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***A superior and realistic medieval film*** “Outlaw King” (2018) is the sequel to the events shown in “Braveheart” (1995). The story begins in 1304 during the last year of William Wallace’s life. After Wallace is drawn-and-quartered, Robert the Bruce (Chris Pine) takes up the torch for Scotland’s war of independence over England. Disregarding the excellent epilogue, the movie ends with the Battle of Loudoun Hill in 1307 where Robert the Bruce takes on a 3000-man English force with only 600 Scots. "Outlaw King" is actually better than the overrated “Braveheart”: Chris Pine is an all-around superior protagonist to Gibson; Florence Pugh is more beautiful compared to Sophie Marceau (or Catherine McCormack) in a petite, curvy way; not to mention she’s a more interesting character; the locations are better (even though the locations in "Braveheart" are excellent); the music edges out the score to "Braveheart"; the movie's more streamlined and consistent; and the film's all-around more compelling and realistic. True, "Outlaw King" doesn't top Patrick McGoohan's delightfully diabolic portrayal of the pompous Longshanks nor does it have the superb defenestration sequence. But it lacks the sluggish start of "Braveheart" (the opening 25 minutes); the eye-rolling betrayal scene; the equally eye-rolling episode where Wallace rides into a noble's bed chamber on a freakin' horse and easily escapes (Why Sure!); and, lastly, the overlong and dull execution sequence in “Braveheart” wherein the Christ symbolism is laid on too thick. It’s also more historically accurate in that it doesn't have the Scots wearing kilts or painting their faces, nor does it wrongly have Robert the Bruce betraying Wallace, which never happened (although he initially disowned him publicly, obviously for political reasons, he secretly supported his war effort and openly admitted it later). While “Outlaw King” is more historically accurate, it has its own less significant inaccuracies: Elizabeth & Majorie actually escaped Kildrummy Castle, along with Robert’s sisters, but were found by Edward’s men shortly later; Edward II (Billy Howle) wasn't even at the Battle of Loudoun Hill so, naturally, the duel with Edward II never happened; actually, Edward I (Stephen Dillane) was not yet dead when this battle was fought in 1307 so his son was not yet crowned; Queen Elizabeth wasn't put in a cage, but Robert’s sister was; the English were already familiar with the Scottish hedgehog formation by the time of Loudoun Hill and, in fact, destroyed this formation with arrows nine years earlier at Falkirk; Elizabeth was held in captivity for over seven years before Robert could negotiate her return in 1314 after his great victory at the Battle of Bannockburn (the movie makes it seem much shorter). Closing word: If you like realistic medieval flicks like the excellent “Tristan + Isolde” (2006) be sure to check out “Outlaw King.” The film runs 2 hours, 1 minute and was shot mostly in Scotland, but also England. Whilst this is a Netflix movie, it cost a whopping $120 million and looks it. GRADE: B+/A-
By and large, when there's no battle taking place, Outlaw King is not a rousing success, but those fight scenes are spectacular, and recurring. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Twenty year-old Julius Caesar flees Rome for his life during the reign of Sulla but through skill and ambition rises four decades later to become Rome's supreme dictator.
The 1960s was an extraordinary time for the United States. Unburdened by post-war reparations, Americans were preoccupied with other developments like NASA, the game-changing space programme that put Neil Armstrong on the moon. Yet it was astronauts like Eugene Cernan who paved the uneven, perilous path to lunar exploration. A test pilot who lived to court danger, he was recruited along with 14 other men in a secretive process that saw them become the closest of friends and adversaries. In this intensely competitive environment, Cernan was one of only three men who was sent twice to the moon, with his second trip also being NASA’s final lunar mission. As he looks back at what he loved and lost during the eight years in Houston, an incomparably eventful life emerges into view. Director Mark Craig crafts a quietly epic biography that combines the rare insight of the surviving former astronauts with archival footage and otherworldly moonscapes.
Cumberland, 1348. The plague is spreading in medieval England. The remote village of little Griffin is also threatened. But the 9-year-old boy has a recurring dream that holds the key to a tiny hope of survival: a lake with a coffin floating on it. A white church with an iron cross. A falling glove. A falling silhouette. A torch tumble through a dark shaft into infinity. With his brother he recognizes in it a prophecy to escape the Black Death. So they embark with a few men on a journey to a distant cathedral, where they want to set up an iron cross as an offering to God. Her path leads them through a deep and dark mine shaft into an unknown land and completely outlandish time - into the present-day New Zealand of the 1980s.
Using a wealth of rarely-seen archival footage, correspondence, and new and illuminating interviews, Julia Newman makes the case that Albert Einstein's example of social and political activism is as important today as are his brilliant, groundbreaking theories.
This is the about the most admired poet in the History of Urdu and Persian writings, Mirza Ghalib
Scotland, 11th century. Driven by the twisted prophecy of three witches and the ruthless ambition of his wife, warlord Macbeth, bold and brave, but also weak and hesitant, betrays his good king and his brothers in arms and sinks into the bloody mud of a path with no return, sown with crime and suspicion.
Aging King George III of England is exhibiting signs of madness, a problem little understood in 1788. As the monarch alternates between bouts of confusion and near-violent outbursts of temper, his hapless doctors attempt the ineffectual cures of the day. Meanwhile, Queen Charlotte and Prime Minister William Pitt the Younger attempt to prevent the king's political enemies, led by the Prince of Wales, from usurping the throne.