The Clapper

Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.

In a world governed by commerce, Ricky and Kate, dedicated employees, find their lives forever changed when they encounter the enigmatic stranger G. As they navigate the realm of commerce, their paths intertwine in a surreal dance of love, loss, and redemption. G's presence, amplified through the pervasive influence of globalized television, casts a spell that reverberates beyond Ricky and Kate, impacting the lives of those who bear witness to their intertwined destinies.

While producing a reality TV show, a teenager meets a magician whose powers are real but put him in danger.

1980s. Brazilian television exploding in color and auditorium programs not so politically correct. In the middle of this fervor, Augusto Mendes, a young rising actor, seeks his place in the sun. From porn studios to soap operas, he finally finds success and fame when he becomes "Bingo", a TV host clown from one of the audience leader TV shows for children. It turns out that behind the rice powder and red nose, nobody knows who he is.

Documentary celebrating the British sitcom and taking a look at the social and political context from which our favourite sitcoms grew. We enjoy a trip through the comedy archive in the company of the people who made some of the very best British sitcoms. From The Likely Lads to I'm Alan Partridge, we find out the inspiration behind some of the most-loved characters and how they reflect the times they were living in.

Shakespeare's As You Like It is a delightful romantic comedy , lavishly staged by the renowned Stratford Festival. A favorite with audiences throughout the centuries, this fairy tale is a brilliant magical celebration of romance, passion and unity. Pitting young love against the vanity of the court. It is the familiar story of exiled lovers reunited, of woodland meanderings, of mistaken identity and disguise, and of political wrongs set right. As in all of Shakespeare's plays, this is a story rich in mythology which deals with the transformation of souls from evil to good.

TV writer Elliott Nash buries a blackmailer under the new gazebo in his suburban backyard. But the nervous man can't let the body rest there.

Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance.

While Ron Burgundy's rivalry with Veronica Corningstone escalates quickly, a group of unprofessional thieves better known as 'The Alarm Clock' try to make the truth known, whatever that may mean...

A series of loosely connected skits that spoof news programs, commercials, porno films, kung-fu films, disaster films, blaxploitation films, spy films, mafia films, and the fear that somebody is watching you on the other side of the TV.

An adaptation directed by Claude Whatham for the BBC's Theatre 625 slot. Essentially a recording of John Barton's acclaimed Royal Shakespeare Company production starring Catherine Lacey (the Countess), Ian Richardson (Bertram), Lynn Farleigh (Helen), Clive Swift (Parolles) and Sebastian Shaw (the King), it was broadcast on 3 June 1968.