The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Apocalypse Z The Beginning of the End 2024 - Movies (Jan 10th)
Get Away 2024 - Movies (Jan 10th)
The Gardener the Buddhist and the Spy 2025 - Movies (Jan 10th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 9th)
Sons of Ecstasy 2025 - Movies (Jan 9th)
Normans Rare Guitars Documentary 2024 - Movies (Jan 9th)
Sudan Remember Us 2024 - Movies (Jan 9th)
Subservience 2024 - Movies (Jan 9th)
The Naughty List of Mr. Scrooge 2024 - Movies (Jan 9th)
Better Man 2024 - Movies (Jan 8th)
Armor 2024 - Movies (Jan 7th)
George A. Romeros Resident Evil 2025 - Movies (Jan 7th)
Venom The Last Dance 2024 - Movies (Jan 7th)
The Man in the White Van 2024 - Movies (Jan 7th)
Katangari Goes to Town 2025 - Movies (Jan 7th)
Lets Make a Deal - (Mar 25th)
The Bold and the Beautiful - (Mar 25th)
The Young and the Restless - (Mar 25th)
The Price Is Right - (Mar 25th)
The Last American Vagabond - (Mar 25th)
Tipping Point - (Mar 25th)
Love Triangle - (Mar 25th)
George Clarkes Amazing Spaces - (Mar 25th)
Sort Your Life Out - (Mar 25th)
School Swap- UK to USA - (Mar 25th)
Killer at the Crime Scene - (Mar 25th)
Deadline- White House - (Mar 25th)
Katy Tur Reports - (Mar 25th)
Four in a Bed - (Mar 25th)
Historys Greatest Mysteries - (Mar 25th)
Chris Jansing Reports - (Mar 25th)
The Yorkshire Auction House - (Mar 25th)
The Real Housewives of Lagos - (Mar 25th)
Baddies Midwest - (Mar 25th)
No Mans Land - (Mar 25th)
Boring watch, won't watch again, and can't recommend. Paul Rudd (especially) and Jack Nicholson are actors I would use as a barometer for movie quality, and even Reese Witherspoon (even though I'm not a big fan) usually is in quality movies, but this is just such a dud. It's the rom com equivalent to watching paint dry. Everything about it draws enormous attention to what you would expect to be happening and not doing it. Trust me, I understand that subversion of expectation is comedy, but there is a rate of diminishing returns on the repetition and duration of the joke, and if you play with that line, then you're writing a comedy for comedy writers because they are the only ones that are going to look at the movie / life as a punchline, and I don't think that is what they were going for. There is an underlying theme of patience and adaptability: life will even out even in the roughest of situations, but the movie just sort of stops without even an epilogue, they're just literally and suddenly not there anymore. I think there is a lot to get out of the movie, if you're strong enough to reach for it: a man who has everything but doesn't give you what you need isn't as good a man who has almost nothing and wants to give you what you need. It's a counter argument to "Nice guys finish last". Please don't waste your time, go watch anything else Paul Rudd has been in except for the one where he buys a French villa.
In a small town in post-WWII France, 16-year-old Janine tries to improve her conditions by any means necessary. Three people—Michel, a married lover; Raoul, a fellow thief; Mauricette, a photographer she meets in prison—will help her learn from her mistakes.
The adventures of two amiably aimless metal-head friends, Wayne and Garth. From Wayne's basement, the pair broadcast a talk-show called "Wayne's World" on local public access television. The show comes to the attention of a sleazy network executive who wants to produce a big-budget version of "Wayne's World"—and he also wants Wayne's girlfriend, a rock singer named Cassandra. Wayne and Garth have to battle the executive not only to save their show, but also Cassandra.
Dealing with a sociopathic school bully, three high school freshmen hire a low-budget bodyguard to protect them, not realizing he is just a homeless beggar and petty thief looking for some easy cash.
Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.
Sreekrishnan unknowingly falls in love with the woman his best friend, Manikyan, loves. Though Sreekrishnan tries his best to woo her, she resists, leading to a battle that ensues between the friends.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in tequila and decide to take one last trip to the sea. Drunk and still in pajamas they steal the first fancy car they find, a 60's Mercedes convertible. The car happens to belong to a bunch of gangsters, which immediately start to chase it, since it contains more than the pistol Martin finds in the glove box.
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.