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This was a solid and very satisfying sequel to 'The Robe' for me. I have both a soft spot for swords-and-sandals epics of days gone by, and a preferential fondness for films from cinema's studio glory days of the 20's to 60's--not to mention my enjoyment of earlier Daves' classics such as 'The Petrified Forest', 'Dark Passage' and 'Destination Tokyo'--so this was like a fine red wine for me.
This is a place where men are trained to kill each other like animals! Demetrius and the Gladiators is a sequel to The Robe. It's directed by Delmer Daves and stars Victor Mature as Demetrius, a Christian slave made to fight in the Roman arena as a gladiator (and ultimately entering into a bigger fight, that of faith), and Susan Hayward as Messalina. Filling out the support cast are Ernest Borgnine, William Marshall, Michael Rennie, and Jay Robinson as the maniacal emperor Caligula. The screenplay is from Philip Dunne (How Green Was My Valley/The Agony and the Ecstasy) and cinematography comes courtesy of Milton R. Krasner (Academy Award winner Best Color Cinematography for Three Coins in the Fountain 1955). Following straight on from The Robe, Demetrius and the Gladiators is a safe and enjoyable Biblical picture that doesn't outstay its welcome. Running at just over 100 minutes, the film is far from being epic in its telling. However, and without cramming in, it does contain all the necessary ingredients to make up a sweaty sword and sandals pie. Filmed in CinemaScope it has a persecuted hero, a bonkers villain, a sexy babe, huge sets, colourful costumes and fights, lots of fights. Thankfully the serious dialogue is mostly kept brief, as there a few things worse in this genre of film than bloated discourse on religious beliefs and political dalliances. Just get in there, let us know what is going on, and move on to the next chapter of the story. This is something that Daves' film does very well, it has an eagerness to entertain with dots of gusto and sexual swagger. The acting is mixed, Mature is solid without ever really convincing as the heroic figure of Demetrius, Hayward and Robinson are camping it up and thus entertain royally, while Borgnine and Rennie earn their respective pay. Very much like another Phillip Dunne screenplay genre piece, David And Bathsheba, this one is often overlooked or forgotten in discussion about the sword & sandals genre. That both films are not in the same league as the likes of Ben-Hur and Spartacus is a given, but both have much to offer the discerning cinephile. So this one is recommended Sunday afternoon fare with a flagon of claret and a roast ox dinner. 7/10
was about to rate it 3 for the tiger fight, but the end was too corny to handle
Richard Burton and Jean Simmons made sure they couldn't be involved in this sequel to "The Robe" (1953) but director Delmer Dawes did manage to bring in Susan Hayward and retain the maniacal services of arch-ham Jay Robinson to keep this sword and sandals story watchable. If you recall, "Demetrius" (Victor Mature) was the servant present at the crucifixion and who now holds the red robe used on the day. It's a prized possession amongst the Christians but when Caligula (Robinson) hears of its supposed recuperative powers he demands it be found. The ensuing searching ends up with "Demetrius" back in slavery, only this time working for the famed Messalina (Hayward) who is married to the emperor's uncle Claudius (Barry Jones). She takes a shine to this handsome hunk but his faith renders him impermeable to her charms. She's clever, though, and orchestrates a tragedy that will drive the furious champion into her arms. Can she keep him? With the increasingly irascible emperor managing to fall out with just about everyone, too - including his feared Praetorian Guards - will anyone manage to keep their heads? There's a hint of something biblically inspired to the plot, but essentially this is another opportunity for Hayward and Mature to have a go at presenting us with a colourful romantic action adventure - and they do it fine. It's colourful and decently paced, but the dialogue is a bit on the banal side - enough to create quite a soporific effect amongst the marauding tigers who seemed perfectly capable of breathing even after they'd been stabbed half a dozen times. Mature was as wooden as a picket fence most of the time - so don't expect much passion, but if you like the genre then pots of cash and loads of silks and satins as well as plenty of gladiatorial jousts just about render this watchable.
Marty and Doc are at it again as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
A couple of young, out-of-work archaeologists in Egypt discover evidence of the burial place of the ancient Egyptian princess Ananka. After receiving funding from an eccentric magician and his beautiful daughter, they set out into the desert only to be terrorized by a sinister high priest and the living mummy Kharis who are the guardians of Ananka’s tomb.
Erstwhile childhood friends, Judah Ben-Hur and Messala meet again as adults, this time with Roman officer Messala as conqueror and Judah as a wealthy, though conquered, Israelite. A slip of a brick during a Roman parade causes Judah to be sent off as a galley slave, his property confiscated and his mother and sister imprisoned. Years later, as a result of his determination to stay alive and his willingness to aid his Roman master, Judah returns to his homeland an exalted and wealthy Roman athlete. Unable to find his mother and sister, and believing them dead, he can think of nothing else than revenge against Messala.
The Cromwell clan lives in the real world, except for their grandmother who lives in Halloweentown, a place where monsters go to escape reality. But now the son of the Cromwells' old enemy Kalabar has a plan to use the grandmother's book to turn Halloweentown into a grey dreary version of the real world while transforming the denizens of the real world into monsters.
Kaji is sent to the Japanese army labeled Red and is mistreated by the vets. Along his assignment, Kaji witnesses cruelties in the army and revolts against the abusive treatment against the recruit Obara. He also sees his friend Shinjô Ittôhei defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.
After the Japanese defeat to the Russians, Kaji leads the last remaining men through Manchuria. Intent on returning to his dear wife and his old life, Kaji faces great odds in a variety of different harrowing circumstances as he and his fellow men sneak behind enemy lines.
As alien invaders plot to conquer the Earth, two Boy Scouts steal a mini-submarine and discover Gamera in their midst. Transported to the alien's spaceship, the Scouts are menaced by the evil inhabitants, including Viras, a squid-like monster that grows to colossal size to battle Gamera.
Who is Jesus, and why does he impact all he meets? He is respected and reviled, emulated and accused, beloved, betrayed, and finally crucified. Yet that terrible fate would not be the end of the story.
The great King of Dacia, Decebal (Decebalus), is disposed to make the ultimate sacrifice in order to keep the integrity of his people. His own son, Cotyso, is given to the god Zamolxis to the dismay of the King and his daughter Meda. Septimius Severus, a young Roman devoted to his adopted country, must make the choice between his blood origins and the culture he was introduced to.
James Bond is sent to investigate the connection between a North Korean terrorist and a diamond mogul, who is funding the development of an international space weapon.