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20/20 - (Jun 21st)
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The One Show - (Jun 21st)
The 11th Hour with Stephanie Ruhle - (Jun 20th)
Police 24/7 - (Jun 20th)
The Briefing with Jen Psaki - (Jun 20th)
Watch What Happens Live with Andy Cohen - (Jun 20th)
The First 48 - (Jun 20th)
And Just Like That… - (Jun 20th)
Duster - (Jun 20th)
Best of The Beat with Ari Melber - (Jun 20th)
Landward - (Jun 20th)
Piers Morgan Uncensored - (Jun 19th)
The Beechgrove Garden - (Jun 20th)
Bargain-Loving Brits in the Sun - (Jun 19th)
Chris Jansing Reports - (Jun 19th)
Murder Most Puzzling - (Jun 19th)
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**_Another Corman-produced knockoff of “Alien,” with softcore_** In the distant future, a troubleshooting flying ace (Jesse Vint) is redirected to a remote desert planet in order to help a bio-engineering team deal with a mutating organism. “Forbidden World” (1982) is the second “Alien” knockoff produced by Roger Corman and even uses some of the sets of the previous one from the year prior, “Galaxy of Terror” (as well as some space F/X from “Battle Beyond the Stars”). Other than that, the films aren’t connected. While my title blurb is condescending, Ridley Scott’s iconic movie itself ripped-off every main aspect of the first half of “Planet of the Vampires” from 1965, aka “Terror in Space.” So it wasn't exactly original, although it was well-done and superior. Like “Galaxy of Terror,” there’s a comic book flair to the proceedings that “Alien” lacked (because of its blockbuster budget). Still, if you like the grim adult-oriented science fiction of that film, you should appreciate this one (and “Galaxy”). The problem is that the monster in the last act looks cheesy in the manner of something borrowed from “Little Shop of Horrors,” although up to that point the various mutations are effective, particularly for a Corman-budgeted flick. “Alien” featured statuesque but too-thin Sigourney Weaver in her underwear in the last act and so Corman upped the ante with the two females here, shown pretty much fully nude in some scenes, with 1-2 sex-oriented sequences. The joke is that the tagline was “In space no one can hear you get naked.” Obviously, you should stay away if that’s disagreeable to you. The aforementioned two females happen to be Dawn Dunlap (Tracy), who was only 17 during shooting in October, 1981, while blonde June Chadwick (Barbara) was a month shy of 30. The nudity can be criticized as exploitive, of course, but there’s another way of looking at it. It drives home how people stuck on a remote station in the galaxy would still function like everyday people on Earth: sleeping in light clothing, walking around in their underwear or a robe, bathing, using a sauna, having sex and so forth. In other word, people are people, even 100-200 years in the future in outer space with the great technology thereof. The movie runs 1 hour, 17 minutes, and was shot at Corman's studio in Venice, California, his “renowned lumberyard facility,” as well as Vasquez Rocks in Agua Dulce for the outside scenes. GRADE: B-/C+
A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.
A group of strangers find themselves trapped in a maze-like prison. It soon becomes clear that each of them possesses the peculiar skills necessary to escape, if they don't wind up dead first.
A young programmer whose job is to watch over the reality-warping Cube defies orders to rescue an innocent mother trapped in one of its rooms.
Four teenagers at a British private school secretly uncover and explore the depths of a sealed underground hole created decades ago as a possible bomb shelter.
The starship Enterprise and its crew is pulled back into action when old nemesis, Khan, steals a top secret device called Project Genesis.
Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature.
Technoburger, a horror-satire anthology, uncovers the unnerving implications of technology addiction as four individuals' lives are disrupted by their digital obsessions, blurring the lines between reality and the virtual world under the omnipresence of a dominating tech corporation.
Vincent is an all-too-human man who dares to defy a system obsessed with genetic perfection. He is an "In-Valid" who assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation.
A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.