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The Beat with Ari Melber - (Aug 31st)
Alex Witt Reports - (Aug 30th)
Atomic - (Aug 30th)
Saturday Kitchen Best Bites - (Aug 30th)
Gastronauts - (Aug 30th)
WWE Main Event - (Aug 30th)
James Martins Saturday Morning - (Aug 30th)
Beyond the Bar - (Aug 30th)
Ainsleys Fantastic Flavours - (Aug 30th)
Lucky - (Aug 30th)
The Winning Try - (Aug 30th)
Bon Appetit, Your Majesty - (Aug 30th)
Anne Shirley - (Aug 30th)
Foreign Correspondent - (Aug 30th)
Lie Detector- Truth or Deception - (Aug 30th)
Dan Da Dan - (Aug 30th)
The First 48 Presents Critical Minutes - (Aug 30th)
The Great Indian Kapil Show - (Aug 30th)
Kaiju No. 8 - (Aug 30th)
The Football Interview - (Aug 30th)
"Charity" (Shirley MacLaine), "Nickie" (Chita Rivera) and "Helene" (Paula Kelly) are call-girls working in a grotty dance hall. "Charity" is an honest, maybe too honest, gal, but after years going round in circles she needs a decent man in her life. That might just happen when she meets "Oscar" (John McMartin) but he doesn't know what she really does to make a living. It isn't quite in a bank. Should she tell him and risk him walking away? The story itself here is no great shakes, but the performances are really entertaining. MacLaine, Ricardo Montalban as the legendary actor "Vittorio" and the rhythmic Sammy Davis Jr. as "Big Daddy" all contribute to a tight ensemble delivering some of the best from musical theatre to the big screen. "Big Spender"; "If My Friends Could See Me Now"; "...Something Better Than This"; "The Rhythm of Life" - all cleverly written and scored by Cy Coleman and Dorothy Fields and sung by the folks we are watching. Now the production isn't the best. The editing is really quite bitty and director Bob Fosse still can't quite remember that cinema can flow in a continuous fashion that theatre cannot. It's not Neil Simon's best script adaptation either, indeed "Nights of Cabiria" might blush at the rather staccato nature of this tribute. It looks great and there's quite some chemistry between MacLaine and the suave and debonaire Montalban and by mid-way through, you just want poor old "Charity" to find her happiness. It's hard to see how it could be better and is well worth watch if you want to see charisma on screen in spades.
Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.
Walter Burns is an irresistibly conniving newspaper publisher desperate to woo back his paper’s star reporter, who also happens to be his estranged wife. She’s threatening to quit and settle down with a new beau, but, as Walter knows, she has a weakness: she can’t resist a juicy scoop.
In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.
A young girl, Chihiro, becomes trapped in a strange new world of spirits. When her parents undergo a mysterious transformation, she must call upon the courage she never knew she had to free her family. The film version of the stage production was shot during the play’s 2022 run at the Imperial Theatre in Tokyo.
Gambler Nathan Detroit has few options for the location of his big craps game. Needing $1,000 to pay a garage owner to host the game, Nathan bets Sky Masterson that Sky cannot get virtuous Sarah Brown out on a date. Despite some resistance, Sky negotiates a date with her in exchange for bringing people into her mission. Meanwhile, Nathan's longtime fiancée, Adelaide, wants him to go legit and marry her.
Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.
On his sprawling country estate, an aging writer matches wits with the struggling actor who has stolen his wife's heart.
Five unmarried sisters make the most of their simple existence in rural Ireland in the 1930s.
A story in which the author mocks the Slovak petty bourgeoisie and denounces the denationalization of the gentry in the nineteenth century. Some problems such as patronage, bribery, and imitation of foreign models sound surprisingly simultaneous.
An employee of the funeral home Pleticha calls his superior. He overhears that he is supposed to buy a wedding gift and deliver it to his boss's relatives. He therefore sets off to the given address to organize the funeral. When the mistake is explained, Pleticha, in return for the entertainment, performs dances and songs of various nations for the wedding guests. One of the guests, grandfather Boleslav Hnipírdo, experienced a train collision near Vrňany on his way to Prague. Since he was not injured, he does not even want to ask for compensation. Pleticha takes advantage of this and goes to the railway headquarters with his leg bandaged. He pretends to be Hnipírdo and is questioned in detail about his journey. Thanks to his talkativeness, he reveals, among other things, that he jumped on a moving train, drove illegally, spat on the window and tore off the emergency brake...