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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Grand Sumo Live - (May 24th)
Yellowstone - (May 24th)
Open House- The Great Sex Experiment - (May 24th)
Millionaire Hoarders - (May 24th)
Gary Barlows Wine Tour - (May 24th)
Tipping Point - (May 24th)
Lets Make a Deal - (May 24th)
The Young and the Restless - (May 24th)
The Bold and the Beautiful - (May 24th)
The Price Is Right - (May 24th)
Cops - (May 24th)
Diners, Drive-Ins and Dives - (May 24th)
Gold Rush- White Water - (May 24th)
The Last Word with Lawrence ODonnell - (May 24th)
WWE SmackDown - (May 24th)
Christmas Cruising with Susan Calman - (May 24th)
Secrets of the Curry Kitchen - (May 24th)
Panda - (May 24th)
Beyond the Gates - (May 24th)
On Patrol- Live - (May 24th)
Two women, Tokiko, a ceramic artist, and her apprentice, Haruka, are in a relationship. The couple is not an intrinsic lesbian, but they fell for each other by chance.
It was a tumultuous time. In the early Meiji period, there was the first photographer in Japan who lived a heroic life. What fascinated him with photography was a photograph of a naked woman.
An orphaned arsonist is interrogated by a detective, revealing his story of sexual abuse and trauma.
In a gritty coastal town, scandal and perverse desire ignite a relentless spiral of illicit encounters. The tale centers on Tamayo Mochizuki, a married woman whose secret trysts with her lover Yoshiyuki unfold in a secluded, rocky cove—while a group of lecherous onlookers spy with voyeuristic glee, tossing crude, provocative remarks. As passion intensifies, the rendezvous devolves into a chaotic melee of lust, sex and betrayal; what begins as daring escapades quickly darkens into brutal power plays where forbidden desire and violence blur. Amid raucous seaside parties and seething rivalries, erotic debauchery unravels in a night marked by twisted seduction, intense sexual acts, shocking coercion, and the irrevocable shattering of lives by uncontrolled, corrupt passion.
A mother, daughter, and their fiancé are enjoying a vacation at a villa near the ocean when suddenly a trio of people - a middle-aged man, a woman, and a young man - break in. Three outsiders and three ordinary people feel what it means to "live" through abnormal behavior. All of them are antisocial. Although the outlaws seem to be repeating antisocial acts, the film makes you feel the emptiness of such acts and the director's appeal to call it a "comedy".
Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends.
The film begins with a young man running while muttering over and over again, "Don't-" (Don't let it bring you down), the title of the film. These words are also a passionate message to the audience. A man and a woman, one chasing the other and the other being chased, a young man with a dream to make a film and the other with no time left. The love, desire, and fate of these people are depicted in this bold story. The final scene with "Love Me Tender" in the background is very moving.
Yasuo and Reiko are a married couple with good sexual compatibility, but Yasuo is dissatisfied with the lack of enjoyable conversation between them. Due to a strange turn of events, he ends up going to a hotel with a junior colleague of Reiko. Reiko goes to the room of another junior colleague, Nobuko, and gets drunk, and on the way back she meets her old lover, Tamura. Tamura is Nobuko's man. Nobuko also has a colleague of Yasuo, Kimura. In the midst of these complicated intertwining human relationships, the flames of lust begin to flare...
A sequel to "Destroy the Evil", it follows the protagonist of the previous film, who is pursued by the yakuza and moves to a rural town in Chiba. The story concludes with a tragic ending, but as the title "Keep running, keep running!" At the end of the film, there is an image shot of the protagonists who continue to run, as the title suggests, and this is a strong statement to the director himself and to the audience.