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**_Another Corman-produced knockoff of “Alien,” with softcore_** In the distant future, a troubleshooting flying ace (Jesse Vint) is redirected to a remote desert planet in order to help a bio-engineering team deal with a mutating organism. “Forbidden World” (1982) is the second “Alien” knockoff produced by Roger Corman and even uses some of the sets of the previous one from the year prior, “Galaxy of Terror” (as well as some space F/X from “Battle Beyond the Stars”). Other than that, the films aren’t connected. While my title blurb is condescending, Ridley Scott’s iconic movie itself ripped-off every main aspect of the first half of “Planet of the Vampires” from 1965, aka “Terror in Space.” So it wasn't exactly original, although it was well-done and superior. Like “Galaxy of Terror,” there’s a comic book flair to the proceedings that “Alien” lacked (because of its blockbuster budget). Still, if you like the grim adult-oriented science fiction of that film, you should appreciate this one (and “Galaxy”). The problem is that the monster in the last act looks cheesy in the manner of something borrowed from “Little Shop of Horrors,” although up to that point the various mutations are effective, particularly for a Corman-budgeted flick. “Alien” featured statuesque but too-thin Sigourney Weaver in her underwear in the last act and so Corman upped the ante with the two females here, shown pretty much fully nude in some scenes, with 1-2 sex-oriented sequences. The joke is that the tagline was “In space no one can hear you get naked.” Obviously, you should stay away if that’s disagreeable to you. The aforementioned two females happen to be Dawn Dunlap (Tracy), who was only 17 during shooting in October, 1981, while blonde June Chadwick (Barbara) was a month shy of 30. The nudity can be criticized as exploitive, of course, but there’s another way of looking at it. It drives home how people stuck on a remote station in the galaxy would still function like everyday people on Earth: sleeping in light clothing, walking around in their underwear or a robe, bathing, using a sauna, having sex and so forth. In other word, people are people, even 100-200 years in the future in outer space with the great technology thereof. The movie runs 1 hour, 17 minutes, and was shot at Corman's studio in Venice, California, his “renowned lumberyard facility,” as well as Vasquez Rocks in Agua Dulce for the outside scenes. GRADE: B-/C+
7 years on from the original Fortress movie, Brennick and his family are still on the run. Finally, they give in, and surrender, only to find themselves imprisoned in a new, more sophisticated fortress prison in outer space. But Brennick's not a man to give in easily, and with a 10 year old son waiting for him back on earth, he's going to pack some serious assault on the evil corporation.
The Freeling family move in with Diane's mother in an effort to escape the trauma and aftermath of Carol Anne's abduction by the Beast. But the Beast is not to be put off so easily and appears in a ghostly apparition as the Reverend Kane, a religeous zealot responsible for the deaths of his many followers. His goal is simple - he wants the angelic Carol Anne.
While at a slumber party, twelve-year-old Olivia is blamed for the horrific and mysterious death of her friend after singing a song, created by a reclusive mastermind, Milo, which summons a demonic figure known as “The Crooked Man.” Returning to her hometown six years later, a string of unusual deaths lead Olivia to believe that she’s still being haunted by whatever she saw that fateful night. Once you sing the rhyme, everyone in the house is cursed to die by his hands.
A crew member on a spaceship wakes up and comes to terms with himself and a robot about past decisions that were made.
Former policeman Lenny Nero has moved into a more lucrative trade: the illegal sale of virtual reality-like recordings that allow users to experience the emotions and past experiences of others. While they typically contain tawdry incidents, Nero is shocked when he receives one showing a murder.
During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.
Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter, Nancy Thompson, traces the cause to child molester Fred Krueger, who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. Nancy and her boyfriend, Glen, must devise a plan to lure the monster out of the realm of nightmares and into the real world...
After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.
After a serial killer strangles several women with a necktie, London police identify a suspect—but he claims vehemently to be the wrong man.
A down-and-out Brooklyn detective is hired to track down a singer on an odyssey that will take him through the desperate streets of Harlem, the smoke-filled jazz clubs of New Orleans, and the swamps of Louisiana and its seedy underworld of voodoo.
Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.