Un film (autoportrait)

Nightmare in Canada is a television documentary that delves into the history of Canada's horror film industry. Not only do Canadian horror films have a distinct look and style, they also explore fear and dread in a truly "tundra terror" way through themes such as "man against nature" and "fighting the evil that comes from within." Nightmare in Canada uncovers gems from Canada's film history that combat the stereotype that Canadian cinema is bland or aloof.

This short film looks at the extensive wardrobe department that clothed the casts of MGM films into the 1960s.

Documentary about Stanley Kramer, included on the 40th anniversary edition of Guess Who's Coming to Dinner.

Discussion of the making of the film Summer Stock (1950).

The Making of It's Always Fair Weather with footage and discussion by historians and participants.

On The Red Carpet presents an in-depth look at the making of The Banshees of Inisherin.

Animator. Storyman. Troublemaker. At 80 years old, see how Disney Legend Floyd Norman, the first African-American animator at Disney, continues to impact animation and stir up "trouble" after the company forced him to retire at age 65.

A look behind the scenes of Robert Zemeckis' 1994 Oscar-winning film, 'Forrest Gump'.

A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.

The documentary that tells us the full story from where it all started through to the future of the "Ghostbusters" franchise.

Michael Dudok de Wit was asked by the famous Japanese animation studio Ghibli, to create his first feature length animated film. This would be Ghibli's first international co-production ever. Maarten Schmidt and Thomas Doebele followed Dudok de Wit and his team during the complex creative process for over two years. He is a perfectionist that is used to making his own hand drawn animated films by himself. For this new and timely production, he was assisted by a team of 20 to 30 artists from all over Europe.