Jules et Jim

A home, a motorcar, servants, the latest fashions: the most eligible and most finicky bachelor in Paris offers them all to Gigi. But she, who's gone from girlish gawkishness to cultured glamour before our eyes, yearns for that wonderful something money can't buy.

A Los Angeles journalist befriends a homeless Juilliard-trained musician, while looking for a new article for the paper.

World War II, 1943. Mallory and Miller, the heroes who destroyed the guns of Navarone, are sent to Yugoslavia in search of a ghost from the past.

A romantic drama that charts the lives of three women from different backgrounds, forever changed when they emigrate to New Zealand as war brides.

A drama set in the 1920s, where free-spirited Janie Crawford's search for happiness leads her through several different marriages, challenging the morals of her small town. Based on the novel by Zora Neale Hurston.

An ambitious reporter gets in trouble while investigating a senator's assassination which leads to a vast conspiracy involving a multinational corporation behind every event in the world's headlines.

It is Christmas Eve. Separated from her young son, Helly struggles for money. A solitary man, Didier pays her to play his fiancée for the night. But the act comes to a tragic end. Left stunned, Helly meets Marie, who takes her in, on her way to the coast. There they encounter Chris. All three will end the night together. It’s their last move in joy and perdition.

Francois, a cheerful Parisian bohemian, wants more than anything to be a tour guide in his beloved city. While working the streets, Francois meets Madeleine, who works at a circus.

Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.

A young, unnamed woman, while biking home from the bank she works at, happens upon a weakened tree goddess whose native shrine is being demolished for construction work. She rescues her and brings the goddess home with her. The two form a relationship, but what will happen to the goddess as the construction progresses?

Shinji (Shinichi Tsutsumi) steps out of a train station to find himself transported back to 1964.