other films on the financial meltdown have focused on the epic nature of larger-than-life business, Bauder probes the mentality that made it possible in the first place. A tense drama where psychology meets finance - two things that are more closely linked than you would like to believe.
The epic and poetic tale of the early years of Italian cinema, from 1896 to 1930: how peplum was born, how the first stars shone, how many daring filmmakers were able to create an original style amalgamating literature, theater, painting and opera; a tale of splendor and decadence.
Jacques Demy’s ability to enchant audiences was rooted in his personal struggles and doubts as a showman, establishing him as one of French cinema’s greatest artists.
Tongpan is a 1977 Thai 16 mm black-and-white docudrama that re-creates a seminar that took place in Northeast Thailand in 1975 to discuss the proposed Pa-Mong Dam on the Mekong. Interwoven are sequences depicting a poor farmer, Tongpan, who had lost his land to another dam some years before, and his struggles to make ends meet.
The story of the rise to stardom of Joaquin Phoenix, an actor of magnetic physique, tumultuous past, socially committed, who for years has offered outstanding performances.
Pole, who are you? This film collage that combines archival and contemporary materials, documentary and staged pictures, press reports, social announcements, sale offers and speech excerpts is an attempt to answer this question. Referring to the Polish tradition of a creative documentary in the style of Wojciech Wiszniewski, the film presents various manifestations of Polishness: patriotic and religious rituals, everyday traditions as well as characteristic landscapes or intimate memories from childhood.
An intimate portrait and saga of four film pioneers-Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.