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The 'Trolls' franchise could have been another cheap brand name recognition film, like 'The Grinch' or the upcoming 'Scoob!', but when you have a team that cares about the project at every level, you end up with not only a fun kid's film, but one with a powerful message. - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-trolls-world-tour-poppy-and-the-gang-are-back-and-rocking-harder-than-ever
"Thrash" and "Barb" have discovered thanks to "Poppy" and "Branch" that it's not just rock that makes the music world tick in Troll land. They are not impressed, and so set about on a unification drive that will eliminate just about everything from techno to pop so that it's just their favourite music that prevails. "Poppy" gets wind of their not so cunning plan and they decide that they need to galvanise all Trollkind to thwart this regal plan. This sequel is a bit bland but still offers some perfectly watchable fayre to plonk the kids in front of on the television. Otherwise it's all just a bit lazily disappointing with a few ballads and mediocre AOR tracks peppered throughout a soundtrack that turns a battle of the genres into more of a limp skirmish. The animation looks pretty fake from start to finish and though there is actually the semblance of a story here, the characterisations are undercooked leaving us with something remarkably sterile - despite it's vibrancy. I'm not really the demographic, but Dreamworks seem to be determined here to capitalise on the brand and an awkwardly delivered mixed message about equality and individualism rather than create something remotely memorable or that might resonate with the younger audience above whose heads most of this will probably wash.
Shot over a two-year period observing Abbado: a) Rossini, Overture to 'll Barbiere di Siviglia' b) Schubert, Symphony no. 2 B-Major, D. 125 c) Arnold Schonberg, Kammersinfonie no. 1 E-Major op. 9 (Filmed in Venice, Gran Teatro La Fenice, in February 1995, Chamber Orchestra of Europe). a) Richard Strauss, Elektra (Deborah Polaski, Karita Mattila, Marjana Lipovsek, Ferrucio Furlanetto) b) Beethoven, Symphony no 6 F-Major, op. 68, 'Pastorale' (Filmed in the Festspielhaus Salzburg on the occasion of the Easter Festival, April 1995, Berlin Philharmonic). a) Beethoven, Concerto for piano and orchestra no. 3 C-MINOR, OP. 37 (Maria Joao Pires) b) Bruckner, Symphony no. 9 D-Minor (Filmed in Paris, Cite de la Musique, in August 1995, Gustav Mahler Youth Orchestra).
The two-hour sketch comedy show-meets-concert film builds upon and punctuates the multimedia format of the band's live performances with skits from the stable of Puscifer characters such as Billy D, Hildy and Major Douche woven into the performance footage of the Maynard James Keenan led quintet."Being surrounded by so many talented and creative people is an endless source of inspiration. This film only scratches the surface of how deep our proverbial rabbit hole goes. What Is Puscifer is meant to conjure as many questions as it answers," explained Maynard James Keenan.Puscifer's concerts have been praised for their out-of-the-box take on what a live performance can be, with the Orange County Register saying "the production matters as much as the music" and describing the event as "a thought-provoking, senses-jabbing statement on a variety of topics."
Showtime, Storytime is a double Blu-ray, DVD and CD from Finnish symphonic metal band Nightwish. Nuclear Blast recorded their live performance at the Wacken Open Air in Wacken, Germany on August 3, 2013. Showtime, Storytime is the first Nightwish production to feature Floor Jansen on vocals. 1. Dark Chest Of Wonders 2. Wish I Had An Angel 3. She Is My Sin 4. Ghost River 5. Ever Dream 6. Storytime 7. I Want My Tears Back 8. Nemo 9. Last Of The Wilds 10. Bless The Child 11. Romanticide 12. Amaranth 13. Ghost Love Score 14. Song Of Myself 15. Last Ride Of The Day 16. Outro: Imaginaerum
The stars of Europe's ascendant chip music movement demonstrate the repurposing of old videogame and home computer hardware like Nintendo's GameBoy and NES, Atari's ST, and Commodore's Amiga and C64 into tools by which they have created a new sound, a modern tempo and an innovative musical style.
To play Beethoven's music is to give oneself over completely to the child-spirit which lived in that grim, awkward, violent man. Without that utter submission it is impossible to play the Adagio of the Ninth. Or, Heaven knows, the first movement. And the Finale? Most of all! It is simply unplayable unless we go all the way with him, as he cries out "Brüder!" - Leonard Bernstein
In Vienna's Musikverein, Leonard Bernstein and the Vienna Philharmonic celebrates Ludwig Van Beethoven's 200th birthday with a joyful performance of his Piano Concerto No. 1 in C Major. Maestro Bernstein conducts the orchestra from the keyboard in this historic concert.
Leonard Bernstein performs three of his own compositions with the Israel Philharmonic Orchestra at the Philharmonic in Berlin.
Choi Yeonjun prepares for his end of the year performances. He takes us along with him in his journey as he makes it all happen.
2013 live release from the iconic German rockers. On September 11 and 12, 2013, the Scorpions played two fantastic acoustic sets in the Lycabettus theatre of Athens. The open-air theatre, which was designed by the Greek architect Takis Zenetos in 1965 is situated on Mount Lycabettus, at 300m height, and offers an impressive view of the Greek metropolis.