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A Quiet Place Day One 2024 - Movies (Sep 30th)
Latency 2024 - Movies (Sep 30th)
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The Great Escaper 2023 - Movies (Sep 30th)
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Deadpool and Wolverine 2024 - Movies (Sep 30th)
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Stockholm Bloodbath 2023 - Movies (Sep 30th)
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Little Cabin in the Woods - (Oct 1st)
The Rachel Maddow Show - (Oct 1st)
Junior Doctors- Life on the Wards - (Oct 1st)
Inside with Jen Psaki - (Oct 1st)
All American- Homecoming - (Oct 1st)
Rescue- HI-Surf - (Oct 1st)
Life on the Bay - (Oct 1st)
9-1-1- Lone Star - (Oct 1st)
The ReidOut with Joy Reid - (Oct 1st)
Lets Make a Deal - (Oct 1st)
TV On the Edge- Moments That Shaped Our Culture - (Oct 1st)
The Bold and the Beautiful - (Oct 1st)
The Price Is Right - (Oct 1st)
The Young and the Restless - (Oct 1st)
90 Day Fiance- The Other Way - (Oct 1st)
The Beat with Ari Melber - (Oct 1st)
Married at First Sight UK - (Sep 30th)
Dimension 20s Adventuring Party - (Oct 1st)
Hope Afloat - (Sep 30th)
University Challenge - (Sep 30th)
I was hoping for more. I thought it would delve further into her battles in the hip-hop world, and include more than just brief cameos of rap legends and icons (Biz Markie, MC Shan, Marley Marl, and a young NaS), but instead it turned into just a pseudo-bio/male-bashing escapade. I enjoyed some parts about it, primarily the focus on her rap career, Roxanne's Revenge, and how she came up in the game, but a lot of the time, it felt like this film was something it wasn't advertised as. Being a huge hip hop fan, mainly of the 80's and 90's, I was excited when i saw a biopic on Roxanne Shante. I'm a huge fan of NY hip hop from this era. I was disappointed when most of the film focused on her family struggles, and poor relationships (I would even say decisions too) with men. I knew there would be a backstory about her upbringing, but instead of really talking about the hip hop pioneer that she was, and maybe battles with KRS and others, it was like a 45 minute man-bashing flick veiled as a doc about a hip hop legend. Almost every male character is basically portrayed as abusive, manipulative, violent, or a sexual predator. The few males that somewhat have redeemable qualities are pushed aside, not to be focused on. This trope is one that seems to be the norm far too often in films of the last few years. It is very annoying to me, and reeks of disillusion. Every male is not a creep, just as every female is not a saint in the real world. Even the last excerpt at the end of the film before the credits was so out of place, and didn't seem to fit anything other than an agenda to bash males for "not handling their responsibilities, and bringing women flowers". What this has to do with hip hop culture, or anything relevant, for that matter, is beyond me. It could have been so much better, if it legitimately was about the career of Roxanne Shante, and her rise as a hip hop icon in the 80's. 2 door knocker ear rings out of 5.
For Jimmy Smith, Jr., life is a daily fight just to keep hope alive. Feeding his dreams in Detroit's vibrant music scene, Jimmy wages an extraordinary personal struggle to find his own voice - and earn a place in a world where rhymes rule, legends are born and every moment… is another chance.
Four Harlem friends - Bishop, Q, Steel and Raheem - dabble in petty crime, but they decide to go big by knocking off a convenience store. Bishop, the magnetic leader of the group, has the gun. But Q has different aspirations. He wants to be a DJ and happens to have a gig the night of the robbery. Unfortunately for him, Bishop isn't willing to take no for answer in a game where everything's for keeps.
With help from his friends, a Memphis pimp in a mid-life crisis attempts to become a successful hip-hop emcee.
A struggling young dancer joins forces with two breakdancers and together they become a street sensation.
A wealthy Los Angeles teen and her superficial friends wants to break out of suburbia and experience Southern California's "gangsta" lifestyle. But problems arise when the preppies get in over their heads and provoke the wrath of a violent Latino gang. Suddenly, their role-playing seems a little too real.
A young Hip Hop star named Summer G falls for a middle to upper class sister while in college. After she rejects him for a fellow social climber, Summer G spends ten years building a Hip Hop empire, then moves to the Hamptons where he finds the object of his affections.
After a chaotic night of rioting in a marginal suburb of Paris, three young friends, Vinz, Hubert and Saïd, wander around unoccupied waiting for news about the state of health of a mutual friend who has been seriously injured when confronting the police.
Tano is 16-years-old and is already sitting in jail. In 48 hours he’s a free man and off to the wedding of his brother. In the two days he recounts his neighborhood in a section of Sevilla.