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Just watched the Dresser tonight. This movie was nominated for best picture of 1983, best director, best actor (Albert Finney & Tom Courtenay) and best Screenplay from another medium. Courtenay won a Golden Globe for best actor. So, on to the movie. I don't need to give the synopsis because you can find it easily. Did I like it? At first it was pretty dull and the main character is really an over the top diva. His dresser works feverishly to please him. When we later find out something isn't quite right with Sir (played brilliantly by Sir Albert Finney) chaos takes over but Norman (the dresser played by Tom Courtenay) does his very best to keep things together. Most of the movies is this one long night and for someone who knows little about theater, the movie gives you a great behind the scenes look at a mid 20th century theater production. Assuming it's pretty real. Lots of cool stuff to take in here and this is when the movie really started to grab me. I started to root for the "show to go on". The final act is a little hard to swallow but it certainly keeps you thinking up until the end and also makes you really understand the relationship between the Sir and Norman. While I do feel this movie was a little over the top, it was by design, I believe. It was written with Shakespeare as the backdrop and it was also written by a dresser from the 1950's. My guess, is it was fairly accurate with some added topping to give it a little extra. Was it a best picture nominee for 1983? You be the judge but I can certainly find more than 4 movies that are better.
Maria, an emotionally-stunted transgender punk on an aimless road trip across the country has a chance encounter with James H., a repressed minimum-wage worker trapped in the purgatory that is rural Nevada. Over the next 24 hours, the two form an unlikely bond as Maria helps James unpack a question he’s been frightened to ask himself his entire life: is he trans?
It is the last day before Victor has to move to another city with his parents. So he and his best friend Robert do all the things they liked to do together so much: skateboarding, spraying, hanging out. But something is different this time.
A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court.
As the Space Race ensues, seven pilots set off on a path to become the first American astronauts to enter space. However, the road to making history brings forth momentous challenges.
A short film about a transgender woman getting an Uber home after a night out when the drive soon turns tense.
David is a reclusive artist living in the Florida keys. His private and tortured life is changed forever when Justin comes for a visit. What begins as a casual hook-up quickly turns dark as both men share their secrets and engage in a psychological tug-of-war for dominance.
The bond between a disabled Muslim father and his son is tested when love is pitted against religion.
In a home, a young woman, out of shot, questions four young adolescents without our knowing the reason. Question after question, the answers are either missing or followed by an "I don't know" or an evasive nod. Quickly, the plot is propelled into the near past, the crux of the film gives explanations to the first scene. Indeed, one of the young men, Sacha, continues to face homophobic discrimination when he thought he had escaped it. A hatred that will reach even to the personal effects of the main character. How sad !
Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.
Set during a sultry summer in a French suburb, Marie is desperate to join the local pool's synchronized swimming team, but is her interest solely for the sake of sport or for a chance to get close to Floriane, the bad girl of the team? Sciamma, and the two leads, capture the uncertainty of teenage sexuality with a sympathetic eye in this delicate drama of the angst of coming-of-age.
Ada, a reserved young woman with a passion for entomology, travels north with Marissa, her free-spirited musician girlfriend. She's finally meeting the three brothers who helped raise Marissa: the paternal Ozzie, sensitive Arthur, and wild child Wren. As Marissa and her kin settle into their familial dynamics, Ada finds herself on the outside looking in. Desperate to make a good impression over the course of a weekend packed with fun and frivolity, Ada instead struggles to find common ground, opening fissures in the one relationship she needs the most.