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> The fight within them is to free the nation from a foreign power. I remember that a few years ago I loved 'Jeon Woo-Chi' from this same director. It was so awesome, the mix between the modern world and ancient myth with the usual Korean style presentation, a little different from other similar western films due to the cultural difference. After that, this the second movie of his I am watching and I had two opposite thoughts in the two halves of the movie. Initially, I felt I chose a wrong movie. One of the reason was, I could not get the film characters right due to complicated introductions. Too many main characters and that's a too much to recognise if you're not a Korean or not familiar with the Korean faces/actors. Somewhat I was confused, at least in the first quarter. In the second half, especially after the story moved to Korean, I get used to it and afterwards it was very smooth. The other reason was obviously the length of the movie. Only because of the puzzled opening order. Later the story development was so good, I began to feel comfortable with the narration and after that I did not notice the runtime at all. I have no source to confirm whether it was based on the real or simply a cinematic fiction, but it was very interesting as it progress. So don't force yourself to watch the movie, but it you do, then give it a time in the beginning and be focused, later definitely you will be in a position to get through as easily as I did. > "Damn, we could all die tomorrow. Let's dance." Actually, it all began in the year 1911, and moved to 20 years later during the Japan's occupation of Korea. The resistance freedom fighters plan a series of assassination of the Japanese leaders in the nation's different regions. One such man was a powerful native business tycoon. When everything goes wrong, the story begins to take a turn, complicates further by revealing the old secret. How much it affects and to whom, followed by the final battle sequence. Obviously everyone interesting in this film for Jeon Ji-Hyun's presence. Of course, as usual she was very impressive, but her so-star, Ha Jung-Woo with his weird screen name 'Hawaii Pistol' was also equally good. When I first heard Hawaii Pistol is coming, I thought it was the arms supply from Hawaii. Anyway, it was a grand intro, after his entry the movie was set to explore the rest of the story in a style. The other actors like his hilarious partner and the main villain set the tone for the movie. Certainly it is a movie to pick if you want an historic subject other than your regular Korean themes. Beautifully written for the screen, except like I said the editing was confusing for the lack of proper inception. Don't think it's simply about the brave freedom fighters; betrayal, revenge, family, third person caught in, like that it had many stuffs. It is also very rare to see a woman fighter among them. All the action scenes were really well made, because that's the title isn't. The terrific settings of the 30s as well. I can't say about it is a must see or not, but surely a fine historic movie that I am pleased with. 8/10
After Silvia Broome, an interpreter at United Nations headquarters, overhears plans of an assassination, an American Secret Service agent is sent to investigate.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
En route to the honeymoon of William Riker to Deanna Troi on her home planet of Betazed, Captain Jean-Luc Picard and the crew of the U.S.S. Enterprise receives word from Starfleet that a coup has resulted in the installation of a new Romulan political leader, Shinzon, who claims to seek peace with the human-backed United Federation of Planets. Once in enemy territory, the captain and his crew make a startling discovery: Shinzon is human, a slave from the Romulan sister planet of Remus, and has a secret, shocking relationship to Picard himself.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
In Los Angeles, a wealthy man, known as Mr. Fuller, discovers a shocking secret about the world he lives in. Fearing for his life, he leaves a desperate message for a friend of his in the most unexpected place.
A rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.
In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.
Follows the investigation into the assassination of President John F. Kennedy led by New Orleans district attorney Jim Garrison.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.
Rick and Evelyn O’Connell, along with their 8-year-old son Alex, discover the key to the legendary Scorpion King’s might: the fabled Bracelet of Anubis. Unfortunately, a newly resurrected Imhotep has designs on the bracelet as well, and isn’t above kidnapping its new bearer, Alex, to gain control of Anubis’s otherworldly army.