The Players 2025 - Movies (Aug 27th)
Au revoir 2024 - Movies (Aug 27th)
Oh Hi 2025 - Movies (Aug 27th)
Sketch 2024 - Movies (Aug 26th)
KPop Demon Hunters 2025 - Movies (Aug 26th)
Together 2025 - Movies (Aug 26th)
Stans 2025 - Movies (Aug 26th)
I Know What You Did Last Summer 2025 - Movies (Aug 26th)
Prepare to Die 2024 - Movies (Aug 26th)
Karate Kid Legends 2025 - Movies (Aug 26th)
Lilo and Stitch 2025 - Movies (Aug 26th)
Ballerina 2025 - Movies (Aug 25th)
Girl in the Cellar 2025 - Movies (Aug 25th)
Relay 2024 - Movies (Aug 24th)
Trust 2025 - Movies (Aug 24th)
The Assessment 2024 - Movies (Aug 24th)
Dear Stranger 2025 - Movies (Aug 23rd)
The Throwback 2024 - Movies (Aug 23rd)
Growing Happiness 2024 - Movies (Aug 23rd)
A New Kind of Wilderness 2024 - Movies (Aug 23rd)
Honey Dont 2025 - Movies (Aug 22nd)
Katy Tur Reports - (Aug 27th)
Chris Jansing Reports - (Aug 27th)
The Answer Run - (Aug 27th)
Americas Got Talent- Fantasy League - (Aug 27th)
Car Pound Cops- Give Me My Car Back - (Aug 27th)
Hard Quiz - (Aug 27th)
Baddies Africa - (Aug 27th)
The Block - (Aug 27th)
The Yorkshire Vet - (Aug 27th)
The Chase Australia - (Aug 27th)
The 11th Hour with Stephanie Ruhle - (Aug 27th)
The Amazing Race Canada - (Aug 27th)
My Big Fat Fabulous Life - (Aug 27th)
The One Show - (Aug 27th)
The Proof Is Out There- UnXplained Edition - (Aug 27th)
Love and Hip Hop Atlanta - (Aug 27th)
Caught in the Act- Double Life - (Aug 27th)
Love Is Blind- UK - (Aug 27th)
The Secret of Skinwalker Ranch - (Aug 27th)
The Terminal List- Dark Wolf - (Aug 27th)
Boring watch, won't watch again, and can't recommend. Paul Rudd (especially) and Jack Nicholson are actors I would use as a barometer for movie quality, and even Reese Witherspoon (even though I'm not a big fan) usually is in quality movies, but this is just such a dud. It's the rom com equivalent to watching paint dry. Everything about it draws enormous attention to what you would expect to be happening and not doing it. Trust me, I understand that subversion of expectation is comedy, but there is a rate of diminishing returns on the repetition and duration of the joke, and if you play with that line, then you're writing a comedy for comedy writers because they are the only ones that are going to look at the movie / life as a punchline, and I don't think that is what they were going for. There is an underlying theme of patience and adaptability: life will even out even in the roughest of situations, but the movie just sort of stops without even an epilogue, they're just literally and suddenly not there anymore. I think there is a lot to get out of the movie, if you're strong enough to reach for it: a man who has everything but doesn't give you what you need isn't as good a man who has almost nothing and wants to give you what you need. It's a counter argument to "Nice guys finish last". Please don't waste your time, go watch anything else Paul Rudd has been in except for the one where he buys a French villa.
Can a woman love two men at the same time? Set against the backdrop of Kyoto's rich history, this story depicts a woman's difficult choice for love. Ayako, played by Yukiyo Toake, is an international conference coordinator. Torn between her childhood sweetheart (played by Kenji Sawada) and her English professor (played by Noboru Nakaya), Ayako will seek answers to love, marriage, and choice.
Suffering from a crippling memory loss ever since an accident at the age of six, Toshiaki finds new hope, and a new mystery, when he is visited by a girl from his own future.
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.
When maladjusted orphan Jesse vandalizes a theme park, he is placed with foster parents and must work at the park to make amends. There he meets Willy, a young Orca whale who has been separated from his family. Sensing kinship, they form a bond and, with the help of kindly whale trainer Rae Lindley, develop a routine of tricks. However, greedy park owner Dial soon catches wind of the duo and makes plans to profit from them.
While in Spain Alan Randolph falls for famed singer Rosita Mendez, but when he goes back to Louisiana, he returns to his fiancée Violet Beaton. On an American tour Rosita discovers Alan has married Violet. Consumed with jealousy she threatens to kill him with a revolver and in the scuffle is wounded. Full of vengeance Rosita has him jailed for five years. Suddenly contrite she then outlines a plan of escape to Alan, but he refuses until destiny takes a hand.
Two quirky, cynical teenaged girls try to figure out what to do with their lives after high school graduation. After they play a prank on an eccentric, middle aged record collector, one of them befriends him, which causes a rift in the girls’ friendship.
Deemed "the D.W. Griffith of Turkish Cinema," Omer Lutfi Akad directs this 1952 film based upon real events that took place in İstanbul, in the following years of World war II. It is about a love triangle that led to homicide. It was a stylistic departure of what otherwise had been typical of Turkish melodramas of the time.
This musical reworking of Too Many Husbands (1940), features Grable as a top singer and dancer who's been widowed by WW II. She marries her late husband's songwriting partner, Gower Champion, but the new marriage is thrown for a loop when Lemmon, her first husband, turns up very much alive and eager to see Grable.
Chris, a former tennis pro, takes a job as an instructor and befriends his wealthy young student, Tom. After being introduced to his family, Chris is soon engaged to Tom's sister, Chloe. Despite the professional and financial advantages that this relationship affords him, Chris becomes obsessed with Tom's fiancee, American actress Nola.
The mother of a severely traumatized daughter enlists the aid of a unique horse trainer to help the girl's equally injured horse.
September of 1944, a few days before Finland went out of the Second World War. A chained to a rock Finnish sniper-kamikadze Veikko managed to set himself free. Ivan, a captain of the Soviet Army, arrested by the Front Secret Police 'Smersh', has a narrow escape. They are soldiers of the two enemy armies. A Lapp woman Anni gives a shelter to both of them at her farm. For Anni they are not enemies, but just men.