Christmas Under the Lights 2024 - Movies (Nov 28th)
Kneecap 2024 - Movies (Nov 28th)
River of Ghosts 2024 - Movies (Nov 28th)
Stargazer 2023 - Movies (Nov 28th)
Birdeater 2023 - Movies (Nov 28th)
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Greedy People 2024 - Movies (Nov 28th)
Sincerely Truly Christmas 2023 - Movies (Nov 28th)
A Bluegrass Christmas 2024 - Movies (Nov 28th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
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Sweethearts 2024 - Movies (Nov 28th)
A Little Womens Christmas 2024 - Movies (Nov 28th)
Suspicion 2024 - Movies (Nov 28th)
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The Lady of the Lake 2024 - Movies (Nov 27th)
Our Little Secret 2024 - Movies (Nov 27th)
Inside the Tower of London - (Nov 28th)
The One Show - (Nov 28th)
Andrea Mitchell Reports - (Nov 28th)
Chris Jansing Reports - (Nov 28th)
Katy Tur Reports - (Nov 28th)
The Great British Bake Off- An Extra Slice - (Nov 28th)
The Beechgrove Garden - (Nov 28th)
Gardening Australia - (Nov 28th)
When the Phone Rings - (Nov 28th)
Deal or No Deal - (Nov 28th)
Four in a Bed - (Nov 28th)
Richard Osmans House of Games - (Nov 28th)
The Chase - (Nov 28th)
What They Really Mean For You - (Nov 28th)
Smoggie Queens - (Nov 28th)
Live from the Other Side with Tyler Henry - (Nov 28th)
The Impact- Atlanta - (Nov 28th)
All the Queens Men - (Nov 28th)
The Kelly Clarkson Show - (Nov 28th)
Bangers and Cash- Restoring Classics - (Nov 28th)
The "British Brokeback Mountain" label that follows this film around is really unfair as it sells what is a magical move in its own right (and a stunning feature film directorial debut) really short. The film is paced so well (I'm a fan of slow, gentle pacing that lets a story unfold; I know others might find it boring), giving us time to really get to know the characters and immerse ourselves in their world so that the plot evolution hits the way its supposed to. The cast is phenomenal, bringing depth and realism to their performances, it's easy to feel the emotions they feel. The way the film handles intimacy and sexual tension is both sensitive and raw, making the characters' connection feel incredibly authentic. One thing I really liked is how it does a good job steering clear of typical love story clichés. It's not just a film about rural hardship; it's about the challenge of loving and being loved, especially in a setting where such stories usually end in tragedy. The film has this unique ability to depict the gritty reality of farm life, complete with the mud and the livestock, while simultaneously exploring the complex emotional landscape of its characters. It's not another BROKEBACK MOUNTAIN and it's not just another "gay love story." It's its own film and it beautifully depicts a relationship filled with hope and fulfillment, challenging the often tragic narratives we see in rural settings.
Josh O'Connor ("Johnny") is excellent as the frustrated rural English farmer cruising through life on the bottle, peppered with the occasional romp with the only other gay in the village (Harry Lister Smith). His father (Ian Hart) has long since stopped being able to run their farm and can now only contribute to the futility of his son's existence. They recruit an itinerant Romanian worker (Alec Secaeanu) to help out with the heavy lifting and a bond quickly forms that initially induces confusion and conflict before they realise that what both truly seek they can find in the other. It's a film that doesn't pull it's punches; isn't at all sentimental and aside from the occasional gentleness provided by his mother (Gemma Craven) is much less of a sanitised "urban" story about homosexuality than perhaps we are used to.
What's on your menu? Ho and Fung explore the intracices of Chinese dessert as their friendship blossoms into romance. Their happiness, however, is short-lived. Feeling unaccepted by those around them, the couple embark on an increasingly perilous journey featuring hallucinations, jaywalking and unorthodox conversion therapy. Will their love triumph in the end?
Years have passed since the Three Musketeers, Aramis, Athos and Porthos, have fought together with their friend, D'Artagnan. But with the tyrannical King Louis using his power to wreak havoc in the kingdom while his twin brother, Philippe, remains imprisoned, the Musketeers reunite to abduct Louis and replace him with Philippe.
Three compelling stories in one erotic experience. Yen Durano plays three different women in three titillating stories. In a collaboration of three directors: Roman Perez, Jr., Sigrid Polon, and Omar Deroca.
Sal, a hot single professor, moves across an auto service shop and rocks the world of young repairman Arnel. Ever since Sal came over to get her car fixed, Arnel's skilled hands have always been busy. But can he still fix the problems that come with it?
Story about a group of five macho dancers navigating their own lives and the women who would do anything to keep them by their side.
Rita, who finds herself alone when husband Ariel works abroad. They both find solace and sexual satisfaction in other people. When Ariel comes back, they both act like nothing happened. But will this keep their marriage from falling apart?
Cristi has just moved to an unknown country, far away from family and friends. At first, she is happy for the challenge. But soon she begins to question her place in this new world that seems to be a lost town, made of absences, distances, silence and indifference. '4242' is the story of a young female immigrant, a story of a teenager's anguish who is trying to redefine her identity after being forced to leave home.
A music-mad 16-year-old outcast at a rugby-mad boarding school forms an unlikely friendship with his dashing new roommate.
The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, have sex, and choose.
Santa, a peasant woman loyal to the Revolution, is sent to guard Andrés, a gay writer who is under house arrest, considered “ untrustworthy” for his ideas and sexuality by the Cuban authorities. Set in a small village in eastern Cuba during the early 1980s, this poignant political drama depicts an encounter between two deeply thoughtful souls on opposite sides of a profound cultural divide. Both have experienced deep loss, and both know the damaging effects of isolation and oppression. Even so, the cavernous ideological divide separating them — the same one that has separated Cuban friends and kin for over 50 years — has until now seemed insurmountable.
Three separate stories create a gripping yet compassionate portrait of small-town characters immersed in the intimidating, alluring, and dangerous world of big-city Johannesburg and Soweto.