Koenigs Kugel - Der Bildhauer und der 11. September

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

At the Vienna Art Academy in 1994, an unidentified person painted over 27 works by Austrian painter Arnulf Rainer. Rainer had become world-famous for his abstract art and, in particular, for his over-layering of photographs and overpainting of his own and other artists’ works. But who painted over the “overpainter”? Speculation rages: Did he attack his works himself? A year later, an unsigned letter surfaces claiming responsibility for the act directed against Rainer – and modern art in general – and accusing the artist of being complicit with “destructive modernism.” At the same time, Austria is shaken by a series of mail bombs by the Bajuwarian Liberation Army, in response to the supposed threat to Austria’s “German identity.” Are there connections between the overpainting event and the mail bombs? Or is this all just a game? A dream? Or perhaps a hallucination?

When the film West Side Story was released in 1961, New York's reviled Puerto Rican community gained some visibility and, over time, both in Spanish Harlem and the Bronx, neighborhoods plagued by poverty, drugs and crime, Hispanic identity was reborn and strengthened, thanks to a syncretic and intentionally popular music that eventually conquered the entire city.

Going into my interview with Laurel Greenfield, I thought the majority of our conversation would be about her inspiration for painting food and why she chose to pursue painting as a career. We spoke about that but ended up having a much bigger conversation about pursuing a creative career. We talked a lot about finding the balance between having a business plan and taking a leap of faith into the unknown, something anyone pursuing a creative field on their own can relate to.

Colleagues, professional journalists and users comment on the masterpiece of the first lady of Czech architecture, Alena Šrámková... It is devoted to the building of the Faculty of Architecture of Czech Technical University, the work of the first lady of Czech architecture, Alena Šrámková, and from a distance brings users' perspective on how the building has succeeded over 10 years. Journalists who have been dedicated to architecture for many years, such as Karolína Vránková or Matěj Beránek, also collaborated on the film, and Bára Kopecká was in charge of the dramaturgical supervision.

In June 2019, arts journalist John Wilson received an extraordinary tip-off – one billion dollars’ worth of stolen art may be about to be recovered. Included are a unique Rembrandt - his only seascape - and a Vermeer considered the most valuable stolen painting in the world. The art was taken from the walls of the Isabella Stewart Gardner Museum in Boston in the early hours of 18 March 1990. It remains the world’s biggest unsolved art heist. For John, to follow the recovery of the paintings, as it happens, would be the biggest art story of the century.

In 1892, Ellis Island, in New York Bay, became the main gateway to the United States for immigrants arriving increasingly from Europe. The story of immigration to the United States from 1892 to 1954, an enthralling polyphonic narrative that embraces both small and great history.

A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.

With never-before-seen footage, "Witness to 9/11" reveals in real time how New Yorkers struggled to make sense out of the panic, confusion, and fear gripping their city just beyond the veil of 9/11's dust on the morning of the attacks.

An on-the-scene documentary following the events of September 11, 2001 from an insider's view, through the lens of two French filmmakers who simply set out to make a movie about a rookie NYC fireman and ended up filming the tragic event that changed our lives forever.