El color del camaleon

A documentary about special makeup effects on low budget horror films. Includes behind-the-scenes footage from Murder Weapon (1989), Robot Ninja (1989), Ghoul School (1990) and Skinned Alive (1990).

The Cistercian monks of Austria are holy men who rise at 4:30 a.m., pray for more than four hours a day and have devoted their lives to God. They're also pop stars. This documentary offers a glimpse at the daily life of the joyous monks of Stift Heiligenkreuz Abbey whose recordings of their ethereal Gregorian chants have turned them into chart-topping music sensations.

The extraordinary story of comedian Bob Monkhouse's life and career, told through the vast private archive of films, TV shows, letters and memorabilia that he left behind.

There is nothing left of the American dream on the Nine-a solemn destination, a resting place for those who have relinquished the dream. Modesto is a city that lies in California's Central Valley, a region devastated during America's Great Depression. Modesto's notorious South Ninth Street ("the Nine") is a no man's land where the rules of polite society do not apply. The people living along the Nine form a ravaged micro community whose Darwinian existence is a day to day hustle, and survival is by any means necessary.

A documentary that explores the challenges that a life in music can bring.

Agüero is able to look at the scene in all it's complexity around architectonical brutality that Santiago de Chile underwent around the year 2000.

A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.

Documentary on the making of Gus Van Sant's "Psycho."

A timely film exploring the confrontation between a feisty 92-year-old Scottish widow and her family and a billionaire trying to become the most powerful man in the world.

Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries stages a probing, at times agitated, search for the meanings of the photographic image, in the form of an extended voiceover conversation and debate between the "amateur photographer" credited with the images and two of his colleagues. Anticipating later writings by Roland Barthes and Susan Sontag (who professed her admiration for the film) If I Had Four Dromedaries reveals Marker's instinctual understanding of the secret rapport between still and moving image.