La famiglia

Sommer ’04 is a character study of a family on vacation. German director Stefan Krohmer examines the emotional abyss and problems behind the seemingly nice facade of an intact family as they experience guilt, love and jealousy.

Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.

A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.

Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.

Oliver doesn’t have a family so he steals one.

Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.

Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....

With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.

Six families in different compartments of a train, moving through a rainy night. In a single, 145-minute take, the film depicts the families and how their lives are interwoven with each other. Vacillating between dream and reality, each story builds on the one before and leads into the next. Each destiny is influenced by the other one on board, and all hurtle to the same destination.

In a vibrant tapestry of love and longing, nine interconnected souls navigate romance and heartbreak in L.A., where passions collide and truths unfold, revealing that the heart's desires often lead us where we least expect.

Directed in 1980 and released in 2013. On the issue of addiction in Iran in the 1980s. Mohsen's father is going to pass away soon due to an illness, however, Mohsen himself has been missing for 6 months. A BSc medicine student, he has become a drug addict and lost himself in the slums. Setting out to help him out of his conditions, and deliver his mother's care to him, his father starts searching for him. The movie is embedded in the social conditions of the 70s AD Iran, has a 70s Iranian chivalric tincture, religious color-as was the climate of the Iranian society at the time- and is blended with historic state propaganda. For the audience of that time, this movie would have received a fair score, as it touches on religious notions. However, the issue it addresses is far more complicated and sophisticated at this age, and its propaganda outlook can no longer attract significant commercial or critical attention.