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I recall seeing Charlton Heston on stage at the height of his "Man For All Seasons" theatrical pomp, and he wasn't half bad. In this, however, made much earlier - he is still very much honing his theatrical skills. He portrays Mark Anthony, and the rest of an admittedly acclaimed cast stick pretty closely to the narrative of the bard's telling of the rise and fall of Caesar. That role falls to Sir John Gielgud, the only established thespian amongst this rather odd assembly of talent that deliver, with varying degrees of conviction, some of the best lines in English literature. Jason Robards makes a decent fist of Brutus as does Diana Rigg (Portia) but Richard Chamberlain (Octavius), Robert Vaughn (Casca) and Richard Johnson (Cassius) really fall well short of the mark with their over-dramatised emphasis on the language and the gestures. The costumes and photography in general look fine, but somehow that seems to add to this effort's problems - it lacks the intensity and intimacy of a stage performance. Indeed, I wonder if the same cast were to have done this in a theatre, might it not have been more distinguished? It is certainly worth a watch, there is a suitably rousing score from Michael J. Lewis, but I think the end product is not equal to the sum of it's parts.
Obsessive master thief Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective Vincent Hanna pursues him without rest. Each man recognizes and respects the ability and the dedication of the other even though they are aware their cat-and-mouse game may end in violence.
Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.
Amid a tense political climate, the opposition leader is killed in an apparent accident. When a prosecutor smells a cover-up, witnesses get targeted. A thinly veiled dramatization of the assassination of Greek politician Grigoris Lambrakis and its aftermath, “Z” captures the outrage at the US-backed junta that ruled Greece at the time of its release.
This story starts in 1980 in Paris as the memories of Andrei Borodin, a Soviet agent, take the action back to 1943 during the Teheran meetings of Stalin, Roosevelt and Churchill. A high-ranking Nazi officer developed a plan to assassinate the three world leaders in order to undermine the Allied forces. He commissioned the German agent Max Richard to carry out his plan, but it failed miserably due to the quick action and thinking of Andrei. While in Teheran, Andrei met a French woman, Marie Louni, living in the city and they had a brief but intense affair. Nearly four decades later, the Nazi officer has been captured - but not for long. Freed by terrorists, the officer is hunting down the German agent who failed to carry out the planned assassinations. Max lives at Françoise, a young French woman, who hides him.
The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. An historic BBC production taped on location in and around Kronborg castle in Elsinore (Denmark), in which the play is set.
Shakespeare’s masterpiece of the turbulence of war and the arts of peace tells the romantic story of Henry’s campaign to recapture the English possessions in France. But the ambitions of this charismatic king are challenged by a host of vivid characters caught up in the real horrors of war. Henry V, which opened the new Globe with the words ‘O for a muse of fire’, celebrates the power of language to summon into life courts, pubs, ships and battlefields within the ‘wooden O’ - and beyond.
Memorably set between the two world wars, this adaptation of Trevor Nunn's award-winning 1999 Royal National Theatre production of The Merchant of Venice features a superlative performance from Henry Goodman as Shylock.
A team of U.S. government agents is sent to investigate the bombing of an American facility in the Middle East.
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
When Queen Elizabeth's reign is threatened by ruthless familial betrayal and Spain's invading army, she and her shrewd adviser must act to safeguard the lives of her people.
A 1965 BBC adaptation of William Shakespeare's first historical tetralogy (1 Henry VI, 2 Henry VI, 3 Henry VI and Richard III), which deals with the conflict between the House of Lancaster and the House of York over the throne of England, a conflict known as the Wars of the Roses. It was based on the 1963 theatre adaptation by John Barton, and directed by Peter Hall for the Royal Shakespeare Company.