In Memory

Pulitzer Prize-winning cartoonist and author Art Spiegelman discusses his graphic novel "Maus," which chronicles how his father survived the Holocaust. Also included a journey to Auschwitz, with his wife and art director Francoise Mouly-Spiegelman.

An in depth look at the persecution and subsequent death of the 5 million non Jewish victims of the World War II Holocaust and the lives of those who survived. Through stories of survivors and historical footage, these lesser known voices are brought to life. From the Roma and Sinti people who were also targeted for complete annihilation to the thousands of Catholic Priests who were killed for speaking out, Forget Us Not strives to educate and give tribute to those who were killed for their religion, ethnicity, political views, sexual orientation and physical handicaps.

Documentary about three men who from 1942 tried to inform the world public about the "final solution of the Jewish question" through their various connections. The film, which focuses entirely on the faces of the eyewitnesses interviewed, reports on their efforts to bring knowledge of the Holocaust into the world and focuses on the memories of those affected.

In March 1943, twenty-year-old Ovadia Baruch was deported together with his family from Greece to Auschwitz-Birkenau. Upon arrival, his extended family was sent to the gas chambers. Ovadia struggled to survive until his liberation from the Mauthausen concentration camp in May 1945. While in Auschwitz, Ovadia met Aliza Tzarfati, a young Jewish woman from his hometown, and the two developed a loving relationship despite inhuman conditions. This film depicts their remarkable, touching story of love and survival in Auschwitz, a miraculous meeting after the Holocaust and the home they built together in Israel. This film is part of the "Witnesses and Education" project, a joint production of the International School for Holocaust Studies and the Multimedia Center of the Hebrew University of Jerusalem. In this series, survivors recount their life stores - before, during and after the Holocaust. Each title is filmed on location, where the events originally transpired.

For more than a decade, Reichsmarschall Hermann Goering, Adolf Hitler's right-hand man during the infamous Third Reich, assembled a collection of thousands of works of art that were meticulously catalogued.

A pig farm in Lety, South Bohemia would make an ideal monument to collaboration and indifference, says writer and journalist Markus Pape. Most of those appearing in this documentary filmed in Slovakia, the Czech Republic, Poland, France, Germany and Croatia have personal experience of the indifference to the genocide of the Roma. Many of them experienced the Holocaust as children, and their distorted memories have earned them distrust and ridicule. Continuing racism and anti-Roma sentiment is illustrated among other matters by how contemporary society looks after the locations where the murders occurred. However, this documentary film essay focuses mainly on the survivors, who share with viewers their indelible traumas, their "hole in the head".

A documentary chronicling the adolescent years of Elie Wiesel and the history of his sufferings. Eliezer was fifteen when Fascism brutally altered his life forever. Fifty years later, he returns to Sighetu Marmatiei, the town where he was born, to walk the painful road of remembrance - but is it possible to speak of the unspeakable? Or does Auschwitz lie beyond the capacity of any human language - the place where words and stories run out?

A documentary exploring how Albanians, including many Muslims, helped and sheltered Jewish refugees during WWII at their own risk, and trying to help the son of an Albanian baker that housed a Jewish family for a year return some Hebrew books that the family had to leave behind.

The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.

In September 1943, 17-year-old Stanisław Zalewski was arrested in Warsaw as a member of a Polish resistance group and taken to the Auschwitz-Birkenau extermination camp for labour service. From there, he was sent to Mauthausen and finally to the Gusen camp, where the prisoners were forced to work for the German armaments industry under inhumane conditions. For a long time, Stanisław Zalewski, like many other victims of Nazi terror, remained silent about his painful experiences. It was only after forty years that he began to talk about it, at events, memorial services, and in schools, and he continues to do so to this day, even at the age of 99. Now, for the first time, he tells his stirring life story in a film as a deeply impressive ‘ambassador of remembrance’.