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A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.
Raja returns home from London, but is refused entry into the house by his widow grandmother due to some differences between his late father and his parents. Chhaya a house keeper helps Raja to win the goodwill of his grandmother and in the process of helping him, Raja falls in love with Chhaya.
When a cynical ex-TV news anchor gets an alarming call on his radio show, he sees a chance for a career comeback — but it may cost his conscience.
In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.
Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.
Suraj is the only son of widow, Parvati whose husband was killed. He falls in love with Reshma after saving her life from a snake bite.
The Tashkent Files is a thriller that revolves around the mysterious death of India's 2nd Prime Minister Shri Lal Bahadur Shastri and attempts to uncover if he had actually died a natural death, or, as alleged, was assassinated.
When Inspector Yadav (Kulbhushan Kharbanda) shoots down a criminal couple in the line of duty, his heart goes out to their orphaned baby son Krishna. He adopts the child, who grows up with Yadav's own daughter, Gauri (Farha). As they grow up, Krishna (Sunny Deol) and Gauri fall in love - but an obstacle is looming in their path in the form of Yadav's young second wife (Sujata Mehta), who is attracted to the handsome Krishna, and in her jealousy proceeds to do all she can to destroy the young couple's chances of happiness.