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Suffers a little from the belief commonly held by sequels that "Bigger is better". Does expand the mythology (arguably not a positive), but more importantly is still a good time, thanks primarily to the relationship between the Brendan Fraser and Rachael Weisz characters. _Final rating:★★★ - I personally recommend you give it a go._
***Bigger is NOT always better; here it’s overKILL*** I'm a fan of the first movie from 1999 and was naturally looking forward to this 2001 sequel. I originally saw it at the theater with two friends; after about 10-15 minutes we were all bored by the bombardment of action and F/X. We just laid back in our seats in tedium for the remaining couple hours. It's a curious thing that too much action and F/X in a film can be boring. It may not seem logical but it's true; and "The Mummy Returns" is Exhibit A. I usually give certain movies second and third chances in the hope that my first impression may have been in error, which I’ve done with this one over the years. Unfortunately I keep finding myself relatively detached from the story even though there are all kinds of exciting things going on; or, at least, things that SHOULD HAVE been exciting. "The Mummy Returns" has a lot going for it: A great cast, locations, costumes, cinematography, F/X, etc. (although some of the CGI is woefully cartoony, like the Scorpion King at the close). It has great Indiana Jones appeal. Unfortunately it all adds up to a forgettable piece of cinematic dung. What went wrong? Simply put, no substance. "The Mummy Returns" abandons the characters while the plot is utilized as a clothesline for action and F/X sequences. The flick curiously has so many ingredients right, but it somehow utterly fails to absorb the viewer. It is unadulterated cinematic JUNK. It should be utilized in filmmaking classes as the quintessential example of style over substance or overKILL: having all the right elements, including budget, and yet stupefyingly fumbling the ball. The film runs 2 hours, 10 minutes (overlong), and was shot in England, Morocco, Jordan and Egypt. GRADE: C-
Yeah, right, and no harm ever came from reading a book. You remember how that one went? After the financial success of "The Mummy" two years earlier, the sequel was inevitable. The big players from the first film are back, Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo and Oded Fehr. Stephen Sommers once again directs (and writes), Patricia Velasquez comes in to be a main player after her cameo in the first film, and young Freddie Boath plays the son of Rick and Evelyn who are now married. This time the cameo goes to Dwayne "The Rock" Johnson who plays The Scorpion King and who is replaced by a very bad CGI version of himself at film's finale. When the second sequel, "The Mummy: Tomb of the Dragon Emperor" (2008), was released, Brendan Fraser went on record as saying that for "The Mummy Returns" they basically remade the film they had already made in 1999! This is absolutely true, some new characters and an expansion on the O'Connell romance have been put in to beef it up, while some Zombie Pygmies are around to add extra monster factor, but yes! It's a re-tread only with more money spent, more effects (and better effects apart from Scorpion King) and more noise. This actually is OK for those who enjoyed the first film immensely, because "Returns" is every bit as enjoyable as family blockbuster entertainment. The Worldwide box offices rang to the tune of over $330 million in profit. That's a lot of happy families you would think!. So yes, it's a bit of a cheat, but much like the film before it, it gets away with it because the makers do everything they can to entertain the action/adventure loving crowd. With legions of Anubis warriors, those awesome Pygmies and the all round funny by-play between a cast comfortable with the material (again), "The Mummy Returns" delivers exactly what can reasonably be expected of it. 7/10
This is, actually, every bit as good as it's daddy - but why, oh why, do we always to have to introduce children into the mix? In this case Fredddie Boath joins the gang of intrepid adventurers trying to save the world from the scourge of a recently re-reincarnated mummy (a re-born, born again sort of thing!). He finds the Bracelet of Anubis, gets kidnapped and off we go on a fun race against time across the desert encountering all sorts of dangers and evil critters along the way. This one also introduces us to the "Scorpion King" (least said, I think) and Sommers, again, keeps this all moving along apace. It is just entertainment and if you look for nothing more then - of it's genre, it isn't disappointing.
'The Mummy Returns' feels to me to be a downgrade on the original, though I still gained the desired entertainment from it. There is an absolute barrage of special effects used in this though, I said in my previous review about it aging badly - it's worse here. I still wouldn't say that the below par effects affected my enjoyment terribly much, like last time, but due to the (what felt like) increase of its usage it definitely becomes a bit of an eyesore this time out. The Scorpion King towards the conclusion looks particularly poor, I gotta say. Cast-wise, I could copy and paste what I said about the 1999 flick. Brendan Fraser and Rachel Weisz are good together, I like the addition of their son (played well by Freddie Boath) into the mix. Also in my review of 'The Mummy', I noted that I wanted more of Oded Fehr, well I got that wish delivered here. Quite interesting to see Dwayne Johnson appear as The Scorpion King, a character (and therefore franchise; five of them!) that I never knew existed until very recently. Given Johnson's upward acting trajectory since these films, I assume he didn't appear in all of those other spin-offs; I'll soon find out, intrigued to watch 'em either way.
Thrill-seeking teenagers resurrect a demon from his grave and a bloody rampage for revenge begins.
He threw their loved ones into a swamp. Now they want revenge... But when a demon does their dirty work, it comes at a price.
During a bitter family feud, Jodie Hatfield, and her boyfriend Ricky McCoy, decide to leave town to avoid being found out, but are soon caught in the act. Wanting vengeance, he seeks out the monster Pumpkinhead, and resurrects it seek revenge on the family. Despite being warned away by the ghost of Ed Harley, his vengeance plan starts out, and the Hatfield family is soon under siege by the powerful demon. Not accepting the legend of the creature and believing their arch-rivals are the real cause, the two families attempt to go to war, only to be stopped when Pumpkinhead attacks the Hatfield house. Putting aside their differences, they band together to stave off the creature before it's vengeance pact is completed.
To save the world, Mothra goes back in time in an attempt to defeat a younger King Ghidorah.
As Halloweentown prepares to celebrate its 1,000th anniversary, Marnie Piper and her brother Dylan return to Witch University, where trouble is in session from the Sinister Sisters and from someone who's plotting to use Marnie's powers for evil.
The Cromwell clan lives in the real world, except for their grandmother who lives in Halloweentown, a place where monsters go to escape reality. But now the son of the Cromwells' old enemy Kalabar has a plan to use the grandmother's book to turn Halloweentown into a grey dreary version of the real world while transforming the denizens of the real world into monsters.
In post-apocalyptic Yokohama, a hard-boiled cop and a mellowed out drifter hook up with a gang of rebels. When the gang kidnap the cop's son, the wheels are set in motion for an inevitable showdown.
Months after finding a powerful necklace that transforms her into an otherworldly creature, Hope embarks on a personal mission to uncover its true origins. Eventually she turns to the last source she ever expected. Will she find the answers she seeks?
A stop motion 1930s fairy tale follows a monster that yearns to be a part of civilized human society. After an unfortunate mishap, the monster’s hopes of being one with the humans is put on trial.
A collection of artifacts from an archeological dig in Egypt are brought to the famous Louvre museum in Paris, and while experts are using a laser scanning device to determine the age of a sarcophagus, a ghostly spirit escapes and makes its way into the museum's electrical system.